“The Hill We Climb” by Amanda Gorman at the 2021 presidential inauguration

"The Hill We Climb"

By Amanda Gorman

Poem recited at Joseph R. Biden's Inauguration, Jan. 20, 2021

When day comes, we ask ourselves,

where can we find light in this never-ending shade?

The loss we carry,

a sea we must wade?

We've braved the belly of the beast

We've learned that quiet isn't always peace

And the norms and notions

of what just is

Isn’t always just-ice

And yet the dawn is ours

before we knew it

Somehow we do it

Somehow we've weathered and witnessed

a nation that isn’t broken

but simply unfinished

We the successors of a country and a time

Where a skinny Black girl

descended from slaves and raised by a single mother

can dream of becoming president

only to find herself reciting for one

And yes we are far from polished

far from pristine

but that doesn’t mean we are

striving to form a union that is perfect

We are striving to forge a union with purpose

To compose a country committed to all cultures, colors, characters and

conditions of man

And so we lift our gazes not to what stands between us

but what stands before us

We close the divide because we know, to put our future first,

we must first put our differences aside

We lay down our arms

so we can reach out our arms

to one another

We seek harm to none and harmony for all

Let the globe, if nothing else, say this is true:

That even as we grieved, we grew

That even as we hurt, we hoped

That even as we tired, we tried

That we’ll forever be tied together, victorious

Not because we will never again know defeat

but because we will never again sow division

Scripture tells us to envision

that everyone shall sit under their own vine and fig tree

And no one shall make them afraid

If we’re to live up to our own time

Then victory won’t lie in the blade

But in all the bridges we’ve made

That is the promise to glade

The hill we climb

If only we dare it

Because being American is more than a pride we inherit,

it’s the past we step into

and how we repair it

We’ve seen a force that would shatter our nation

rather than share it

Would destroy our country if it meant delaying democracy

And this effort very nearly succeeded

But while democracy can be periodically delayed

it can never be permanently defeated

In this truth

in this faith we trust

For while we have our eyes on the future

history has its eyes on us

This is the era of just redemption

We feared at its inception

We did not feel prepared to be the heirs

of such a terrifying hour

but within it we found the power

to author a new chapter

To offer hope and laughter to ourselves

So while once we asked,

how could we possibly prevail over catastrophe?

Now we assert

How could catastrophe possibly prevail over us?

We will not march back to what was

but move to what shall be

A country that is bruised but whole,

benevolent but bold,

fierce and free

We will not be turned around

or interrupted by intimidation

because we know our inaction and inertia

will be the inheritance of the next generation

Our blunders become their burdens

But one thing is certain:

If we merge mercy with might,

and might with right,

then love becomes our legacy

and change our children’s birthright

So let us leave behind a country

better than the one we were left with

Every breath from my bronze-pounded chest,

we will raise this wounded world into a wondrous one

We will rise from the gold-limbed hills of the West,

We will rise from the windswept Northeast

where our forefathers first realized revolution

We will rise from the lake-rimmed cities of the Midwestern states,

we will rise from the sunbaked South

We will rebuild, reconcile and recover

and every known nook of our nation and

every corner called our country,

our people diverse and beautiful will emerge,

battered and beautiful

When day comes we step out of the shade,

aflame and unafraid

The new dawn blooms as we free it

For there is always light,

if only we’re brave enough to see it

If only we’re brave enough to be it

Amanda Gorman is a 22-year-old American poet and activist from Los Angeles. Gorman's work focuses on issues of oppression, feminism, race, and marginalization, as well as the African diaspora. Gorman is the first person to be named National Youth Poet Laureate. She published the poetry book "The One for Whom Food Is Not Enough" in 2015.

This is good wordplay:

"And the norms and notions

of what just is

Isn’t always just-ice" 

Gorman used the finger quotes and slowed down at "just is" so the non-poets listening could see what she was doing with "just is"/"justice". (0:32)

It's a serious and sincere take on the word that reminds me of the far less serious, satirical wordplay of Taylot Mali's "How to Write a Political Poem": "Injustice isn't injustice it's just in us as we are just in ice."

I'm glad Gorman wasn't subtle; politicians aren't poets and need the help.

This is also a great section:

We the successors of a country and a time

Where a skinny Black girl

descended from slaves and raised by a single mother

can dream of becoming president

only to find herself reciting for one

It acknowledges the historical significance of the moment, but has a subtle dig that a Black girl, which could arguably be read as Harris or simply herself is not president.

But it also plays off the end of the previous stanza 

Somehow we've weathered and witnessed

a nation that isn’t broken

but simply unfinished

 i.e., for a Black girl only reciting for a president and not being sworn in as president, the American dream of equality, personified as a Black woman becoming president, therefore remains "unfinished."

This "falling short" line, though, sets up the next portion: 

And yes we are far from polished

far from pristine

but that doesn’t mean we are

striving to form a union that is perfect

All in all, great structure.

I liked Gorman more than both of Obama's poets (Richard Blanco and Elizabeth Alexander) and Clinton's second, Miller Williams. Maya Angelou in 1993 is still my favorite because it was a great performance and she was freakin' Maya Angelou.

I hope there were a lot of little girls who saw Gorman read and want to be up on that dais as either a poet or one of the two people getting sworn in.

Other Inauguration Poets:

"The Gift Outright"

by Robert Frost

Poem recited at John F. Kennedy's Inauguration, Jan. 20, 1961

(Frost had intended to read "Dedication: For John F. Kennedy's Inauguration," but couldn't read the paper due to the glare from the snow, so 2:40 into, gave up and switched to "The Gift Outright," which he had memorized. At age 86 in 1961, he was the oldest poet to read at in inauguration)

The land was ours before we were the land’s 

She was our land more than a hundred years 

Before we were her people. She was ours 

In Massachusetts, in Virginia, 

But we were England’s, still colonials, 

Possessing what we still were unpossessed by, 

Possessed by what we now no more possessed. 

Something we were withholding made us weak 

Until we found out that it was ourselves 

We were withholding from our land of living, 

And forthwith found salvation in surrender. 

Such as we were we gave ourselves outright 

(The deed of gift was many deeds of war) 

To the land vaguely realizing westward, 

But still unstoried, artless, unenhanced, 

Such as she was, such as she will become.

"On the Pulse of Morning"

by Maya Angelou

Poem recited at Bill Clinton's Inauguration, Jan. 20, 1993

A Rock, A River, A Tree

Hosts to species long since departed,

Marked the mastodon,

The dinosaur, who left dried tokens

Of their sojourn here

On our planet floor,

Any broad alarm of their hastening doom

Is lost in the gloom of dust and ages.

But today, the Rock cries out to us, clearly, forcefully,

Come, you may stand upon my

Back and face your distant destiny,

But seek no haven in my shadow.

I will give you no hiding place down here.

You, created only a little lower than

The angels, have crouched too long in

The bruising darkness

Have lain too long

Face down in ignorance.

Your mouths spilling words

Armed for slaughter.

The Rock cries out to us today, you may stand upon me,

But do not hide your face.

Across the wall of the world,

A River sings a beautiful song. It says,

Come, rest here by my side.

Each of you, a bordered country,

Delicate and strangely made proud,

Yet thrusting perpetually under siege.

Your armed struggles for profit

Have left collars of waste upon

My shore, currents of debris upon my breast.

Yet today I call you to my riverside,

If you will study war no more. Come,

Clad in peace, and I will sing the songs

The Creator gave to me when I and the

Tree and the rock were one.

Before cynicism was a bloody sear across your

Brow and when you yet knew you still

Knew nothing.

The River sang and sings on.

There is a true yearning to respond to

The singing River and the wise Rock.

So say the Asian, the Hispanic, the Jew

The African, the Native American, the Sioux,

The Catholic, the Muslim, the French, the Greek

The Irish, the Rabbi, the Priest, the Sheik,

The Gay, the Straight, the Preacher,

The privileged, the homeless, the Teacher.

They hear. They all hear

The speaking of the Tree.

They hear the first and last of every Tree

Speak to humankind today. Come to me, here beside the River.

Plant yourself beside the River.

Each of you, descendant of some passed

On traveller, has been paid for.

You, who gave me my first name, you,

Pawnee, Apache, Seneca, you

Cherokee Nation, who rested with me, then

Forced on bloody feet,

Left me to the employment of

Other seekers—desperate for gain,

Starving for gold.

You, the Turk, the Arab, the Swede, the German, the Eskimo, the Scot,

You the Ashanti, the Yoruba, the Kru, bought,

Sold, stolen, arriving on the nightmare

Praying for a dream.

Here, root yourselves beside me.

I am that Tree planted by the River,

Which will not be moved.

I, the Rock, I the River, I the Tree

I am yours—your passages have been paid.

Lift up your faces, you have a piercing need

For this bright morning dawning for you.

History, despite its wrenching pain

Cannot be unlived, but if faced

With courage, need not be lived again.

Lift up your eyes upon

This day breaking for you.

Give birth again

To the dream.

Women, children, men,

Take it into the palms of your hands,

Mold it into the shape of your most

Private need. Sculpt it into

The image of your most public self.

Lift up your hearts

Each new hour holds new chances

For a new beginning.

Do not be wedded forever

To fear, yoked eternally

To brutishness.

The horizon leans forward,

Offering you space to place new steps of change.

Here, on the pulse of this fine day

You may have the courage

To look up and out and upon me, the

Rock, the River, the Tree, your country.

No less to Midas than the mendicant.

No less to you now than the mastodon then.

Here, on the pulse of this new day

You may have the grace to look up and out

And into your sister’s eyes, and into

Your brother’s face, your country

And say simply

Very simply

With hope—

Good morning.

"Of History and Hope"

by Miller Williams

Poem recited at Bill Clinton’s Inauguration, Jan. 20, 1997

We have memorized America,

how it was born and who we have been and where.

In ceremonies and silence we say the words,

telling the stories, singing the old songs.

We like the places they take us. Mostly we do.

The great and all the anonymous dead are there.

We know the sound of all the sounds we brought.

The rich taste of it is on our tongues.

But where are we going to be, and why, and who?

The disenfranchised dead want to know.

We mean to be the people we meant to be,

to keep on going where we meant to go.

But how do we fashion the future? Who can say how

except in the minds of those who will call it Now?

The children. The children. And how does our garden grow?

With waving hands—oh, rarely in a row—

and flowering faces. And brambles, that we can no longer allow.

Who were many people coming together

cannot become one people falling apart.

Who dreamed for every child an even chance

cannot let luck alone turn doorknobs or not.

Whose law was never so much of the hand as the head

cannot let chaos make its way to the heart.

Who have seen learning struggle from teacher to child

cannot let ignorance spread itself like rot.

We know what we have done and what we have said,

and how we have grown, degree by slow degree,

believing ourselves toward all we have tried to become—

just and compassionate, equal, able, and free.

All this in the hands of children, eyes already set

on a land we never can visit—it isn’t there yet—

but looking through their eyes, we can see

what our long gift to them may come to be.

If we can truly remember, they will not forget.

"Praise Song for the Day"

by Elizabeth Alexander

Poem recited at Barack Obama’s Inauguration, Jan. 20, 2009

Each day we go about our business,

walking past each other, catching each other's

eyes or not, about to speak or speaking.

All about us is noise. All about us is

noise and bramble, thorn and din, each

one of our ancestors on our tongues.

Someone is stitching up a hem, darning

a hole in a uniform, patching a tire,

repairing the things in need of repair.

Someone is trying to make music somewhere,

with a pair of wooden spoons on an oil drum,

with cello, boom box, harmonica, voice.

A woman and her son wait for the bus.

A farmer considers the changing sky.

A teacher says, Take out your pencils. Begin.

We encounter each other in words, words

spiny or smooth, whispered or declaimed,

words to consider, reconsider.

We cross dirt roads and highways that mark

the will of some one and then others, who said

I need to see what's on the other side.

I know there's something better down the road.

We need to find a place where we are safe.

We walk into that which we cannot yet see.

Say it plain: that many have died for this day.

Sing the names of the dead who brought us here,

who laid the train tracks, raised the bridges,

picked the cotton and the lettuce, built

brick by brick the glittering edifices

they would then keep clean and work inside of.

Praise song for struggle, praise song for the day.

Praise song for every hand-lettered sign,

the figuring-it-out at kitchen tables.

Some live by love thy neighbor as thyself,

others by first do no harm or take no more

than you need. What if the mightiest word is love?

Love beyond marital, filial, national,

love that casts a widening pool of light,

love with no need to pre-empt grievance.

In today's sharp sparkle, this winter air,

any thing can be made, any sentence begun.

On the brink, on the brim, on the cusp,

praise song for walking forward in that light.

"One Today"

by Richard Blanco

Poem recited at Barack Obama’s Inauguration, Jan. 20, 2013

 [At age 44, he was the younger poet to read at inauguration until 22-year-old Amanda Gorman read in 2021]

One sun rose on us today, kindled over our shores,

peeking over the Smokies, greeting the faces

of the Great Lakes, spreading a simple truth

across the Great Plains, then charging across the Rockies.

One light, waking up rooftops, under each one, a story

told by our silent gestures moving behind windows.

My face, your face, millions of faces in morning’s mirrors,

each one yawning to life, crescendoing into our day:

pencil-yellow school buses, the rhythm of traffic lights,

fruit stands: apples, limes, and oranges arrayed like rainbows

begging our praise. Silver trucks heavy with oil or paper—

bricks or milk, teeming over highways alongside us,

on our way to clean tables, read ledgers, or save lives—

to teach geometry, or ring-up groceries as my mother did

for twenty years, so I could write this poem.

All of us as vital as the one light we move through,

the same light on blackboards with lessons for the day:

equations to solve, history to question, or atoms imagined,

the “I have a dream” we keep dreaming,

or the impossible vocabulary of sorrow that won’t explain

the empty desks of twenty children marked absent

today, and forever. Many prayers, but one light

breathing color into stained glass windows,

life into the faces of bronze statues, warmth

onto the steps of our museums and park benches

as mothers watch children slide into the day.

One ground. Our ground, rooting us to every stalk

of corn, every head of wheat sown by sweat

and hands, hands gleaning coal or planting windmills

in deserts and hilltops that keep us warm, hands

digging trenches, routing pipes and cables, hands

as worn as my father’s cutting sugarcane

so my brother and I could have books and shoes.

The dust of farms and deserts, cities and plains

mingled by one wind—our breath. Breathe. Hear it

through the day’s gorgeous din of honking cabs,

buses launching down avenues, the symphony

of footsteps, guitars, and screeching subways,

the unexpected song bird on your clothes line.

Hear: squeaky playground swings, trains whistling,

or whispers across café tables, Hear: the doors we open

for each other all day, saying: hello / shalom,

buon giorno / howdy / namaste / or buenos días

in the language my mother taught me—in every language

spoken into one wind carrying our lives

without prejudice, as these words break from my lips.

One sky: since the Appalachians and Sierras claimed

their majesty, and the Mississippi and Colorado worked

their way to the sea. Thank the work of our hands:

weaving steel into bridges, finishing one more report

for the boss on time, stitching another wound

or uniform, the first brush stroke on a portrait,

or the last floor on the Freedom Tower

jutting into a sky that yields to our resilience.

One sky, toward which we sometimes lift our eyes

tired from work: some days guessing at the weather

of our lives, some days giving thanks for a love

that loves you back, sometimes praising a mother

who knew how to give, or forgiving a father

who couldn’t give what you wanted.

We head home: through the gloss of rain or weight

of snow, or the plum blush of dusk, but always—home,

always under one sky, our sky. And always one moon

like a silent drum tapping on every rooftop

and every window, of one country—all of us—

facing the stars

hope—a new constellation

waiting for us to map it,

waiting for us to name it—together