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Visit the new website of Sedona's best known outsider artist, Brian Walker, at

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Ryan Brown wins the fourth Sedona Poetry Slam of the 2012-13 National Poetry Slam Season

Photo by Tara Graeber

Ryan Brown, of Flagstaff, wins the Feb. 16 Sedona Poetry Slam.

Ryan Brown wins the fourth Sedona Poetry Slam of the 2012-13 National Poetry Slam Season.

Round 1

Random Draw

Calibration: Christopher Fox Graham, of Sedona

Valence, of Flagstaff, 2:28, 25.9
Slammy D, of Flagstaff, 2:38, 25.5
Jackson Morris, of Flagstaff, 2:24, 23.7
Josh Wiss, of Flagstaff, 1:36, 24.8
Ryan Brown, of Flagstaff, 3:11, 28.3 (after 0.5 time penalty)
Ashley Swazey, of Flagstaff, 3:02, 25.7
The Klute, of Phoenix, 2:58, 28.1
Ky J. Dio, of Flagstaff, 1:59, 24.2
Susan Okie, of Washington D.C., 1:38, 23.3
Evan Dissinger, of Flagstaff, 2:00, 26.1
Joy Young, of Phoenix, 2:31, 28.2

Teaser: Jeremiah Blue, of Phoenix

Round 2

Reverse Order

Joy Young, of Phoenix, 2:36, 27.3, 55.5
Evan Dissinger, of Flagstaff, 2:47, 26.3, 52.4
Susan Okie, of Washington D.C., 1:39, 23.3, 46.6
Ky J. Dio, of Flagstaff, 1:53, 25.2, 50.9
The Klute, of Phoenix, 2:40, 27.0, 55.1
Ashley Swazey, of Flagstaff, 2:31, 27.0, 52.7
Ryan Brown, of Flagstaff, 28.2, 28.2, 56.5
Josh Wiss, of Flagstaff, 2:10, 26.6, 51.4
Jackson Morris, of Flagstaff, 3:06, 29.2, 52.9
Slammy D, of Flagstaff, 1:04, 25.9, 51.4
Valence, of Flagstaff, 2:02, 28.5, 53.4

Feature: Jeremiah Blue

Jeremiah Blue features at the Sedona Poetry Slam on Saturday, Feb. 16.

Jeremiah Blue is a Phoenix-based poet that has organized, hosted, and performed in the poetry slam scene since 2006. He has performed at a variety of venues throughout the country.

Currently, Blue co-hosts a weekly poetry slam in downtown Phoenix at Lawn Gnome Bookstore.

In 2007, he earned the title of Phoenix Poetry Slam Champion and has represented Phoenix twice at the National Poetry Slam. He also became the Individual Poetry Slam Champion for Phoenix in 2012, earning him the slot to represent the city at the Individual World Poetry Slam.

You can reach him on Facebook or you can email him at jsblue@gmail.com for more information or booking.

Round 3

High to Low

Sorbet:Verbal Kensington, of Flagstaff

Ryan Brown, of Flagstaff, 3:00, 28.5, 85.0
Joy Young, of Phoenix, 1:31, 28.5, 84.0
The Klute, of Phoenix, 1:53, 28.6, 83.7
Valence, of Flagstaff, 1:53, 28.1, 81.0
Jackson Morris, of Flagstaff, 3:15, 27.6 (after 0.5 time penalty), 78.2

Sorbet: Christopher Fox Graham, of Sedona

Victory: Ryan Brown, of Flagstaff

Final Scores

Ryan Brown, of Flagstaff, 85.0

Joy Young, of Phoenix, 84.0 - Winner of the Sedona slot for the Women of the World Poetry Slam

The Klute, of Phoenix, 83.7

Valence, of Flagstaff, 81.0
Jackson Morris, of Flagstaff, 78.2

Ashley Swazey, of Flagstaff,52.7
Evan Dissinger, of Flagstaff, 52.4
Josh Wiss, of Flagstaff, 51.4
Slammy D, of Flagstaff, 51.4
Ky J. Dio, of Flagstaff, 50.9
Susan Okie, of Washington D.C., 46.6

Sedona National Poetry Slam Team

Slamoff Point Standings

9 points
Ryan Brown, of Flagstaff✓✓
The Klute, of Phoenix
8 points
Josh Wiss, of Flagstaff✓
7 points
Joy Young, of Phoenix
5 points
Evan Dissinger, of Flagstaff
4 points
Christopher Fox Graham, of Sedona
Jackson Morris, of Flagstaff
Leo Bryant, of Richmond, Calif.✓
3 points
Charles Levett, of Phoenix
Jeremiah Blue, of Phoenix
2 points
Ashley Swazey, of Phoenix
Austin Reeves, of Flagstaff
Bert Cisneros, of Cottonwood
Lauren Perry, of Phoenix
Lynn Gravatt, of Sedona
1.5 points
Josh Floyd, of Flagstaff
Taylor Hayes, of Flagstaff
Valence, of Flagstaff
1 points
Bill Campana, of Mesa
Gary Every, of Sedona
Houston Hughes, of Fayetteville, Ark.
Jackie Stockwell, of Flagstaff
Jasmine "Jazz" Sufi Wilkenson of Santa Cruz, Calif.
Jordan Ranft, of Santa Rosa, Calif.
Ky J. Dio, of Flagstaff
Lauren Deja, of Phoenix
Little Blue Lyon-Fish, of Phoenix
nodalone, of Flagstaff
Robert Gonzales, of Flagstaff
Rowie Shebala, of Phoenix
Slammy D, of Flagstaff
Susan Okie, of Washington D.C.,
Vincent Vega, of Flagstaff
0.5 points
Verbal Kensington, of Flagstaff

✓ = won a Sedona Poetry Slam

Get your tickets now for Sedona Poetry Slam tomorrow

Jeremiah Blue features at the Sedona Poetry Slam on Saturday, Feb. 16

The current lineup:

Ryan Brown
Talyne Corlyn
Ky J. Dio
Evan Dissinger
Sammy Dominguez
Lileana Fangz
Josh Floyd
The Klute
Taylor Hayes
John Quinonez
Austin Reeves
Jackie Stockwell
Ashley Swazey
Joy Young

Sedona's Studio Live hosts a poetry slam Saturday, Feb. 16, starting at 7:30 p.m. featuring Phoenix poet Jeremiah Blue and hosted by Sedona poet Christopher Fox Graham.

Tickets are $10 if you buy them today. Tomorrow, the day of the slam, tickets are $12, so buy them by midnight!

The Feb. 16 poetry is slam is also the qualifier for Sedona's representative to
the International Women of the World Poetry Slam

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

The slam is the fourth of the 2012-13 season, which will culminate in selection of Sedona's second National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Boston and Cambridge, Mass., in August.

The local poets will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression. Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C.

To compete in the slam, poets need at least three original poems, each three minutes long or shorter. No props, costumes or musical accompaniment are permitted. All types of poetry are welcome.

The slam will be hosted by Graham, who represented Northern Arizona on six FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010 and 2012.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

Jeremiah Blue

Jeremiah Blue features at the Sedona Poetry Slam on Saturday, Feb. 16.

Jeremiah Blue is a Phoenix-based poet that has organized, hosted, and performed in the poetry slam scene since 2006. He has performed at a variety of venues throughout the country.

Currently, Blue co-hosts a weekly poetry slam in downtown Phoenix at Lawn Gnome Bookstore.

In 2007, he earned the title of Phoenix Poetry Slam Champion and has represented Phoenix twice at the National Poetry Slam. He also became the Individual Poetry Slam Champion for Phoenix in 2012, earning him the slot to represent the city at the Individual World Poetry Slam.

You can reach him on Facebook or you can email him at jsblue@gmail.com for more information or booking.

Women of the World Poetry Slam Qualifier

This slam is also the qualifier for Sedona's representative to the International Women of the World Poetry Slam, to be held in Minneapolis from March 6-9. The highest ranked female or female-identified poet from earns Sedona's WOWps slot.

Eligibility: Poets who live their lives as women are eligible to participate in the Women of the World Poetry Slam. Competitors are eligible from certified venues or as individuals from areas without certified venues (a.k.a. “Storm” poets). Certified venues have a window of time to enter before individuals not associated with certified slams are able to enter. All certified venues must have a competition to determine their contestants.

All competitors must be PSI members in good standing and must agree to participate in the event following the rules of Slam as well as the Code of Honor, and must allow for PSI to videotape their performances for PSI owned product.

What is Poetry Slam?

Founded in Chicago in 1984, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

2013 Sedona National Poetry Slam Team

Competing poets earn points with each Sedona Poetry Slam performance between September and May. Every poet earns 1 point for performing or hosting. First place earns 3 additional points, second place earns 2 and third place earns 1.

Based on points, the top 12 poets in May are eligible to compete for the four slots on the Sedona Poetry Slam Team, which will represent the community and Studio Live at the 2013 National Poetry Slam in Boston. Poets can compete for multiple teams during a season and still be eligible to compete in the Sedona team.

For poetry slam standings, videos from past slams, and updates, visit foxthepoet.org.

Tickets are $10 in advance and $12 the day of the event, available online at studiolivesedona.com.

Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, call (928) 282-2688.

Meet Necessary Poetry: A Multimedia Arts Collective in Flagstaff, Sedona and Northern Arizona

Necessary Poetry is a collaborative effort. Our mission is to inspire creative expression - we do this by encouraging the poetry in ourselves, each other, and anyone interested in connecting to the written and spoken word.

We believe everyone has a message or story to share with the world - and that it's all poetry. We root for the underdog. We're here to promote and support the work of authors, poets, and spoken-word artists of all ages and walks of life, whose words might not otherwise see the light of day.

We believe that poetry is necessary. We believe our words have weight. We're here to share our work with others, and to inspire and empower others to do the same.

Interested in learning more? Visit us here.

"How I Miss The Days When Hip Hop Was Fun" by IN-Q

How I Miss The Days When Hip Hop Was Fun

By IN-Q

Hey yo why is it so uncool to smile?
Since when did it become hip-hop's taboo?
Cuz I would be smilin' all the time,
If I made even half of the money you do.

Frownin' like you just caught a face-full of sun.
How I miss the days when hip-hop was fun.
When DJ Quik first burst on the scene,
When Boys in the Hood was on the big screen.
When Tupac Shakur was a dancer for Humpty,
When Nasty Nas 5 mic'd in the monthly.
When MC Breed painted the white house black,
When Too $hort retired and then came back...?
When Wyclef Jean asked out Mona Lisa,
That's the era this poem will feature!

I want to go to a show and not have to front,
I'd fist-a-cuff but I'd rather you pass the blunt.
Let's just chill and enjoy the diversity,
Let's get lost in the rhythm's uncertainty.

It doesn't make you less hardcore,
If you shake your ass on the fucking dance floor!
But somewhere along this road we made rules,
And smilin' became the weakness of a fool.
And silence and anger became the norm,
And that's when the party began to lose form.

I reminisce about the glory that's gone,
When happiness wasn't looked down upon.
When EPMD crossed over with the crossover,
When Tim Hardaway still had his crossover.
I used to go to the store and buy classics,
Now I go to the store and shit's plastic.

I can't call it 'I'm fiendin' for skill',
Cuz ya'll might be dope but I don't see your will.
All I see's Suckaz pretendin they're ill,
Snappin photographs with a barbeque grill.
Well, I can't relate to this lack of humanity,
Music's as vulnerable as insanity.

I remember when Phife was a sidekick.
When gangsta rap was still on the rise kid.
When De La Sol was re-incarnated,
When Freestyle Fellowship first circulated.
When Run DMC wore Adidas sneakers,
That's the era this poem will feature!

From '86 to '95,
When hip-hop was just too thick to describe.
I strived to become it in every way,
So I practice religiously every day.
On the bus ride home folks thought I was schitzo,
In 8th grade I wore more rayon than Sisqo!

Housin was in,
And Mr. Dobalina could've caught misdemeanor,
If he faked on his friends.
See, we would rap until we were bored,
With no cash advance or grammy award.
My boys' club trophies cluttered my shelf,
We'd no other reason than reason itself.

So why's it so uncool to smile?
Since when did it become hip-hop's taboo?
Cuz I would be simlin' all the time,
If I made even half of the money you do.

Frownin' like you just caught a face-full of sun,
How I miss the days when hip-hop was fun.
How I miss the days when hip-hop was fun.
How I miss the days when hip-hop was one!

Copyright © IN-Q

Los Angeles-based writer, rapper, actor, host, teacher, and award winning spoken word artist, IN-Q, is a unique voice in performance art. His work has been featured on HBO's Def Poetry Jam, The Battle for LA, BET, ABC, NBC, A&E, Disney, and Nickelodeon.

IN-Q is a National Poetry Slam champion who has shared the stage with everyone from De La Soul, to the Red Hot Chili Peppers, to President Barack Obama. IN-Q currently has a publishing deal with RMR Music Group and has collaborated with various artists including Rock Mafia, Sick Puppies, Aloe Blacc, Miley Cyrus, and Selena Gomez on her hit single, "Love You Like A Love Song," which went double platinum and reached No. 1 on the Billboard dance charts. 

Most recently, IN-Q co-wrote seven songs for the Disney hip-hop movie, "Let It Shine", including the singles, "Don't Run Away" and "Guardian Angel". His one-man show has toured nationally since 2009 and has been seen at over 50 universities across the country. His first full-length poetry CD, "When Two Worlds Collide," was released to critical acclaim. 

URB Magazine wrote, "IN-Q's brand of Hip-Hop, a penetratingly fluent account of what he's been through, paired with retro-funky sampling, is believable and heartbreaking even. His newest album puts true mastery of rhythmic-artistic-poetry on exhibit." 

An accomplished stage and screen actor, IN-Q has been seen in films like "The Magnificent Cooly-T" and "Speechless," and has television credits that include "The Cleaner," "Svetlana" and "Curb Your Enthusiasm." IN-Q's unique style of inspiring self-expression has been utilized by creative writing programs across the country. He teaches workshops in high schools, junior highs, universities, libraries, and prisons around California, as well as instructing yearly poetry programs to Upward Bound students at Long Beach Community College and UCLA Young Writers at their annual conference in Lake Arrowhead. 

IN-Q founded the Los Angeles based Actors' Lounge in 2004, a monthly open mic for actors held at The Greenway Court Theatre, and starred in the run of their original musical, Hercules on Normandie, for which he was given an observership at the prestigious Actors' Studio by Martin Landau.

Most recently, IN-Q starred in the premiere theatrical run of "Jumping the Median," an original play that was performed at the Santa Monica Playhouse and was produced by television legend Norman Lear. 

Poet Jack McCarthy, May 23, 1939 - Jan. 17, 2013

Jack McCarthy

Poet

May 23, 1939 - January 17, 2013

Jack McCarthy featured at the FlagSlam Semi-Final Slam on April 12, 2005. I remember he was quiet and gracious and delivered poetry in an unassuming, yet profound way.

He died Jan. 17, 2013, at the age of 73.

"He weaves wicker stories that creep slowly down the back stairs of your memory. He talks to you in your own voice." - Jim Dunn

This is still my favorite of McCarthy's poems, which can probably be said by slam poets around the country.

Careful What You Ask For

From "Actual Grace Notes," poems from 1996 to 2000

I was just old enough
to be out on the sidewalk by myself,
and every day I would come home crying,
beaten up by the same little girl.

I was Jackie, the firstborn,
the apple of every eye,
gratuitous meanness bewildered me,
and as soon as she'd hit me,
I'd bawl like a baby.

I knew that boys were not supposed to cry,
but they weren't supposed to hit girls either,
and I was shocked when my father said,
"Hit her back."

I thought it sounded like a great idea,
but the only thing I remember
about that girl today
is the look that came over her face
after I did hit her back.

She didn't cry; instead
her eyes got narrow and I thought,
"Jackie, you just made a terrible mistake,"
and she really beat the crap out of me.
It was years before I trusted my father's advice again.

I eventually learned to fight--
enough to protect myself--
from girls--
but the real issue was the crying,
and that hasn't gone away.

Oh, I don't cry any more, I don't sob, I don't make
noise, I just have hairtrigger tearducts, and always
at all the wrong things: Tom Bodett saying, "We'll leave
the light on for ya;" I cry at the last scene of
Queer Eye for the Straight Guy.

In movies I despise the easy manipulation
that never even bothers to engage my feelings,
it just comes straight for my eyes,
but there's not a damn thing I can do about it,
and I hate myself for it.

The surreptitious noseblow a discreet
four minutes after the operative scene;
my daughters are on to me, my wife;
they all know exactly when to give me that quick,
sidelong glance. What must they think of me?

In real life I don't cry any more
when things hurt. Never a tear at seventeen
when my mother died, my father.
I never cried for my first marriage.

But today I often cry when things turn out well:
an unexpected act of simple human decency;
new evidence, against all odds,
of how much someone loves me.

I think all this is why I never wanted a son.
I always supposed my son would be like me,
and that when he'd cry it would bring back
every indelible humiliation of my own life,

and in some word or gesture
I'd betray what I was feeling,
and he'd mistake, and think I was ashamed of him.
He'd carry that the rest of his life.

Daughters are easy: you pick them up,
you hug them, you say, "There there.
Everything is going to be all right."
And for that moment you really believe
that you can make enough of it right

enough. The unskilled labor of love.
And if you cry a little with them for all
the inevitable gratuitous meannesses of life,
that crying is not to be ashamed of.

But for years my great fear was the moment
I might have to deal with a crying son.
But I don't have one.
We came close once, between Megan and Kathleen;
the doctors warned us there was something wrong,

and when Joan went into labor they said
the baby would be born dead.
But he wasn't: very briefly,
before he died, I heard him cry.

Copyright © Jack McCarthy

O'Brien, Dissinger, Cassady and Kerouac

Frank O'Brien and Evan Dissinger, 2012

Neal Cassady and Jack Kerouac, 1952

An unintentional homage.

Just sayin' ....

Visit my new website, FoxThePoet.org

Visit my new website, FoxThePoet.org. 

Read all my performance poetry and slam poetry in one, easy-to-search location, plus updates on the upcoming and past Sedona Poetry Slams, as well as current standings.

Enjoy.

A short story by KuK

Still love this story

Jeremiah Blue features at the Sedona Poetry Slam on Saturday, Feb. 16

Jeremiah Blue features at the Sedona Poetry Slam on Saturday, Feb. 16

Sedona's Studio Live hosts a poetry slam Saturday, Feb. 16, starting at 7:30 p.m. featuring Phoenix poet Jeremiah Blue and hosted by Sedona poet Christopher Fox Graham.

Tickets are $10 if you buy them now. On the day of the slam, tickets are $12, so buy them now!

The Feb. 16 poetry is slam is also the qualifier for Sedona's representative to
the International Women of the World Poetry Slam

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

The slam is the fourth of the 2012-13 season, which will culminate in selection of Sedona's second National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Boston and Cambridge, Mass., in August.

The local poets will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression. Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C.

To compete in the slam, poets need at least three original poems, each three minutes long or shorter. No props, costumes or musical accompaniment are permitted. All types of poetry are welcome.

The slam will be hosted by Graham, who represented Northern Arizona on six FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010 and 2012.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

Jeremiah Blue

Jeremiah Blue features at the Sedona Poetry Slam on Saturday, Feb. 16.

Jeremiah Blue is a Phoenix-based poet that has organized, hosted, and performed in the poetry slam scene since 2006. He has performed at a variety of venues throughout the country.

Currently, Blue co-hosts a weekly poetry slam in downtown Phoenix at Lawn Gnome Bookstore.

In 2007, he earned the title of Phoenix Poetry Slam Champion and has represented Phoenix twice at the National Poetry Slam. He also became the Individual Poetry Slam Champion for Phoenix in 2012, earning him the slot to represent the city at the Individual World Poetry Slam.

You can reach him on Facebook or you can email him at jsblue@gmail.com for more information or booking.

Women of the World Poetry Slam Qualifier

This slam is also the qualifier for Sedona's representative to the International Women of the World Poetry Slam, to be held in Minneapolis from March 6-9. The highest ranked female or female-identified poet from earns Sedona's WOWps slot.

Eligibility: Poets who live their lives as women are eligible to participate in the Women of the World Poetry Slam. Competitors are eligible from certified venues or as individuals from areas without certified venues (a.k.a. “Storm” poets). Certified venues have a window of time to enter before individuals not associated with certified slams are able to enter. All certified venues must have a competition to determine their contestants.

All competitors must be PSI members in good standing and must agree to participate in the event following the rules of Slam as well as the Code of Honor, and must allow for PSI to videotape their performances for PSI owned product.

What is Poetry Slam?

Founded in Chicago in 1984, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

2013 Sedona National Poetry Slam Team

Competing poets earn points with each Sedona Poetry Slam performance between September and May. Every poet earns 1 point for performing or hosting. First place earns 3 additional points, second place earns 2 and third place earns 1.

Based on points, the top 12 poets in May are eligible to compete for the four slots on the Sedona Poetry Slam Team, which will represent the community and Studio Live at the 2013 National Poetry Slam in Boston. Poets can compete for multiple teams during a season and still be eligible to compete in the Sedona team.

For poetry slam standings, videos from past slams, and updates, visit foxthepoet.org.

Tickets are $10 in advance and $12 the day of the event, available at Golden Word Books and Music, 3150 W. SR 89A, and online at studiolivesedona.com.

Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, call (928) 282-2688.

"The Names of Trees," by Christopher Fox Graham, music by Robert Gonzales

Music by Robert Gonzales, recorded 12-31-2012 in Flagstaff, Arizona

The Names of Trees

By Christopher Fox Graham

before we named the trees
we feared the dark
ran from the shadows
monsters stalked us
in daytime’s tall grasses
and nighttime’s nightmares

we feared fire most of all
it ate the unnamed trees alive
its breath choked the beasts we hunted
we could not hold it
and could not fight it
just fear it

but one of us
The First of us
saw an infant spark
and treated it like a child
she learned to wield it
our first tool
brought it into the caves
and taught us not to fear
but use it
to chase away the monsters

fire is always the same
because a flame is never the same
from moment to moment
by always changing
the flame never changes

with fire
we learned to control the shadows
we danced them onto cave walls
where we trapped the monsters in ocher and ash

we used the fire to keep the beasts away in the night
to cook the bounty gathered from the earth
and roast our meat from the day’s hunt

and with bellies full
in the glow of the fire
we learned language
around campfires
as our elders told stories
of their young days long passed
they told us the names of trees:
oak
ash
banyan
pine
bodhi
fir
palm
cedar
sugi
cypress
they spoke of the strong mothers who raised them
the great hunts of their brave fathers
how they leaned ways to teach us these things

they told us
of ancestors who had long since turned to bones
and were now dust
who had sprinkled themselves across the heavens
to watch over us
always
glowing in the dark
like flames in the night

when the fire in their own hearts
began to flicker
they asked us to built fires to mourn their death
help ascend their bodies
so they could watch over us from new stars
alongside their ancestors

around the fire
we learned to structure nouns and verbs
into rhythm and beat
rhyme and stanza
turning the articulation of breath
the staccato of consonants
the tone and pitch of air in living lungs
into the art of poetry
stories we could pass from generation to generation
long after the first lungs to hold them
were silent beneath the dirt
we still tell some of those stories
passing along the poetry
of heroes
who are no longer bones
no longer dust
but vapor in the wind

around the fire
we passed on what we had learned
to the children who would mourn us
consider these frail lifeless bones still sacred
because they once held them
in their infancy

long after our bones turned to dust
and the dust turned to vapor
and the vapor exhaled by something new
they would remember … us
in the stories around the fire

a ribbon of flesh and fire
tied us to the infant spark
that The First one of us
held without fear

fire is always the same
because a flame is never the same
from moment to moment
by always changing
the flame never changes

it is consumption and combustion
a moment of reaction
between earth and air
the tangible and ethereal
in a spark of life
never the same from one second the next

nothing is eternal but change
so our civilizations learn to adapt
like tongues of flame
growing together or apart
rising and falling
expanding and shrinking
dancing in a campfire

we sometimes forget that lesson
so our empires defy it
our monuments stand against it
our great cities are abandoned
for new homes
Sumeria
is now just artifacts
Assyria
has become Scrabble word
31 dynasties ruled Egypt,
each falling to the next
the dream of Rome
became a dream again
the sun never set on the British Empire
until the day it did
and young America too
will grow old into history books
but the fire will still be the same
because a flame is never the same
from moment to moment

even now
in the glow of digital screens
behind the wheel of combustion engines
or miles above the earth
in steel aircraft
or space stations
we are still mesmerized by the flame
we gather around fireplaces on holidays
remembering the ancient reasons for things
we light wax candles for dead loved ones
hoping whispered words
might rise to their ears in the heavens
where they watch us
alongside ancestors

we find ourselves
still captivated by campfires
staring into them
unable to look away sometimes
while we tell stories
just like we used to
when home
wasn’t made from stone and brick
or animal skins from last year’s hunt
but the warmest cave
on our nomadic trek
following the herds
teaching our children
the names of trees

some day
when we no longer fear the dark
a descendant of the flame that first warmed us
as we lay dreaming of stars
will help send a few of us
beyond the reach of Earth
never again to see this home
more will follow
using flickers of fire
to pass the boundaries
break the laws of gravity
that we will refuse to obey any longer
and sail across the night
unafraid of the monsters we left behind
trapped on cave walls beneath ocher and ash
they will make their homes
on marbles of every color
swirling in the dusty arms of space
and in the wildernesses of new worlds
they will name new trees
tell stories around campfires of ancestors
strong mothers
brave fathers

fire is always the same
because a flame is never the same
from moment to moment
by always changing
the flame never changes

some day
when “human”
means something else entirely
and whomever we become
sails on the winds of supernovas
finds no fear exploring black holes
the last place darkness can hide from us

they may communicate the poetry quasars and quarks
with the same beauty as verbs and nouns
but still stare at the surface of suns
and without explanation why
know the fire burning before them
is still wonderful to witness
because in the glimmer of a memory
dancing with the arithmetic of orbiting atoms
and the geometry of galaxies
they can feel something deep in their bones
tying them like a ribbon of flesh and flame across time
to a tiny world
whose name they have forgotten
or can no longer pronounce
and remember
somehow,
ancestors who wielded an infant spark
to no longer fear monsters or the dark
but listen around the first campfire
to poetry
and stories
and the names of trees

My Biggest Events of 2012

The year 2012 was busy, with both highs and lows. These are neither the best nor worst the biggest events of my year:

Confirming ballistics from double murder outside Sedona

The morning of Friday, Jan. 6, James Johnson, 63, from Jaffrey, N.H., and Carol Raynsford, 63, from Nelson, N.H., were found shot to death in an idling late-model red Subaru wagon around 11:30 a.m. on Friday, Jan. 6, at an overlook between Sedona and Cottonwood. There hasn't been a murder inside Sedona city limits since 2003.

Photo by ABC15 News

On Sunday, Jan. 8, a shootout in Anthem resulted in the death of Maricopa County Sheriff's Office deputy William Coleman, a 20-year veteran of MCSO and father of two.

The suspect, Drew Ryan Maras, 30, fired 29 rounds at police, two of which killed Coleman. Deputies fired 41 rounds, killing Maras.

The weapons that killed Jaffrey, Raynsford and Coleman were all .223-caliber rounds.

We, at the Sedona Red Rock News, were trying to get confirmation of a ballistics match between the two shootings, but the Yavapai County Sheriff's Office couldn't confirm it.

A tragedy, like this, means something different to a journalist. While we feel compassion for the victims of violent crimes or bank frauds and assaults and identify as fellow humans to those in feature stories or obituaries, reporting the news is our job. Reporting this story, and doing it before anyone else in the Verde Valley means I was doing my job for my community.We went to press suggesting there might be a relation, but 15 minutes to deadline on Tuesday, Jan. 10, I happened across a Twitter post from a New Jersey news site confirming the connection. My editor was out of the office, so the onus fell on me. I shouted "stop the presses!" had my photojournalist Tom Hood checking my email every 20 seconds while I called MCSO over and over until I got verbal confirmation and Hood got a press release from MCSO verifying the ballistics. I rewrote the lead with just a minute to spare and sent the plate the press, effectively breaking the story locally connecting the two shootings.

There is still no motive in the two deaths near Sedona.

May photo shoot

In May, following a Sedona Poetry Slam, a got a group of my best poets to stay overnight.

Photo by Tara Graeber

Josh Wiss, Spencer Troth, me, Brian Walker, Azami, Nodalone, Valence and
Lauren Hanss, left to right, helped encapsulate Arizona's Wild West and sci-fi
motifs.

The next morning, we went out to Fay Canyon and shot a series of photos blending Firefly imagery with the Old West, with images shot by Tara Graeber.

Hikers to the site came across a dozen armed poets and artists adjacent to the trailhead. Seeing there reaction to poets like Josh Wiss with three pistols and Valence wearing heterochromic sunglasses, my trenchcoat and a wielding a rusty shotgun must have been terrifying, then hilarious.

Of course, readers of my blog have seen the results of these pics as they are my favorites.

Publishing my first bound book, "The Opposite of Camouflage"

In late May, I started working on my first bound book of poetry, publishing it through Lulu.com, a print on demand service.

I hadn't printed a new book of my poems since 2006 and I've become a much better poet since then. It has 16 poems in a 52-page bound book, available for $9.99.

Poems included:

• Welcome to the Church of the Word
• Manifesto of an Addict
• We Call Him Papa
• Spinal Language
• Ragnarok
• The Peach
• Breakfast Cereal
• In the Corners of This Room
• Three Minutes for Dylan
• Do You Have a Baseball Bat?
• My Hands are in the Mail
• The Devil’s Gardens
• Revolution 2.0
• Staring at the Milky Way with One Eye Closed
• Dear Pluto
• They Held Hands

Special thanks to Big Pappa E for suggesting the title.

Winning the FlagSlam Grand Slam in May

Photo by Tara Graeber

The FlagSlam Grand Poetry Slam competitors: Tara Pollock, Ryan Brown,
Spencer Troth, me, Valence, Dan Rivera, Evan Dissinger, Josh Wiss, Nancy,
Nodalone, Vincent Vega and Jackson Morris. Pollock, Brown, I, Nodalone and
Morris made the team.

The last time I was legitimately on a team was 2006.

In 2010, I was added to my fifth Flagstaff team because I had competed and happened to be going to Nationals as a volunteer and the team's fourth poet bailed.

But in 2012, after a year of competing every week, despite living 40 minutes away in Sedona, I won the FlagSlam Grand Slam, making the team with Ryan Brown, Tara Pollock and Nodalone, and our alternate Jackson Morris, who we almost immediately made a fifth member of the team, as permitted by Poetry Slam Inc. rules.

The team was super supportive and incredibly talented, probably the strongest team of poets since the inaugural team in 2001.

First Sedona Grand Slam in June; performing with Azami

In 2011, The Klute suggested I send a team from Sedona to the National Poetry Slam.
I scrambled in to get in six poetry slams between December and May, meeting the threshold to qualify for inclusion in the National Poetry Slam, paid venue registration and certification for Studio Live and set up a point system to encourage poets to participate. 

Members of the Sedona Poetry Slam Team, left to right, Frank O'Brien, Spencer
Troth, Evan Dissinger, Tyler “Valence” Sirvinskas and Josh Wiss stand on stage
after their first National Poetry Slam bout at the McGlohon Theatre in Charlotte,
N.C. The team came in third, losing to Portland, Ore., and Oklahoma City, but
defeating Springfield, Mo.

In June, I hosted the first ever Sedona Poetry Grand Slam, featuring in alphabetical order:

• Evan Dissinger is one of the preeminent voices in the Flagstaff poetry scene. A skateboard rat in Flagstaff, Dissinger is one of the most sincere poets in Arizona with a knack for making conventional experiences sublime.
• Lauren Hanss is one of the strong female voices in Flagstaff. An early education and creative writing student at NAU, Hanss is respected for her honest, confessional poetry.
• Known for his political savvy and humorous poetry, The Klute performs all over the United States and Canada and featured at the Poetry Slam and the Sedona Public Library. A seasoned veteran, The Klute has been to the National Poetry Slam seven times, for the Mesa Slam Team in 2002, 2003, 2005 and 2006, and the Phoenix Slam Team in 2008, 2009 and 2010. He also won the grand slams in 2005 and 2010.
• A poet’s poet, Frank O’Brien writes with a profound simplicity. O’Brien won the 2008 and 2009 Flagstaff Grand Slams, and competed at three national poetry slams from 2008 to 2010.
• A veteran national competitor, Lauren Perry competed at the National Poetry Slam with the Mesa Poetry Slam Team in 2006, 2009 and 2010. She also proudly represented Sedona at the 2012 Women of the World Poetry Slam in Denver.
• Austin Reeves is an up-and-coming voice in both Sedona and Flagstaff. A coffee-loving creative writing student at NAU, Reeves has already made an impact, taking second at the last Sedona Poetry Slam in May.
• Beginning in Flagstaff in 2005, Rowie Shebala has slammed all over Arizona. After graduating from NAU with a Bachelors of Science in Theater and a minor in English, she hosted the poetry slam in Gallup, N.M. On the national level, she competed at the 2009 Women of the World Poetry Slam in Detroit and as a member of the Mesa Slam Team in 2011.
• Tyler Sirvinskas aka Valence, was a member of the 2011 Flagstaff National Poetry Slam team. He is the top-ranked poet competing in the Sedona grand slam.
• A political science student at NAU, Spencer Troth’s introspective work brings compassion to his views of current events, such as a poem touching on the double murder outside Sedona in January. Troth will be taking his poetic voice overseas as a political science student in France next year.
• Mikel Weisser is a school teacher from Kingman, an Occupy activist and a 2012 candidate for Arizona’s Congressional District 4. In conjunction with his congressional campaign and activist activities, Weisser schedules poetry performances all over the state.



Part of the performance included a duo poem featuring me
performing "[The Dust] In the Corners of this Room" with my
then-girlfriend Azami dancing to the piece.

• Joshua Wiss’ infectious enthusiasm for life is evident in his energetic performances. A recent graduate of NAU with a degree in creative writing, Wiss performed at every Sedona Poetry Slam this season and is currently ranked No. 2.

Part of the performance included a duo poem featuring me performing "[The Dust] In the Corners of this Room" with my then-girlfriend Azami dancing to the piece.

That was awesome.


The 2012 Sedona National Poetry Slam Team members were chosen: Valence, Evan Dissinger, Josh Wiss, Frank O'Brien and Spenser Troth

Desert Rocks Music Festival

The Apocalypse Slam, The Dust and Whiskey Slam,The Hunger Slam, whatever the 12 poets who participated wanted to call it, it was a struggle but awesome when all was said and done.

Notice the lack of green on the underlying map. The festival was dust, just
dust.

The slam itself was great, the camaraderie between those of us who went will last for years, because performing slam poems in the face of 50-mile-an-hour dusty gusts will make you tight with each other. Misery loves company.

Hanging out with Seth Walker, Solomon Schneider and some of the best slam poets in the country was worth all the heartache of going and competing:

• Karen Neverland was a member of the Salt City Slam Team in 2010 and has featured at many venues around the Salt Lake area with her poetry and motivational speaking. She has been featured on KRCL’s RadioActive and City Weekly’s Zionized and has recently completed a full-length philosophy book (unpublished). Karen has also self-published three chapbooks of poetry and often performs under the nickname “Karo”. In her free time she runs Salt Lake City’s most successful open microphone at Greenhouse Effect and enjoys creating music. 
• Amy Everhart has been called one of "America's most refreshing Poetic Voices", a whirling-dervish of a performer whose voice sucker punched itself into the National Consciousness when she made history in Berkley California on October 10th, 2009 by being the first Woman to ever win the Individual World Poetry Slam, the most highly coveted title in United States performance poetry.
  
•  Will Stanford is co-founder of Sparrow Ghost Publishing and Collective, a hair-stylist in training, hst of Portland Poetry Slam, Word-Out and Broetry. I write poems and do hoodrat stuff with my friends. Also, he performed a poem naked.



Slam scores posted during the Desert Rock Music Festival.

• Jackhammer Serenade is composed of Dre Johnson and Patrick Ohslund and was born of fire and incalculable odds as these two poets converged from vastly different backgrounds on the 2009 poetry team Life Sentence. Since then they have given themselves entirely to multi voice work in order to further the human experiment of melding consciousness.
  Their work is at once tongue and cheek combined with a biting no-nonsense social commentary on the unseen suffering going on in the urban world.
• Jesse Parent is a poet, an improviser, a former mixed martial arts fighter, a computer nerd, a husband, a father, and, above all, a human being. According to the results of the 2010 and 2011 Individual World Poetry Slams, he is also the 2nd ranked slam poet in the world.
  
• Jordan Ranft loves poetry. He loves writing it, and he loves performing it. In the few years he has been practicing his craft he has taken the scene by storm. First starting performance career out in Colorado Jordan placed several times at the Mercury Cafe Slam in Denver. Now residing in northern California he has performed all over the bay area, won multiple slams, and has featured at several big name events including the Northbay Poetry Slam and the San Francisco How Weird Street Fair.
• Lauren Zuniga is a nationally touring poet, teaching artist and activist. She is one of the top 5 ranked female poets in the world, the 2012 Activist-in-Residence at the OU Center for Social Justice and the founder of Oklahoma Young Writers. MoveOn.org, called her poem "The most riveting message on the war on women in under three minutes." Her work has also featured in On the Issues Magazine, Daily Kos, Crooks and Liars, Being Liberal, RH Reality Check, Muzzle Magazine, The Good Things About America and The Gayly.
• Gray Brian Thomas is a performance poet born and raised in Salt Lake City Utah. Graduating cum laude with a B.A. in English in 2012 from the University of Utah where he was editor of enormous rooms, the undergraduate literary journal, Gray has been writing and performing poetry for several years. He was a member of the 2007, and 2011 Salt City Slam teams, and is a current member of the 2012 Salt City Slam team. He helped found the College Union Poetry Slam Invitational team for the University of Utah, which sent it's first ever representatives to the 2012 CUPSI tournament. Gray is also the 2012 Individual World Poetry Slam representative for Salt Lake City, which will take place later this year in Fayettville, Ark.
• Lacey Roop is a nationally recognized and touring poet placing 6th in the 2011 Women of the World Poetry Slam (WOWPS), was the Austin, TX Individual World Poetry Slam (IWPS) representative, and has been a two-time member of the renowned Austin Poetry Slam.
  What is far more interesting about Lacey, however, is that she has an uncanny ability to get hit by cars while biking, finds the fact that we are all made of stars both fascinating and comforting, and wears a key around her neck that unlocks the bottom of the ocean. Really, it does.
• The rapper Progress.
• Lilly Fangz
• Me 

And we got to see Beats Antique, Brother Ali, and the winners, Jackhammer Serenade, opened for the Wailers.

Copperstate Poetry Slam

Valence, Josh Wiss, Evan Dissinger, and
Frank O'Brien show off the 2012 Copperstate
Poetry Slam trophy they won as the Sedona
National Poetry Slam Team.

The Copperstate Poetry Slam brought together poetry slam teams from all over Arizona. Flagstaff was rocking it, but Nodalone and I dropped our duo "Babies" and effectively threw the slam.

My Sedona boys, however, rocked it and took home the trophy.

Spenser Troth was in Los Angeles getting visa from the French consulate for a future study abroad course and coun't attend. The rest of the 2012 Sedona National Poetry Slam Team Valence, Evan Dissinger, Josh Wiss, Frank O'Brien

After Nationals, the team chose to give me the trophy as the Sedona SlamMaster, which now sits on my entertainment unit, proudly overlooking all the slams of the 2012-2013 slam poetry season.

Whatever team I'm on in 2013 will be gunning for the next trophy.

The FlagSlam Team at Nationals in August and peforming nothing but duo poems.

I have always loved Ryan Brown's poetry.

Being able to perform a duo poem with him at the National Poetry Slam was awesome. We had performed my poem "Dear Pluto" flawlessly at the Copperstate Poetry Slam and I was looking forward to slamming it at Nationals.

FlagSlam 2012: nodalone, Ryan Brown, Jackson Morris, myself and Tara
Pollock outside our venue at the National Poetry Slam in Charlotte, N.C.

I wrote the poem and Ryan did the edits to transform it into a duo.

We killed it in the first and second rounds of the National Poetry Slam and gave the powerhouse Nuyorican Poets' Cafe a run for its money, leading them for two rounds before they and Hawaii slam pushed out some great poems and pushed us to third place.

Slamming with such a talented team was a great experience.

Having been to nationals as a solo performer so many times, I looked forward to an odd anomaly this year; I perform on the nationals stage three times, none of which were solo. My first poem was with Ryan, my second was "Babies" with nodalone, and my third was a duo poem with Tara Pollock dancing.

I also got trashed at nationals, no surprise there, and handed out nearly every copy of


My newest poetry book "The Opposite of Camouflage"

GumptionFest VII

Yep, seven years of providing free art for the community.

This was the first year without our founders Dylan Jung and Danielle Gervasio. There was some complaints about shifting the location of the venue from Coffee Pot Drive to the Old Marketplace and a lot of headaches between organizers who had some difficulty getting along. There were also complaints about so many out of town acts and so few locals on the stages. But the economy has been weak, and there are fewer full-tme and amateur performers in Sedona,

Splitting sites was admittedly troublesome as a lot of people didn't realize the festival was as large as it was. The stage at Sun Signs suffered the most, which is real shame because Mark Jacobson has been one of biggest, longest supporters.

GumptionFest is always an experiement and we learned from this one. As we say every GumptionFest, next year will be better.

On the plus side, I fought for my poets to be treated as equals on the programs, website and promotional materials. Poets The Klute, Tara Pollock, Evan Dissinger, Josh Wiss, Taylor Hayes, John Q, Batman (Biance Luedecker) and Geoff Jackson all had a turn on the microphone with The Klute winning the annual GumptionFest Haiku Death Match, reclaiming the title from his 2010 victory.

Get ready for GumptionFest VIII in September.

Death of Chris Lane in August

Ever since Christopher Lane's death, people have asked me my reaction, or been afraid to. This is as near as I get to an official statement.

The reason I moved to Sedona in March 2004 was to help Chris Lane run NORAZ Poets.

Despite being friends from the 2001 Flagstaff National Poetry Slam Team through our years living together as slam poets in Sedona, he kicked me off the 2006 NORAZ Poets Slam Team after Meghan Jones had a temper tantrum over some angry emails and quit in a tizzy about two weeks before the National Poetry Slam.

The fact Lane created a previously nonexistent "ethics of email correspondence" rule and tried to send me a certified letter telling me I was off the rather then call me or stop by -- we lived in the same small town after all -- was a bullshit move on his part I felt and I never forgave him for the coldness with which he behaved toward his friendly rival and one of his oldest in Northern Arizona.

This staged photo of Chris Lane in Jerome in 2004 and me would later prove
to be our de facto relationship from 2006 until his death in Aug. 2012.

Thus began the Sedona Poetry Civil War, as one of our mutual friends called it in 2010. For the first year, I was "banned" from competing in NORAZ slams, but still went to a few in Flagstaff while avoiding those in my own town. I still co-ran a relatively popular open mic with Greg Nix at the Szechuan Martini Bar.

In February 2007, Sedona Monthly ran an article of Lane's franchise of the Alzheimer's Poetry Project and accidently ran my name in the story and photo captions, to which I took great delight. The reporter had never met me.

On March 12, 2007, he called for a truce and we met in a neutral location at a restaurant to discuss the terms. We negotiated a code of conduct for NORAZ, the terms of which he changed when he sent a final draft on March 27, 2007, adding in a whole series of rules about drug and alcohol use, which in a poetry scene or any civil setting were superfluous and unnecessary for a simple nonprofit. After all, I held a poetry open mic at a Sedona bar and banning minors from entering was the job of the bar and the bouncers, not Nix and myself.

At the same time, Nix and I were hosting the Sedona Poetry Open Mic, an event which Lane wanted to put the NORAZ Poets logo, but which Nix and I declined as long as the alcohol portion of the code of conduct was still in question. In any case the dialogue fell apart by mid-April.

In 2007-2008, Aaron Johnson stepped down as FlagSlam Slam Master. NORAZ. The new FlagSlam had little to do with NORAZ afterward, and in late 2008, the FlagSlam poets asked me to feature. That marked the end of Lane's involvement with the adult slam as he turned to Brave New Voices, the youth slam teams, and one for which there was more grant money to be had to run the nonprofit. I made a point to fill the void for all ages slams in the Verde Valley, first hosting a team slam at the Old Town Center for the Arts in Cottonwood, then later starting the Sedona Poetry Slam in 2009.

By 2009, the civil war had become a cold one; he didn't attend or support any of my events and I didn't attend or support any of his; the exception being one Sedona Poetry Slam featuring a former 2001 teammate, Josh Fleming, which he attended but did not speak to me.

I stylized the Sedona Poetry Slam to be what NORAZ Poets had began as, and opposite of what it evolved into. I wanted Sedona Poetry Slam to be open to all without regard to poets' personal lives, democratic, supportive both artistically and financially, and I set the ground rule that under no circumstances would I make any profit from poetry slams. All money from the slam returns to the poets via prize money, feature poets' pay, or team registration. In the intervening years, I heard stories from other poets and arts organizers about questionable financial and personal behavior; money or support for programs promised, then retracted, then promised again, then retracted or renegotiated, and various poets in Northern Arizona had falling outs over projects he supported then backed off from.

Lane also began to refer to himself as Ya'ir, a Hebrew word meaning "he who enlightens," and putting "Christopher" into quotes. Lane was raised Catholic, but had become a Buddhist by the time I met him in Sedona. He converted to Judiasm before marrying his wife, but the name change was a bit much. I mean, we used to make fun of poets with stage names, going so far as suggesting he starting slamming under the stage name "Moniker" and I start slamming as "Pre-10-Shus" (pretentious). Toward the end, I suppose someone in the scene should have seen the decline, but his charisma just made him seem like he was getting more and more eccentric.

On Aug. 19, 2012, at 7:05 a.m., Lane was pronounced dead at his home from benzodiazepine and narcotic intoxication, according to the Coconino County Medical Examiner's Office. I received word from a mutual friend later that morning and got a copy of the autopsy in September. Reading an autopsy is a odd experience -- an antiseptic description of a person's body you once used to share conversation and meals.

I always expected that at some point, Lane would have apologized and our years of enmity would have come to an abrupt end. I'm not vindictive without cause and I'm quick to forgive when I believe in the sincerity of an apology. With his accidental overdose, we never had the luxury of repairing our friendship, but deep down I always thought it was inevitable.

The civil war -- a melodramatic title but one I like, being a poet -- did make me into a better organizer and public figure simply because I tried to be his opposite. In the end, knowing him longer than nearly anyone outside of his family, and seeing both his light side and dark side, I feel like I knew him better than most and I hope in the end, he respected me as only a rival could. Coming to terms with his death was difficult because few people understood what having a sincere arch-rival or arch-nemesis is like. One mutual friend asked if I felt like Superman, Batman, or Obi-wan Kenobi hearing Lex Luthor, the Joker or Anakin Skywalker had died, but another said it was more like Iron Man and Captain America: we were rivals and didn't get along, but in the end, we were on the same side, promoting poetry and inspiring other poets to take the stage.

That poem will one day be written.

Saul Williams on November

There are a few Greats in poetry slam every slammer should see in the flesh at least once. Marc Smith. Mike McGee. Derrick Brown. Shane Koyczan. Patricia Smith. Marty McConnell. Rachel McKibbons. Beau Sia. Taylor Mali. and Saul Williams.

Considering Saul Williams lives in Paris now, I figured the nearest I would ever get would be some book tour in the late 2030s when I could afford the airfare and time off to hop a suborbital shuttle and catch him at some little theater in the Sorbonne.

Instead, he came to Phoenix and performed a feature at Lawn Gnome, the bookstore performance space owned by my old friend and FlagSlam teammate Aaron Johnson.

He performed new poems as well as his signature poems, ", said the Shotgun to the Head," "Sha-Clack-Clack," "Black Stacey" "S/he" and a big portion of "The Dead Emcee Scrolls."

I got all my books signed, too.

November Election

As a news junkie, I was obsessed with the 2012 elections, both on the state and national levels. I interviewed Congressional District 1 Democratic primary candidate Wenona Benally Baldenegro, Republican primary candidate Doug Wade and the eventual winner, Ann Kirkpatrick.

I installed Nate Silver's 535 app so I could watch the daily poll changes as they came across every morning.

The reelection of Barack Obama seemed more or less inevitable as the opposition put forth only mediocre candidates unloved by the party running on an anti-Obama campaign rather than putting forth a real plan for any worthwhile changes.

Gay marriage was approved in four states and recreational marijuana use was approved in two states, and while I have no vested personal interest in either, I am happy to see American move to sanity on progressive social issues.

The repeal of Don't Ask, Don't Tell means we're moving toward an America where I can one day go to a gay friend's wedding which will have the same legal standing a straight one. “The arc of the moral universe Is long, but it bends toward justice,” minister Theodore Parker said in an 1853 sermon. One day I will, with great difficulty, attempt to explain to my children how their country could think one group of people could be denied their civil rights based on whom they love.

I expect puzzled looks at the absurdity during that conversation.

Winning the Dylan Thomas Award in December

Mary Heyborne won the Christopher Lane Memorial Award. I won the Dylan
Thomas Award for Excellence in the Written and Spoken Word, Eric Haury
and Barbara tied for third and Josh Wiss won second place.

On Dec. 14, Pumphouse Poets and Prose in Ken's Creekside Plaza and Cocopah Bead Shop North, awarded me the Dylan Thomas for Excellence in the Written and Spoken Word. Poet Joshua Wiss won the second place Dylan Thomas award and debuted his first book of poetry "Wonder: Full Bloom." Author and poet Barbara Mayer and author Eric Haury tied for third.

Poet and playwright Mary Heyborne won the Christopher Lane Memorial Award.

The Pumphouse Prose and Poetry Project is sponsored by Gary Every, author of 11 books who acted as presenter at the readings, Dr. Elizabeth Oakes, award winning poet and former Shakespeare professor, Cynthia Tuck, owner of Ageless Pages Bookstore and Ann Fabricant, owner of Cocopah North. The project will resume reading in the spring.

Necessary Publishing

The last two days of the year, I spent in Flagstaff with Ryan Brown, Robert Gonzales, Verbal Kensington, Josh Wiss and his girlfriend Katie, Maya Hall, Evan Dissinger, working on our newest project, NecessaryPublishing, from which plan to have a 100+ page book by early-2013.

It's the culmination of all the art we're created over the last few months coming to life thanks to Verbal Kensington's motivation and organization.

That's my focus for 2013.

"Love, Stoplights, Drugs" by Josh Wiss and Evan Dissinger, music by Robert Gonzales

Geeking out with poets in Flagstaff, planning our new anthology and poetry cooperative. This was one of the first projects we will be incorporating on the new website and digital anthology.

"Love, Stoplights, Drugs" a merger of poems first by Josh Wiss, then Even Dissinger

Robert Gonzales on the beat