This is the official blog of Northern Arizona slam poet Christopher Fox Graham. Begun in 2002, and transferred to blogspot in 2006, FoxTheBlog has recorded more than 670,000 hits since 2009. This blog cover's Graham's poetry, the Arizona poetry slam community and offers tips for slam poets from sources around the Internet. Read CFG's full biography here. Looking for just that one poem? You know the one ... click here to find it.

Monday, July 18, 2011

I Can't Find Home

searching for home
somewhere at the end of this road
past the pulloffs
where asphalt turns to gravel
it's waiting
an open door
breezes through the windows

she's waiting on the sofa
reading leather-bound brilliance
heavy in weighty words
naked phrases stripped of pretensions
Aristophanes or Twain
Chomsky or Churchill
penciling notes in the margins
waiting for me to arrive
so we can discuss their meanings
over sandwiches or leftovers

but this road curves onward
I've misplaced the address
forgotten the landmarks
in my absence, she built a new mailbox
and forgot to inform me
so I keep moving,
shifting gears from second to third to fourth
take a wayward left at the pine trees
U-turn out of cul-de-sacs
drive slow past open windows
wondering if she'll wander past,
peeling the day's clothes over sore shoulders
aching for my warm hands

palms hollowed, craving her soles
pressing thumbs into toepads
circling, circling, circling the day away
while she reads me her favorite passages
something disproving omnipotence
the fragility of governments
the empires of men fading into dust
as though they never saw the end coming
thought how of all the civilizations
rising, conquering, declining, collapsing
they would somehow survive
the march of time

this road may be the one
I remember willow trees, somehow
the drops of leftover rain from leafy fingertips
the splash on windshield glass
wet fireworks beckoning my arrival
like a king come home from crusade
but none of the houses look familiar
the breeze smells unfamiliar
we've never walked these sidewalks after sunset
that, that I would remember

she makes a cup of tea
empties the French press
puts away my cup
I'll be too late
for caffeine tonight
she checks the kitchen clock
gazes once more out the window
for a pair of pickup truck headlights pulling in
walks barefoot down the hall
strips shirt from torso
jeans from hips,
and for a moment,
as left-hand heel brushes thigh,
imagines it's mine
removing the denim husk from her skin

night falls and shapes lose their structure
windows and open doors glimmer with
other people's dreams
found homes
lovers encased in embraces
like hers I once remembered
or have yet to feel
keep moving and if I can't find her
if no door looks like home
head back to the rented bedroom
where all my books wait undressed
naked to her gazes
tomorrow I'll try to find home again

Sunday, July 17, 2011

"Staring at the Milky Way With One Eye Closed" anew

I'm working on two new chapbooks. Took some self-portraits last night for one poem with I really liked. The new photos and the old poem:

Staring at the Milky Way With One Eye Closed
26 Sept. 2006-15 May 2007

Staring at the Milky Way with one eye closed
details in the clouds of shapes elude pinpointing
the brightest ones egotistically outshine their humble siblings
burning their age-old sociology over distance and time
only now reaching my half-blind awareness

if I lay still for an hour
the whole sky rotates enough for me to feel
the morning hours away
but for now, the night holds sway
that dark Earth below holds its secrets
coyotes yelp in their hide-and-seeks between the lights
marking the miles between irrelevant cities

I haven’t seen shooting stars in months
and the eager sky readily supplies signal flares on the periphery
as if they lamented my absence too

but in the tender brilliance of falling stars
sending goodbyes to satellites
stereoscopic disability flattens everything into two dimensions

denied depth, the hazy constellations stand near enough
to reach out and reorder as if i spilled them on velvet
i reached up with both hands
and gazed at each one through my fingers
and pretended for a moment i was god,
and I remember feeling this childlike before ...

although the days tick by in perfect chronological sequence
the specks above tonight measure the same distance apart as always
and the constellations remain impervious
to our rearrangements, reinterpretations and renamings

you see, I learned all their names once
at the same time I was structuring the proper order of the alphabet
my father, raised in a family too poor to afford telescopes,
would relate the stories of each one as we lay on the roof
cheaper than television
we shared the stars

he explained how geometric shape of hunter, virgin and beast
came to rise from earthly mothers
into Greek mythology
and into the heavenly bodies
we still use to find our way home

what stories he had heard at the same age I was
and remembered until he had a son
and which ones he manufactured at the moment
to keep my childish attention skyward
I’m still uncertain because I lost him years ago

but taken from this soil
and raised into the cosmos for a night
I sailed on the satellite of his voice into the exosphere
as he surreptitiously showed me
how all science fiction writers
came to dream their space opera epics

you see, their fathers instilled in them
the dream of sailing between

the Dark Side

and the Light

but the distance between stars is not measured in parsecs
but in the imagination of a boy thinking his father is godlike
because if you tilt your head ... just so
and remember that even angels
paint connect-the-dots pictures
the clump to the right in the shape of an arrow
with the semi-circle that arcs out from the side
really does look like a hunter
if you believe the man who tells you it does
and when he asks
if you can see it
for the first time in your young life
the way you see the world actually matters to someone
because it means he’s doing the right thing

“Yes, dad, I see the hunter,
he chases through the clouds and gases hiding in the shadows and staying downwind of his prey.
You can tell by the way the Milky Way is drifting to the Southwest tonight”

and in the stars I had my father
he told me the stories of the placement
and calculated the precise mathematics:
“These two stars will always be the distance between two fingers.”
“That constellation is always the breadth of one palm,
if you stretch out your thumb to touch that star first.”

the measurements in the heavens never change
because they give us a path home
despite the distance we grow from it
I wish I had known that then,
because I would have told that boy
to place his father somewhere in the heavens
so that he would forever know
the number of steps it takes to find him
but this rotating world
hides the stars behind the sun for half a day
and in the daylight
my father found a place to hide from me
so now I can’t even find him in the night

I still have the stars and the stories
but the man who taught them to me
disappeared into them both
so never ask me again why I don’t believe in God
look to the stars,
find him,
sketch out what points define his shape
and point him out to a boy still on a rooftop
tell him you can see god
in the geometry of random placement
because to me, today
those shape are just specks
I know anyone can rename the constellations
the measurements above never change
but we don’t learn from their loyalty
how to live
so if you find a man who looks like me
with twenty more revolutions on his face
lying on a rooftop, measuring the distance between stars with his fingers
tell him to stop counting
because the mathematics of the constellations never change
no matter how many satellites we send up to double-check
it’s the people down below who grow apart
and most never find a way back home

but sometimes there are boys
who remember they way fathers could be godlike
when they were too young
and too stupid to know any better

but on some nights like these,
when that boy,
now this poet
gazes skyward with one eye open
he imagines that his father is alongside him
and for a while,
before his vision gets hazy
a certain mass of glowing dots
really does look like a hunter
heading back across the heavens
to teach his son
everything he knows
about hunting stars

Monday, July 11, 2011

The Phoenix Haboob of July 5th, 2011


The Phoenix Haboob of July 5th, 2011 from
A haboob — هبوب in Arabic — is an intense sandstorm commonly observed in arid regions throughout the world.
During thunderstorm formation, winds move in a direction opposite to the storm’s travel, and they will move from all directions into the thunderstorm.
When the storm collapses and begins to release precipitation, wind directions reverse, gusting outward from the storm and generally gusting the strongest in the direction of the storm’s travel.
They have been observed in the Sahara, as well as across the Arabian Peninsula, throughout Kuwait, and in the most arid regions of Iraq.
African haboobs result from the northward summer shift of the inter-tropical front into North Africa, bringing moisture from the Gulf of Guinea. Haboob winds in the Arabian Peninsula, Iraq, and Kuwait are frequently created by the collapse of a thunderstorm.

Mike Olbinski on Vimeo.

Thursday, July 7, 2011

Best Birthday Ever

I spent two hours on Skype video chat with Azami last night, me in Arizona, she in British Columbia, at the beginning of her 25th birthday. Best birthday present I've ever been able to give. And I love this photo, a screen shot of her mid-laugh.

Tuesday, July 5, 2011

My Hands are in the Mail

a postal carrier whose name I can never know
carries in a package bound for your doorstep:
my paired hands
ten digits linked across two palms
tied with the ribbon of wrists
holding in blood and sinew

I mailed them to you
they became yours when they brushed your skin
held your jaw steady for these lips --
which I can’t remove
lest I lose the last means to whisper your name –
to first fall into your kiss

swallowed by your hair
they’ve never felt home affixed to my radius and ulna
since they caressed your humerus, femur, metatarsus
they’ve longed to be held aside your sternum
cradle your zygomatic bone as you slumber
massage the day’s strains from muscles held tight
between scapula and clavicle

if you want to commit a felony
use these hands to stain the evidence
wrap them around the murder weapon
the poisoned tumbler
the rifle stock
the claw hammer
as you leave the scene
and they will suffer imprisonment
so you may walk free and unburdened

if you don't want them,
pass them onto a stranger
so wherever he or she may wander
there’s a warm hand on the shoulder
assuring in lonely nights
that someone watches over
come foreclosure, homelessness or widowing
lithe fingertips to soothe weary muscles
a palm in which to place dreams and regrets
when the cancer beats the heart into submission
in the sterility of hospital bedrooms
facing the reaper
every man, woman and child
wants to know they left a final handshake behind
a lasting adieu to the pulse of human history

or give them to a child
so a father figure is never too far
a pair of masculine hands to shoo away boogiemen
applaud even if they miss all the play’s lines
cheer on the winning goal
and should war or workplace strife rob them
of a bearded grandfather to play peek-a-boo
with their own children
these hands I give you
to give them
to hold them tight in their grieving
sit silent shiv’ah in the candlelight
wipe tears from unwashed cheeks

these hands are yours
as they’ve always been
do with them what you will

I hope you keep them in your pack
beneath canteen and Swiss Army knife
folded gently in a journal
and when you find yourself
alone alongside a darkened road
under quiet stars shining as nightlights
for your ease into slumber
I hope you pull them out
feel the warmth I imbued into them
like a pagan incantation
and as crickets wonder from where
the second interloper in their living room
suddenly came from
hold them close like a blanket
let the unselfishness of fingertips
soothe away all your daily aches
let them shelter your weary limbs
keep you warm through the night
the parcel postage finally paid
as you permit me to hold you one last time

Monday, July 4, 2011

Wednesday, June 29, 2011

Azami, if she were an animated girlfriend

What was it like to date Azami?

Kind of like this, in a totally fun way. I'm actually more surprised more people didn't have a crush on that girl squirrel growing up, but not in a cross-species bestiality way, but in an if-I-were-a-squirrel-I-would-want-a-squirrel-girlfriend-like-that kind of way.

Tuesday, June 28, 2011

Utah Arts Festival afterparty cypher

A cypher in poetry slam is the name given to a circle of poets who take turns reciting poems, usually occurring at an afterparty.

The ground rules are usually once one gets started, the audience remains quiet and attentive, although drinking and imbibing are by all means not discouraged.

Sometimes if the cypher is chaotic, there is an MC of sorts who picks the next poet, other times (usually at calmer events or those with seasoned slam poets) the poet performing chooses the next poet. It's usually a profoundly democratic system even when the room is bordering on a collective 0.12 blood alcohol content.

If you get chosen, you perform one poem. It's generally good form to perform a "new" poem the room did not hear earlier in the slam, unless it's specifically requested by the crowd. When complete, it's good etiquette to chose a poet you haven't heard, don't know, or who isn't from your home venue or home city. This serves to emphasize the camaraderie of the Slam Family, or "Slamily," because even though we are cutthroats with strategy when on stage, we are really artists off stage who just want to share our words.

Those poets and non who think slam is too competitive an art form or full of unyielding egos (ex-girlfriends, I'm winking at you) need to stick around and witness the community support and bohemian beauty what happens at a cypher. Deep down, afterparties and cyphers are the root of why we slam poets continually experience profound moments after slams and at regional and national bouts. This one (and the amazing slam) certainly made the nine-hour car trip from Sedona to Salt Lake City worth every mile.

Before the afterparty began, DeAnn Emett led Aaron Johnson and me on three block trek to buy alcohol from the state-owned liquor store, which closes at 10 p.m. The line is out the door. Anyone over 21 who enjoys alcohol in Utah should become a registered voter if they ever have to wait in a line like this. It felt like the last day before Prohibition.



Janelle Wilson from Boise, Idaho, "planking" on Lauren Perry from Phoenix

Cody Winger from Salt Lake City, left as Janelle Wilson, Tara Brenner and Cheryl Maddalena from Boise, Idaho, chat with The Klute from Phoenix.


Cheryl Maddalena, left, Cody Winger, (girl in a headscarf whose name I didn't get), Dominique Christina Ashaheed, Mikena Richardson, Levi Rogers (seated) and Lauren Perry (on the bed), listen to Jesse Parent perform at the start of the night's cypher.

Jesse Parent emotes

Dominique Christina Ashaheed performs


Lauren Perry performs

Aaron Johnson from Phoenix performs

Ayinde Russell performs

Ayinde Russell performs while Gray Brian looks off, contemplating the awesomeness of that belt buckle. My foot is bedecked in the Chuck Taylor at right.

The Klute, with his Cthulu T-shirt, performs


Tara Brenner performs






Cheryl Maddalena from Team Boise. Note the aforementioned "beautiful" tattoo in 200pt Times New Roman on her left arm.


Lauren Perry performs in her zombie tanktop.

Brian Franden

Adorable Rebeca Mae, Gray Brian's girlfriend, performs.



Leah Cronen from Bosie performs. Note to viewers: the city is pronounced "Boy-See," not "Boy-Zee"

Levi Rogers performs

The Klute with his "O" face, performing



Gray Brian performs









Josh McGillis performs via SmartPhone
And I passed out around 4 a.m., fully dressed.

Utah Arts Festival Team Poetry Slam, part two


Nick Shifrar Team 801 Underground, the Salt Lake City pickup team
Dominique Christina Ashaheed and Ayinde Russell from Denver's Slam NUBA with a poem about the use of music in fighting South African Apartheid.

DeAnn Emett, from the Salt City Slam, performing a poem about a murdered friend that only escalated in intensity as the poem went on. By the end, I thought her passion would burst a an artery.

My Tombstone Poets Slam Team captain, Lauren Perry, closing up our rotation as the first poet of the final round. Aaron Johnson, The Klute and I, having all been team captains before, came to Salt Lake with Lauren so she could have a go at calling the rotations and work on her slam team strategizing.





Tara Brenner, from team Boise, proclaiming her love of vampires, the real kind of Count Dracula/Court Orlok-type seducers, not pansy-ass Edward "Twilight" Cullen "I mourn my lost humanity and don't want to ravish you" vampires.

Host Dave McKnight

Jesse Parent and Cody Winger, from Salt City Slam.


Poet from 801 Underground, the Salt Lake City pickup team



Brando Chemtrails from team Slam NUBA





Round 1
Salt City Slam, Salt Lake City: Gray Brian, 29.0
801 Underground, Salt Lake City: Adam Love and Nick Shifrar, 28.5
Slam NUBA, Denver:
Tombstone Poets, Phoenix: Aaron Johnson, "Lightning" 29.4
Boise, Idaho: Cheryl Maddalena, 29.8

Round 2
801 Underground, Salt Lake City: 27.8
Slam NUBA, Denver: Brando Chemtrails, Ayinde Russell, Dominique Christina Ashaheed, Theo Wilson and Jovan Mays, 29.4
Tombstone Poets, Phoenix: Christopher Fox Graham, "Spinal Language" 28.6
Boise, Idaho: Brenda Ray, 29.3
Salt City Slam, Salt Lake City: Jesse Parent, Cody Winger, DeAnn Emett and Gary Brian, "I Am Legion," 30.0

Round 3
Slam NUBA, Denver: Ayinde Russell and Dominique Christina Ashaheed, 29.9
Tombstone Poets, Phoenix: The Klute, Aaron Johnson (beatboxing), Christopher Fox Graham, "Hip-Hop Republican," 30.0
Boise, Idaho: Leah Cronen, 28.5
Salt City Slam, Salt Lake City: DeAnn Emett, 29.6
801 Underground, Salt Lake City: Nick Shifrar, 29.5

Round 4
Tombstone Poets, Phoenix: Lauren Perry, 28.4
Boise, Idaho: Tara Brenner, 29.9
Salt City Slam, Salt Lake City: Jesse Parent and Cody Winger, 29.5
801 Underground, Salt Lake City: 28.5
Slam NUBA, Denver: Brando Chemtrails, 30.0



Final Scores
Slam NUBA, Denver: 119.3
Salt City Slam, Salt Lake City: 118.1
Boise, Idaho: 117.5
Tombstone Poets, Phoenix: 116.4
801 Underground: 114.3