This is the official blog of Northern Arizona slam poet Christopher Fox Graham. Begun in 2002, and transferred to blogspot in 2006, FoxTheBlog has recorded more than 670,000 hits since 2009. This blog cover's Graham's poetry, the Arizona poetry slam community and offers tips for slam poets from sources around the Internet. Read CFG's full biography here. Looking for just that one poem? You know the one ... click here to find it.

Tuesday, June 28, 2011

Utah Arts Festival Team Poetry Slam, part two


Nick Shifrar Team 801 Underground, the Salt Lake City pickup team
Dominique Christina Ashaheed and Ayinde Russell from Denver's Slam NUBA with a poem about the use of music in fighting South African Apartheid.

DeAnn Emett, from the Salt City Slam, performing a poem about a murdered friend that only escalated in intensity as the poem went on. By the end, I thought her passion would burst a an artery.

My Tombstone Poets Slam Team captain, Lauren Perry, closing up our rotation as the first poet of the final round. Aaron Johnson, The Klute and I, having all been team captains before, came to Salt Lake with Lauren so she could have a go at calling the rotations and work on her slam team strategizing.





Tara Brenner, from team Boise, proclaiming her love of vampires, the real kind of Count Dracula/Court Orlok-type seducers, not pansy-ass Edward "Twilight" Cullen "I mourn my lost humanity and don't want to ravish you" vampires.

Host Dave McKnight

Jesse Parent and Cody Winger, from Salt City Slam.


Poet from 801 Underground, the Salt Lake City pickup team



Brando Chemtrails from team Slam NUBA





Round 1
Salt City Slam, Salt Lake City: Gray Brian, 29.0
801 Underground, Salt Lake City: Adam Love and Nick Shifrar, 28.5
Slam NUBA, Denver:
Tombstone Poets, Phoenix: Aaron Johnson, "Lightning" 29.4
Boise, Idaho: Cheryl Maddalena, 29.8

Round 2
801 Underground, Salt Lake City: 27.8
Slam NUBA, Denver: Brando Chemtrails, Ayinde Russell, Dominique Christina Ashaheed, Theo Wilson and Jovan Mays, 29.4
Tombstone Poets, Phoenix: Christopher Fox Graham, "Spinal Language" 28.6
Boise, Idaho: Brenda Ray, 29.3
Salt City Slam, Salt Lake City: Jesse Parent, Cody Winger, DeAnn Emett and Gary Brian, "I Am Legion," 30.0

Round 3
Slam NUBA, Denver: Ayinde Russell and Dominique Christina Ashaheed, 29.9
Tombstone Poets, Phoenix: The Klute, Aaron Johnson (beatboxing), Christopher Fox Graham, "Hip-Hop Republican," 30.0
Boise, Idaho: Leah Cronen, 28.5
Salt City Slam, Salt Lake City: DeAnn Emett, 29.6
801 Underground, Salt Lake City: Nick Shifrar, 29.5

Round 4
Tombstone Poets, Phoenix: Lauren Perry, 28.4
Boise, Idaho: Tara Brenner, 29.9
Salt City Slam, Salt Lake City: Jesse Parent and Cody Winger, 29.5
801 Underground, Salt Lake City: 28.5
Slam NUBA, Denver: Brando Chemtrails, 30.0



Final Scores
Slam NUBA, Denver: 119.3
Salt City Slam, Salt Lake City: 118.1
Boise, Idaho: 117.5
Tombstone Poets, Phoenix: 116.4
801 Underground: 114.3

Monday, June 27, 2011

Utah Arts Festival Team Poetry Slam, part one

The old Utah State House where the 2011 Utah Arts Festival tooks place.

The Big Mouth Cafe slam stage.

Brian Frandsen, the calibration poet.

Dave McShield, the shirtless host.

Gray Brian with the first poem of the first round, a beautiful poem about reversing time. Set the stage for the whole rest of the slam.

Adam Love, left, and Nick Shifrar Team 801 Underground, the Salt Lake City pickup team.

Cheryl Maddalena with her "MILF" poem. She is a beautiful human being. It clearly says so on her left arm in 200pt Times New Roman.
Brenda Ray, team Boise

Salt City Slam performing Jesse Parent's "I Am Legion" poem about his mother's multiple personality discover. This is the piece that fucked my ears with its brilliance. The poets are Parent, left, Cody Winger, DeAnn Emett and Gary Brian.


Slam NUBA, featuring Brando Chemtrails, left, Ayinde Russell (behind Brando), Dominique Christina Ashaheed, Theo Wilson and Jovan Mays.

Leah Cronen from Team Boise

Saturday, June 25, 2011

Utah Arts Festival Team Poetry Slam, pre-slam trip and preparation.

A prairie dog across the road from our motel in Parowan, Utah.

The creek across the road.

The Aladdin Theatre in Parowan, adjacent to the diner where we had breakfast.

The Klute, left, Lauren Perry and Aaron Johnson smoking a morning cigarette in front of a quaint house in Parowan.

A vintage mural advertisement Lauren found.

A 1941 Buick near the gas station in Cedar City.

Aaron in our swanky Marriott room, compliments of Jesse Parent and the Utah Arts Festival. Note the bottle of Jameson we bought before crossing the border into Utah.

The bathroom.

Welcome to Utah, here's your Book o' Mormon.

Enjoying the third story view overlooking downtown Salt Lake City.
The Utah Arts Festival Team Poetry Slam starts at the Big Mouth Cafe Stage in downtown Salt Lake City at 7:30 p.m.

Wednesday, June 22, 2011

Bunny ninjas theaten city - only tomorrow's Sedona Poetry Open Mic can save us

Sedona Poetry Open Mic – open mic poets needed

From 5 to 7 p.m., poets take the stage in Northern Arizona's longest running poetry open mic.

Now more than six years old, the Sedona Poetry Open Mic has regularly hosted amateur, professional, performance, page, published and closet poets.

All poets, spoken word artists, lyricists, songwriters, rappers, MCs, comedians and storytellers are welcome. If your art can be spoken, come and speak.

Nearly 1,100 different poets have spoken on stage since the open mic was founded by its host, veteran slam poet Christopher Fox Graham.

As always, the open mic is round robin: one poem per poet, per round, and we cycle through the poets from start to finish.

This means if you show up late, need to leave early or don't have too many poems to read, we can easily work you into the cycle seemlessly.

Java Love Café is located at 2155 W. Hwy. 89A, next to Harkins Theatres, Suite 118, West Sedona. To sign up, be at Java Love around 5ish. For more information, call Graham at (928) 517-1400 or e-mail to foxthepoet@yahoo.com.

Friday, June 17, 2011

Even amid a street riot, Canadians are irresistible

Photo by Rich Lam/Getty Images
Australian Scott Jones kisses his Canadian girlfriend Alex Thomas after she was knocked to the ground last week by a police officer's riot shield in Vancouver, British Columbia. Canadians rioted after the Vancouver Canucks lost the Stanley Cup to the Boston Bruins.

Details of the Famous Vancouver Riot Kiss Photo Revealed

Couple claims the photo wasn't staged, and that the woman was knocked to the ground.


A Canadian newspaper has named the kissing couple caught on camera by photographers documenting Wednesday’s Vancouver riots, and detailed how the iconic embrace unfolded.
The Globe and Mail reports that the pair in question is an Australian, Scott Jones, and a Canadian, Alex Thomas, who have been dating for several months. Jones is said to be a 29-year-old aspiring stand-up comic and, according to the way his mother tells it, may just be the best boyfriend ever.
The photo of the couple, taken during the riot that began after the hometown Canucks lost game seven of the Stanley Cup, quickly became an Internet sensation and fueled speculation that the embrace was staged.
According to Jones’s mother, that wasn’t the case.
She tells the paper that the couple was at the game and got caught between police and rioters as they were leaving. Thomas was knocked to the ground by an officer’s riot shield, and Jones leapt to the ground after her to comfort her with a kiss.
“I just thought, yep, that would be Scott because he’s a bit of a dreamer and he wouldn’t have even known there was a riot going on around him, quite possibly,” Jones’s mother, Megan, said.
The story lines up with the photographer’s take on what happened. He said that he initially snapped the photo thinking it was of someone hurt. “I looked back and thought someone was injured and I shot that,” Rich Lam told msnbc.com. “I framed it up, juxtaposed with the policemen.”
It wasn’t until his editors were sorting through his digital images that anyone realized just how amazing of a shot it was.



Proof that Canadians are irresistible to the foreigners who love them.

Friday, June 10, 2011

Last call for discount tickets to June 11 poetry slam

Last call for $10 discount tickets to June 11 poetry slam:


Phoenix poet Shaikh Sammad headlines Sedona Poetry Slam

The Sedona Summer Poetry Slam will explode at Studio Live at 7:30 p.m. Saturday, June 11, presenting three rounds of poetic competition as poets battle for pride and $100.



Shaikh Sammad, of Phoneix, features
at the Sedona Poetry Slam on
Saturday, June 11.
Between rounds, the audience will be entertained with a feature performance by Shaikh Sammad.

Shaikh Sammad is a poet, actor, vocalist, performance artist and activist.

A native of Newark, N.J., Sammad now resides in Arizona where he divides his time between the Phoenix metro area and Cottonwood in the Verde Valley. An avid gardener, he spends the majority of his time developing community gardens to feed residents in low- to no-income areas.

Additionally he has taken on the role of Youth Arts Program director with the Tigermountain Foundation, a 501(c)(3) nonprofit agency which encourages urban farming as a means of community development. He believes strongly that all people should have access to affordable, nutritious, locally grown produce regardless of race, gender, age, class or income. The stage is a powerful place to begin the exchange of ideas, Shaikh stated.

Shaikh Sammad stated in a press release that he "looks forward to sharing his messages of love, faith and community as feature poet at the Sedona Slam on June 11, 2011."

All poets are welcome to compete in the slam.
Slammers will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted.
Poet Shaikh Sammad will rock Studio Live.

The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam. The top poet at the end of the night wins $100.

Poets who want to compete should purchase a ticket in case the roster is filled before they arrive.

The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on the Flagstaff team at five National Poetry Slams between 2001 and 2010. He has hosted and competed in poetry slams and open mics in Sedona since 2004.

The slam will be hosted by Sedona poet Christopher Fox Graham.
Graham has performed in 40 states, Toronto, Dublin, Ireland, and London, and wrote the now infamous “Peach” poem.

For more information or to register, call Graham at (928) 517-1400 or e-mail to foxthepoet@yahoo.com. See video from previous poetry slams at www.YouTube.com/FoxThePoet.

Founded in Chicago by construction worker and poet Marc “So What?” Smith in 1984, poetry slam is a competitive artistic sport. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

For more information about the worldwide phenomena of poetry slam, visit www.poetryslam.com and foxthepoet.blogspot.com.

Home of the Sedona Performers Guild nonprofit, Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, visit www.studiolivesedona.com.

Saturday, June 4, 2011

For Sarah Palin: "The Midnight Ride of Paul Revere," by Henry Wadsworth Longfellow

Today's odd news is that former Alaska governor and current political pundit Sarah Palin claims Paul Revere warned the British. The quote:
"He who warned, the British that they weren’t gonna be taking away our arms, by ringing those bells, and making sure as he’s riding his horse through town to send those warning shots and bells that we were going to be sure and we were going to be free, and we were going to be armed."
The Twiterverse -- my first and hopefully only time ever writing that word -- exploded with other humorous historical errors satirizing the error, such as "The Daily Show's" #AccordingToPalin.


I often find arguing about national politics is as a fruitless exorcize as celebrity watching as we can generally only make an influence our local congressional districts, hyperlocal municipal and county races, and very rarely states with our senators and governors.

What saddens me is not that a political figure who has served in public office has made a error -- but that the remedy is so readily found in an easily memorized poem by a well-known 19th century poet. The poem takes some liberties that differ from historical fact, omitting the other riders, Dr. Samuel Prescott and William Dawes, and that Revere was arrested by the British two hours into the ride while Prescott and Dawes got away but Longfellow certainly gets right for which nation Revere served and the reason for his ride.

That said,

"Paul Revere's Ride"
aka "The Midnight Ride of Paul Revere"
By Henry Wadsworth Longfellow

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, -- "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry-arch
Of the North-Church-tower, as a signal-light, --
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm."

Then he said good-night, and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somersett, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge, black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack-door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.

Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade, --
Up the light ladder, slender and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead
In their night-encampment on the hill,
Wrapped in silence so deep and still,
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay, --
A line of black, that bends and floats
On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere
Now he patted his horse's side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely, and spectral, and sombre, and still.

And lo! as he looks, on the belfry's height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!

A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.

It was twelve by the village-clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river-fog,
That rises when the sun goes down.

It was one by the village-clock,
When he rode into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village-clock,
When be came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning-breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.

You know the rest. In the books you have read
How the British regulars fired and fled, --
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm, --
A cry of defiance, and not of fear, --
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beat of that steed,
And the midnight-message of Paul Revere.

Published in the Atlantic Monthly in January 1861.

Sigh.

"This Country: When You Tire of Travels, Come Home" audio recording

This Country: When You Tire of Travels, Come Home by FoxThePoet

This Country:
When You Tire of Travels, Come Home

when your feet grow tired of globetrotting
and all the monuments to forgotten kings
have blurred into obscurity


when your shoulders ache
from carrying your whole world tortoise-style
from one rest-stop lover to another


when you’ve heard all the foreign tongues
repeat the same stories for the last time
and you’ve grown tired of translating


when your shoes have fallen apart
unable to martyr their soles
for your hobo evangelism …

come home
this country still longs for your sunrise
its geography is easy to map:

to the East lie my arms
curling inward to hold back time
their digits stretch northward
ten fingertips on separate crusades to find you
they unite only to pen poems about
the futility of kidnapping you across the borders
back into the caverns of my chest
overwhelming vacant since you stole its last inhabitant
which you unraveled the way Hansel and Gretel taught
to fashion a string to trace your route back here
these cave walls still shudder with your laughter
turning ribs into organ pipes
I play in dreams to orchestrate your reconquest
fool my yearning that you are only a hitchhiker’s thumb
and an hour from my doorstep —
a lie, but at least I can sleep through the night
without filling the hollow in my bed with my wailing
instead, try to keep it warm for you

to the South
are mountains of memories
impossible to scale without oxygen and a Nepalese Sherpa
they stretch to the clouds and in winter, blot out the sun
I chip at them with a pick axe of ink
take the pieces home to an orange juicer
attempt to squeeze out story after story
told in Homeric fashion
the gods of Olympus jealously dwarfed in the shadows
find their epics insufficient
Odysseus, Gilgamesh and Arjuna
camp in the foothills unable to scale you
talk about the good old days
when there wasn’t so much poetry in which to live
on the cliff sides I hunt for the road trips
the afternoon siestas
the midnight embraces
the slow Sunday mornings
for new word wombs
new poems to trap, take home, raise to maturity
and release back into the wild
for the world to see how you changed this boy
I will climb them as long as a pulse thumps me into movement

to the North is an ocean of your words
tide pools of sentences
waves of your stories
tsunamis of our arguments
to wash over any fool who braves to sail them
on maps print the words, “Here Be Dragons”
and I’m never sure which will swamp my boat
or carry me home
white-tip arrogance soothed by Sargasso Sea gentle honesty
choppy squalls when I lost myself to ego
pleas for forgiveness offered on Yom Kippur
all the poems over the phone blowing lost sailors to safe ports
someday when I have outlived you
I foresee abandoning shoes,
gripping frail hands on armrests,
rising from wheelchair
striping down to unflattering Speedo
and walking into these waves to drown
up to my ears in the waters of your laughter
filling my lungs with drops of your whispers

in the center is a house of paper
naked 8½ by 11s begging to be bathed in black ink
the first 30 stories are made of rough drafts
in preparation to meet you
the upper stories will be built to celebrate you
and when I reach my 90s
the tower will collapse with the weight
spreading the pages across this county
Billy Collins keeps an apartment across the hall from Derrick Brown
they meet in the lounge with Shane Koyczan and Ed Mabrey
have coffee on Sundays with R.C. Weslowski and Mike McGee,
each reading a new ode to you
they found that week on the cabinet
under the sink or behind the door
banisters Bill Campana will jot haiku from
window frames slam poems Klute will read aloud after bagels
dueling in rhyme with Shappy Seasholtz
sonnets on fireplaces Dan Seaman and Mikel Weisser will read in tandem
on weekends, CR Avery, Scott Dunbar and Lights
will play the ballroom made of canvasses
echoing through the vents all week long
on the upper floors
poets yet unborn ready to join to the conversation
there is room here
for whomever you choose to fill the house with
forgive the flesh of this man
for being made of flawed skin unedited
he knew not what he did
you always liked me better on paper anyway


to the West is an open country
as far as the eye can see
lie no walls nor borders
no future beyond what we make of it,
without a horizon to fall over
sunsets are unimaginable,
the land yearns for your footfalls
and I will chase you across it
until these feet break beneath me
never ask if it was all for naught
until you have seen the country you built here
the boy you reshaped who lives out in the open
uncertain of where to go now
penning poems from dawn to dusk
dreaming of your open arms
reading them to anyone who’ll listen


when you tire of travels
when you need shelter to rest weary limbs
when you want to see a boy left better
than the one you first met
this country is wherever you choose to meet me
ready to welcome you home


Written Sept. 28, 2010, a year to the day after meeting Azami.

Thursday, June 2, 2011

Phoenix poet Shaikh Sammad headlines Sedona Poetry Slam

Shaikh Sammad, of Phoneix, features
at the Sedona Poetry Slam on
Saturday, June 11.
The Quick:
Phoenix poet Shaikh Sammad headlines Sedona Poetry Slam
Studio Live
215 Coffee Pot Drive, Sedona, AZ
Saturday, June 11, 7:30 pm

The Long:
Phoenix poet Shaikh Sammad headlines Sedona Poetry Slam

The Sedona Summer Poetry Slam will explode at Studio Live at 7:30 p.m. Saturday, June 11, presenting three rounds of poetic competition as poets battle for pride and $100.

Between rounds, the audience will be entertained with a feature performance by Shaikh Sammad.

Shaikh Sammad is a poet, actor, vocalist, performance artist and activist.

A native of Newark, N.J., Sammad now resides in Arizona where he divides his time between the Phoenix metro area and Cottonwood in the Verde Valley. An avid gardener, he spends the majority of his time developing community gardens to feed residents in low- to no-income areas.

Additionally he has taken on the role of Youth Arts Program director with the Tigermountain Foundation, a 501(c)(3) nonprofit agency which encourages urban farming as a means of community development. He believes strongly that all people should have access to affordable, nutritious, locally grown produce regardless of race, gender, age, class or income. The stage is a powerful place to begin the exchange of ideas, Shaikh stated.

Shaikh Sammad stated in a press release that he "looks forward to sharing his messages of love, faith and community as feature poet at the Sedona Slam on June 11, 2011."

All poets are welcome to compete in the slam.
Slammers will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted.

The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam. The top poet at the end of the night wins $100.

Poets who want to compete should purchase a ticket in case the roster is filled before they arrive.

Poet Shaikh Sammad will rock Studio Live.
The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on the Flagstaff team at five National Poetry Slams between 2001 and 2010. He has hosted and competed in poetry slams and open mics in Sedona since 2004.

The slam will be hosted by Sedona poet Christopher Fox Graham.
Graham has performed in 40 states, Toronto, Dublin, Ireland, and London, and wrote the now infamous “Peach” poem.


For more information or to register, call Graham at (928) 517-1400 or e-mail to foxthepoet@yahoo.com. See video from previous poetry slams at www.YouTube.com/FoxThePoet.

Founded in Chicago by construction worker and poet Marc “So What?” Smith in 1984, poetry slam is a competitive artistic sport. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

For more information about the worldwide phenomena of poetry slam, visit www.poetryslam.com and foxthepoet.blogspot.com.

Home of the Sedona Performers Guild nonprofit, Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, visit www.studiolivesedona.com.

Wednesday, June 1, 2011

Miami poet Will “Da Real One” Bell shot and killed


Close friends said Will ‘Da Real One’ Bell was struggling to keep his poetry cafe open.


jbrown@MiamiHerald.com


The family of a talented North Miami poet who was gunned down in an apparent hit early Sunday is bewildered over why anyone would want to kill someone who spent the better part of his life using his art to inspire others.

Will “Da Real One” Bell’s path took him from a life of crime to national fame as a poet who performed on HBO’s Def Poetry Jam, on celebrity albums and at countless other venues, both locally and nationally.

A gunman leapt out of a car and shot Bell, 47, multiple times outside his business, The Literary Cafe and Poetry Lounge, 933 NE 125th St., about 12:40 a.m. Sunday, May 29.

Police detectives said Tuesday that they do not believe Bell was involved in anything that caused his death, but that he had recently fallen into debt. The shooting, police sources said, appeared to be an assassination. One witness told police that after the shooting, the gunman coolly walked away.

Bell’s brother, Curtis Fullwood, said Bell survived too much hardship to die such a cruel death.

“He came too far in life to go like that, shot down in a parking lot. It’s not right,” Fullwood said.

Bell grew up in the Edison Court Projects at Northwest Third Avenue and 62nd Street in Miami. In 1989, Bell was arrested for cocaine trafficking and spent 14 months in prison. Those who knew him said he stopped dealing in the street life when he discovered his talent for poetry while incarcerated.

“It was rough growing up in the Edison projects. It was dope-infested. Anything bad that could happen was there. It wasn’t the best environment one could be brought up in, but he didn’t let that keep him down for long. He was brilliant,” Fullwood said.

On Tuesday, friends, fans and family began planning celebrations of his life and fundraisers to help his family pay for his funeral. Those closest to him spoke about his selflessness, how he devoted endless hours to his poetry and to helping mentor others in spite of his own struggles with his business.

Yongsta, 25, a poet who goes by a singular name, said he met the imposing six-foot-five artist eight years ago when Bell visited North Miami Senior High. His words and his dynamic presence changed Yongsta’s life. He made “freeing minds” his mission, with pieces that illustrated the plight of urban poverty like Black Heroes and When I Grow Up and Run.

Yongsta said Bell treated him like a son.

“The poetry kept me looking for something else instead of doing something wrong,’’ he said.

But he admitted that Bell was under a lot of pressure financially.

“It was a constant burden keeping it open,’’ Yongsta said of Bell’s business. “You have your good nights and your bad nights. But he dealt with his problems and he didn’t worry people.’’

Bell, a charismatic poet who is credited for putting South Florida’s poetry scene in the spotlight, for the most part kept his financial problems secret.

Joseph Coach, the in-house DJ who goes by “DJ Make It Do What It Do,” said there were times Bell pawned personal items to make the monthly rent for his North Miami poetry lounge.

“Will wasn’t the kind of person who would ask for a handout. Times were hard. He was stressed out sometimes trying to keep the doors open to make sure poets had a place to go,” Coach said.

After heavy promotion on social media, some nights, the club saw about a dozen patrons.

Miami Herald staff writer David Ovalle contributed to this report.

Services for Bell

A viewing will be from noon to 9 p.m. Friday at Wright & Young Funeral Home, 15332 NW Seventh Ave., near North Miami.

The funeral will be at 1 p.m. Saturday at Cooper Temple, 3800 NW 199th St., Miami Gardens.

Several poetry benefits are planned in memory of Will Bell and to help assist the family with expenses:

Wednesday, 1 p.m., at The Bohemia Room, 3215 NE Second Ave., Miami.

Thursday, 8 p.m., at Verbal Calligraphy, 2029 Harrison St. Hollywood.

For more information on other upcoming events, see Facebook, keywords: Will “Da Real One” Bell, or contact Ingrid B. bsidentertainment@gmail.com. 305-519-1369.

Friday, May 27, 2011

Sedona jet crash

On Wednesday, May 25, a small private jet crash landed at the Sedona Airport.

As our photojournalist Tom Hood was already on his way to cover the Sedona Red Rock High School Class of 2011 graduation, I went to the airport to get a photo.

Mac McCall, the airport manager drove me down the tarmac, but the U.S. Forest Service had closed off the area as a HAZMAT site due to a fuel leak coming from the port wing, which was ripped open in the crash.

Sedona Fire District Battalion Chief Jayson Coil, however, recommended that I hike over to Table Mesa to get a photo, which turned out to be a far better idea considering the steepness of the terrain let me shoot photos that put the whole crash site into perspective in regard to Airport Mesa.

The hike was about 0.44 miles, if GoogleEarth measurements are accurate. I got to a great angle about 90 minutes after the crash.

The two pilots and three passengers all walked away.

I love covering breaking news.

You can read the Sedona Red Rock News Story here.

Monday, May 23, 2011

"Revolution 2.0 (We weep with you, Wael Ghonim)" audio recording

Revolution 2.0 by FoxThePoet
Revolution 2.0
By Christopher Fox Graham

type, type, send
type, type, send
the revolution begins not with a bang
but with a text message

Wael Ghonim on DreamTV, Egypt, on 9 February 2011.
we weep with you, Wael Ghonim,
you did not sign a declaration
shoot a gun
nor take an assassin's bullet
you ran a Facebook page

Egyptian secret police held you blindfolded for 11 days
promised you would be buried nameless, anonymous


as a Facebook event,
your ghost of Khalid Said,
brought down a dictator

we weep with you, Wael Ghonim,
you unintentional revolutionary,
you sob as the names of boys fallen
crawl across the bottom of the screen
as Mona el-Shazly asks you to gaze up
swallow the Facebook images and off-kilter photographs
taken at parties
or late-night on-the-towns
images become epitaphs,
of boys like us
who before January 25
just watched girls pass
traded albums
downloaded music
called their mothers on thieir birthdays
and never thought their country
would ever be theirs

if we could stand with you, Wael Ghonim, we would
embrace you as man to man
wrap arms around you to hold you standing
convince you to believe us
that your hands are clean
your soul is unstained
the blood of brothers and sisters on them
wasn’t spilt by you
use it to paint flags
touch it to your childrens’ foreheads
and tell them “this was shed for you,
by men and women who gave more than we did,
it is why you now have a voice
why 'freedom' is more than a noun”

wash it off in the Nile
let it taste of the mother river
swim upstream to the sources
and down to the Delta
tell all of Egypt
from Luxor tombs
to pyramid shadows
to the library halls of Alexandria
that your country is free
shake the earth
so dead pharaohs wake trembling
and living tyrants flee from their thrones

Egyptian Christians protecting Egyptian Muslims from pro-Mubarak
counter-protestors during their prayers in Tahrir Square, Cairo, Feb. 10.
we weep with you, Wael Ghonim,
we stood with you in Tahrir Square
we were the breath of bravery
you felt beside you
when the enemy rode in on camels
we stood beside you
five times a day
when you knelt to pray to Allah
we,
atheists, Christians, Buddhists
Hindus, Sikhs, and Jews
we watched your back
stood guard in silence
we were the ghosts you felt
assuring you the world was listening
we don’t know your prayers
but understood each word because
“freedom” never needs translation
it feels the same
no matter the shade or age of skin,

we weep with you, Wael Ghonim,
because your tears are too heavy for one man
let us carry them for you
permit us bear their weight
because we could not physically stand alongside you
allow us sing our lullabies in 1,000 languages to your children
let us tell them our words for "liberty"
so no matter where they travel
we have that in common

we weep with you, Wael Ghonim,
because you are not alone
you never were

                  now,                 sleep,
guiltless

weightless

and free




Wael Ghonim is an Egyptian computer engineer and head of marketing of Google Middle East and North Africa who was living in the United Arab Emirates. He ran the Facebook page that organized the Jan25 movement to protest Egyptian President and dictator Hosni Mubarak. In January 2011, Ghonim persuaded Google to allow him to return to Egypt, citing a "personal problem." Planning only a six-day visit for the protest, he was captured by Mubarak's security forces and held blindfolded for 11 days and the protests swelled in Tahrir Square, Cairo. The day he was released, he appeared on a DreamTV program hosted by Mona el-Shazly.

On 9 February, Ghonim addressed the crowds in Tahrir Square, telling the protesters: "This is not the time for individuals, or parties, or movements. It's a time for all of us to say just one thing: Egypt above all."

On 11 February, Egyptian Vice President Omar Suleiman announced that Mubarak had resigned as president and transferred authority to the Supreme Council of the Armed Forces.

"Orion," audio recording

Orion by FoxThePoet
"Orion"
By Christopher Fox Graham
For Azami
Written Nov. 18, 2010

MapQuest the miles in the sky
it's easier to find you that way
than to traipse the hills between us

begin at Betelgeuse,
the moment we met
you, smiling as a stranger yet to know me
me, tripping over words
until I learn the rhythm to match you
we trace the lines
the midnights you teach me the art of touch
the mathematics of how to hold you
wrap starstrings of limbs to encase you
and become a hammock for your dreams

I first kiss you
near the lips of Meissa
taste the words camping in your backyard tongue
bring them inside mine
swirl them around until they lost track of their speaker
and became one breath

on the edge of Belatrix
we start our roadtrips
showing you all the places I loved
atlasing each one in sequence into new memories
snapping photographs for future shoeboxes
and Facebook updates

the fights erupt near Mintaka
parry, thrust, riposte,
we practice the arts of combat
study the hows and ways of pushing each other
you always win the battles, even if you don’t believe me

near Alnilam, you proffer forgiveness
and I discover how to say "sorry"
without losing face
on the brink of the Horsehead Nebula
I dive into all your stories
bleed out all of mine
let you examine all my sins
with the enthusiasm of a hell-bent prosecutor
working an open-and-shut case
but on the executioner's block
before the guillotine blade drops
the electric chair switch makes contact
or the Sodium Pentothal entered the vein
the pardon comes
and into my arms you sweep like a storm
tsunaming my defenses to wreckage
and calling me back to bed

we swim to the Orion Nebula
lovers in the surf of a black and white movie
drenched in the waves
as if to tell Nature and the gods,
"your eternity will not outlast us"
"our kisses will still come ferociously
long after this sand is washed away to bedrock
and the waves have evaporated in the heat of a dying sun"
"Your mighty Olympus will fall into Eden's vacant valleys
before we yield to your earthquakes
shrug off lightning bolts and burning bushes"
"our pulses will be the last thing the universe will hear
before entropy turns all the matters into orphaned atoms
finding lonely refuge in the dark"

we lost ourselves in those nebulas
swallowing stardust to give birth to new suns
we seemed to live there for eons of mortal time
just black sheets, bare skin, whispered poems
smiles and slumber

but in the bliss, we drift just past Alniltak,
and differences became too much too bear
so we kiss for last time
make love for the last time
said our last words as lovers
and go our own way

You sail on to Saiph,
I go home to Rigel
leaving phone numbers scarred on each other's aorta
mine still beats out the ten digits daily
when the moment feels right
and in the time it takes to draw a line between them
with the tip of finger remembering the sequence
we fold space like bedsheets in the blink of eye
so two points become one

and we cross the thousands of light years
become lovers again, drunk instead on words
remember the old times,
the joys in Orion and Horsehead,
the battles of Alniltak, Alnilam and Mentaka
the road routes to Belatrix
the kiss of Meissa
and the first hello in the orbit of Betelgeuse
but when the phone clicks off
and the points unfold,
you shine in Saiph
and I glow bright above Rigel
so we can see each other

and if on some little world called Earth
where two lovers like us
gaze up and see us shining on the same night and wonder
so be it
navigate by us if you will
send wishes heavenward if you think it'll do any good
but know we don't glimmer for you
we, instead, burn brilliant so the other can see us
and know that despite it all
love travels faster than light
and our story is wide as a constellation