"Verballistics: Issue 1" awesome digital zine published three of my poems

My friend Verbal Kensington in Flagstaff has just published her first zine anthology, "Verballistics: Issue 1" featuring poetry, art and prose from artists all over the country.

 The online version is wicked cool. Every poem and prose piece is paired with art to complement it and with this tool bar you can move around and zoom in, just like you were looking at a real print edition:

 And for any page turned on its side, hit the eye to view it right side up.

Three of my poems are include, "They Held Hands," "To the Planet Formerly Known as Pluto," and "Ragnarok." The photo for "Ragnarok" includes an image of Mathias Rust landing his plane in Red Square.

Open publication - Free publishing - More art

"Verballistics: is a publishing endeavor which, like poetry itself, defies definition. ​​ We believe that life is poetry, and we are all poets. We promote work which blends the lines between art and literature, and pushes the boundaries of traditional publishing. Our contributors have a message to share with the world - whether it's a shout from the mountaintops, or a whispered secret which somehow cradles the universal in us all. We are devoted to the artistry of language. We celebrate the experimental. We honor the linguistic lexicon, and the vernacular virtuoso. ​ ​We'd love to help you Get Verbal!"

The publication includes a copy of my poem, "They Held Hands:"

Fire dancing and the Names of Trees

For a Dia de los Muertos performance at Tlaquepaque in Sedona with the Sedona Sacred Circus fire troupe, of which Azami is a fire dancer. A trio began the poem acting like monkeys and wild animals until one discovered how to use fire, like the rest of the dancers and spun fire for the rest of the poem. Bradley Blalock, Vusi Shibambo and James Turner performed percussion with Jason Vargo on sound.

Kyle, Lynn and Azami of the Sedona Sacred Circus perform in Tlaquepaque for Dia de los Muertos.

The Names of Trees

before we named the trees
we feared the dark
ran from the shadows
monsters stalked us
in daytime’s tall grasses
and nighttime’s nightmares

we feared fire most of all
it ate the unnamed trees alive
its breath choked the beasts we hunted
we could not hold it
and could not fight it
just fear it

but one of us
The First of us
saw an infant spark
and treated it like a child
she learned to wield it
our first tool
brought it into the caves
and taught us not to fear
but use it
to chase away the monsters

fire is always the same
because a flame is never the same
from moment to moment
by always changing
the flame never changes

with fire
we learned to control the shadows
we danced them onto cave walls
where we trapped the monsters in ocher and ash

we used the fire to keep the beasts away in the night
to cook the bounty gathered from the earth
and roast our meat from the day’s hunt

and with bellies full
in the glow of the fire
we learned language
around campfires
as our elders told stories
of their young days long passed
they told us the names of trees:
oak
ash
banyan
pine
bodhi
fir
palm
cedar
sugi
cypress
they spoke of the strong mothers who raised them
the great hunts of their brave fathers
how they leaned ways to teach us these things

they told us
of ancestors who had long since turned to bones
and were now dust
who had sprinkled themselves across the heavens
to watch over us
always
glowing in the dark
like flames in the night

when the fire in their own hearts
began to flicker
they asked us to built fires to mourn their death
help ascend their bodies
so they could watch over us from new stars
alongside their ancestors

around the fire
we learned to structure nouns and verbs
into rhythm and beat
rhyme and stanza
turning the articulation of breath
the staccato of consonants
the tone and pitch of air in living lungs
into the art of poetry
stories we could pass from generation to generation
long after the first lungs to hold them
were silent beneath the dirt
we still tell some of those stories
passing along the poetry
of heroes
who are no longer bones
no longer dust
but vapor in the wind

around the fire
we passed on what we had learned
to the children who would mourn us
consider these frail lifeless bones still sacred
because they once held them
in their infancy

long after our bones turned to dust
and the dust turned to vapor
and the vapor exhaled by something new
they would remember … us
in the stories around the fire

a ribbon of flesh and fire
tied us to the infant spark
that The First one of us
held without fear

fire is always the same
because a flame is never the same
from moment to moment
by always changing
the flame never changes

it is consumption and combustion
a moment of reaction
between earth and air
the tangible and ethereal
in a spark of life
never the same from one second the next

nothing is eternal but change
so our civilizations learn to adapt
like tongues of flame
growing together or apart
rising and falling
expanding and shrinking
dancing in a campfire

we sometimes forget that lesson
so our empires defy it
our monuments stand against it
our great cities are abandoned
for new homes
Sumeria
is now just artifacts
Assyria
has become Scrabble word
31 dynasties ruled Egypt,
each falling to the next
the dream of Rome
became a dream again
the sun never set on the British Empire
until the day it did
and young America too
will grow old into history books
but the fire will still be the same
because a flame is never the same
from moment to moment

even now
in the glow of digital screens
behind the wheel of combustion engines
or miles above the earth
in steel aircraft
or space stations
we are still mesmerized by the flame
we gather around fireplaces on holidays
remembering the ancient reasons for things
we light wax candles for dead loved ones
hoping whispered words
might rise to their ears in the heavens
where they watch us
alongside ancestors

we find ourselves
still captivated by campfires
staring into them
unable to look away sometimes
while we tell stories
just like we used to
when home
wasn’t made from stone and brick
or animal skins from last year’s hunt
but the warmest cave
on our nomadic trek
following the herds
teaching our children
the names of trees

some day
when we no longer fear the dark
a descendant of the flame that first warmed us
as we lay dreaming of stars
will help send a few of us
beyond the reach of Earth
never again to see this home
more will follow
using flickers of fire
to pass the boundaries
break the laws of gravity
that we will refuse to obey any longer
and sail across the night
unafraid of the monsters we left behind
trapped on cave walls beneath ocher and ash
they will make their homes
on marbles of every color
swirling in the dusty arms of space
and in the wildernesses of new worlds
they will name new trees
tell stories around campfires of ancestors
strong mothers
brave fathers

fire is always the same
because a flame is never the same
from moment to moment
by always changing
the flame never changes

some day
when “human”
means something else entirely
and whomever we become
sails on the winds of supernovas
finds no fear exploring black holes
the last place darkness can hide from us

they may communicate the poetry quasars and quarks
with the same beauty as verbs and nouns
but still stare at the surface of suns
and without explanation why
know the fire burning before them
is still wonderful to witness
because in the glimmer of a memory
dancing with the arithmetic of orbiting atoms
and the geometry of galaxies
they can feel something deep in their bones
tying them like a ribbon of flesh and flame across time
to a tiny world
whose name they have forgotten
or can no longer pronounce
and remember
somehow,
ancestors who wielded an infant spark
to no longer fear monsters or the dark
but listen around the first campfire
to poetry
and stories
and the names of trees

Houston Hughes features at the Sedona Poetry Slam on Saturday, Nov. 17

Houston Hughes features at the Sedona Poetry Slam on Saturday, Nov. 17

Sedona's Studio Live hosts a poetry slam Saturday, Nov. 17, starting at 7:30 p.m. featuring Fayetteville, Ark., poet Houston Hughes and hosted by Sedona poet Christopher Fox Graham.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

The slam is the first of the 2012-13 season, which will culminate in selection of Sedona's second National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Boston and Cambridge, Mass., in August. (Assuming, of course, the Mayans don't destroy the world in December 2012. Or the  Québécois in January 2013. If you thought the Mayan calendar was apocalyptic, just wait until the Québécois get their shot ....)

The local poets will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C.

Sedona's Studio Live hosts a poetry slam Saturday, Nov. 17, starting at
7:30 p.m. featuring poet Houston Hughes from Fayetteville, Ark.

Houston Hughes

Houston Hughes was introduced to poetry slam in 2006, and by 2010 had made finals stage at the Individual World Poetry Slam, placing him among the top 12 performance poets in the world.

In the time in between, he won individual recognition at the 2008 College Union Poetry Slam Invitational tournament, led the Hendrix College team to win the Region 12 championship in 2009, and has been part of the Ozark Poetry Slam team for two years.

Hughes has toured across the country and has opened for a variety nationally known acts such as Saul Williams and Otep.

Hughes currently resides in Fayetteville, Ark., where he is part of the planning committee for IWPS 2012.

For more on Hughes, visit:
www.HoustonHughes.tk
www.reverbnation.com/PoetryByHouston
www.facebook.com/PoetryByHouston

Sedona Poetry Slam

To compete in the slam, poets need at least three original poems, each three minutes long or shorter. No props, costumes or musical accompaniment are permitted. All types of poetry are welcome.

The slam will be hosted by Graham, who represented Northern Arizona on six FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010 and 2012.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

What is Poetry Slam?

Founded in Chicago in 1984, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

2013 Sedona National Poetry Slam Team

Last year, five poets represented Sedona at the week-long National
Poetry Slam in Charlotte, N.C. In August 2013, NPS will be held in
Boston and Cambridge, Mass. Will you be among them? Or will you
help choose who represents Red Rock Country in Beantown?

Competing poets earn points with each Sedona Poetry Slam performance between September and May. Every poet earns 1 point for performing or hosting. First place earns 3 additional points, second place earns 2 and third place earns 1.

Based on points, the top 12 poets in May are eligible to compete for the four slots on the Sedona Poetry Slam Team, which will represent the community and Studio Live at the 2013 National Poetry Slam in Boston. Poets can compete for multiple teams during a season and still be eligible to compete in the Sedona team.

For poetry slam standings, videos from past slams, and updates, visit foxthepoet.blogspot.com.

Tickets are $10 in advance and $12 the day of the event, available at Golden Word Books and Music, 3150 W. SR 89A, and online at studiolivesedona.com.

Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, call (928) 282-2688.

Arizona will name a Poet Laureate: Let's nominate Phoenix poet Bill Campana

The state of Arizona will name a Poet Laureate in 2013. Let's make sure it's Bill Campana, a prolific poet, veteran slammer and everyone's favorite uncle.

I will be writing a nomination as a representative of the Sedona slam scene. Other slam poets have offered to do the same. Join us.

Click here to help us make this happen.

Why should Bill Campana be Arizona's Poet Laureate?

Before Campana blazed into the Mesa and Phoenix poetry scene in 1997, individuals would attend poetry readings and at the end of every dry, polished piece of mental origami, read with all the flair of a zoning law variance, those still awake in the audience would say "humph." Poets would get a smattering of courtesy applause, and everyone would go home feeling just a little more cultured than their neighbors who owned television sets.

Campana, however, knows that the only true way to respect culture is to break it into little tiny pieces. He came onto the poetry scene at full power, and suddenly the dry dusty notebooks of lesser poets got burned up in the shockwave.

Campana is the atom bomb that levels ivory towers. He got people excited enough about poetry to come back for more, and to see what would happen next. Soon, the audience was too big for the coffeehouse, a feat unprecedented since Socrates dared the baristas to make him a hemlock frappuchino.
Campana began writing poetry at the age of 17, quit at 22 because he realized that he had nothing to say. Twenty years later, he picked up where he left off, soon ran out of things to say again but has not stopped writing.

A member of five Mesa National Poetry Slam Teams, Campana has been to the semi-finals of the National Poetry Slam twice. He has hosted and featured across the Southwest, and continues to write at a feverish pace, always challenging fellow poets to better their craft on the page and the stage.

Campana takes elements of other art forms and applies them to his poetry. Although audiences can't hear the music, he insists it's in there in tributes to composition. Although audiences can't see the paintings and photographs they are there behind the words. Campana currently lives on the fine line that separates the page from the stage. From there he can reach people from both spectrums of modern poetry.

Campana runs the weekly Sound Effects poetry open mic called in Phoenix.

Campana also recently released a compilation album, "The Hit List," that features 94 poems composed over the last 10 years of his performance career in Phoenix.

His work has also been made into a short film:

A young lady visits a piercing parlor and gets more than she bargained for.

Directed by Matt Gismondi

Poem and Voiceover by Bill Campana

Starring David Tabor and Lauren Perry

Arizona Poet Laureate

The Arizona Commission on the Arts, an agency of the State of Arizona, today launches the nomination process for the inaugural Arizona Poet Laureate.

At the start of the last legislative session, Arizona was one of only 8 states without a poet laureate. The Arts Commission and the Arizona literary community worked in close partnership with State Senator Al Melvin during the Fiftieth Legislature’s second regular session, to put forth a bill establishing a poet laureate post for the State of Arizona. On May 11, 2012, Governor Jan Brewer signed SB1348 into law, and October marks the beginning of the nomination, review and selection process.


Jaime Dempsey, Deputy Director of the Arts Commission, said of the process, “It is our hope that the appointed Arizona Poet Laureate will champion the art of American poetry, inspire an emerging generation of literary artists, and educate Arizonans about poets and authors who have influenced our state through creative literary expression.”
The bill specifies that the appointed poet laureate will serve a term of two years; will offer public readings throughout the year, in both urban and rural communities in various regions of the state; and will pursue a major literary project over the course of the appointment term.

The Arizona Poet Laureate will be provided with an annual honorarium of $2,500 to offset travel and so that he/she is able to actively serve the broadest constituency of Arizonans, who live, learn and work in urban, rural and suburban areas of the state. The honorarium will be disbursed from the Arizona Poet Laureate Fund, which consists of private monies donated by individuals, organizations or businesses – raised by the Arts Commission and its statewide literary partners.

Interested parties may nominate themselves or others for the position of Arizona Poet Laureate through a process managed by the Arizona commission on the Arts. The initial deadline for nominations is November 9, 2012. To review details and information regarding the nomination/application and selection process, visit http://www.azarts.gov/azpoetlaureate.

“We would like to recognize and thank Arizona Senator Al Melvin, who introduced the bill and shepherded it through the legislative process, and to our partners in arts advocacy, the Arizona Citizens for the Arts for helping to see this bill through to success,” said Bob Booker, Executive Director. 

Read the bill, here. 

About the Arizona Commission on the Arts

One of 56 state and jurisdictional arts agencies across the United States, the Arizona Commission on the Arts is an agency of the State of Arizona that supports a statewide arts network. The Arizona Commission on the Arts supports access to quality arts and arts education opportunities for all Arizona citizens; the development and retention of statewide jobs in the nonprofit arts, culture and education sectors; and increased economic impact in local communities through arts-based partnerships that develop tax and small business revenue.

For more information about the grants, services and programs of the Arizona Commission on the Arts, visit www.azarts.gov.

We imagine an Arizona where everyone can participate in and experience the arts.

Ryan Brown wins the first 2012-13 Sedona Poetry Slam

Photo by Tara Graeber

Ryan Brown, of Flagstaff, wins the Oct. 13, 2012 Sedona Poetry Slam.

Ryan Brown wins the first Sedona Poetry Slam of the 2012-13 National Poetry Slam Season, held Oct. 13, 2012.

Round 1
Random Draw

Calibration: Jackie Stockwell, of Flagstaff

Lynn Gravatt, of Sedona, 18.7, 1:40
Ryan Brown, of Flagstaff, 25.9, 3:03
The Klute, of Phoenix, 23.2, 2:06
Lauren Deja, of Phoenix, 24.8, 2:13
Evan Dissinger, of Flagstaff, 24.1, 2:43
Bert Cisneros, of Cottonwood, 23.7, 1:33
Ashley Swazey, of Phoenix, 24.8, 1:55
Rowie Shebala, of Phoenix, 23.0, 2:45
Little Blue Lyon-Fish, of Phoenix, 22.9, 2:39
Austin Reeves, of Flagstaff, 23.6, 2:29
Vincent Vega, of Flagstaff, 25.1, 2:22
Lauren Perry, of Phoenix, 23.8, 23.3 after 0.5 time penalty, 3:13
Josh Wiss, of Flagstaff/Phoenix, 25.3, 1:59

Sorbet: Christopher Fox Graham, of Sedona, "The Golden Record"

Round 2
Reverse Order

Josh Wiss, of Flagstaff/Phoenix, 26.5, 1:39, 51.8
Lauren Perry, of Phoenix, 26.4, 2:30, 49.7
Vincent Vega, of Flagstaff, 22.5, 1:51, 47.6
Austin Reeves, of Flagstaff, 23.0, 2:53, 46.6
Little Blue Lyon-Fish, of Phoenix, 26.2, 2:55, 49.1
Rowie Shebala, of Phoenix, 26.2, 2:04, 49.2
Ashley Swazey, of Phoenix, 26.8., 28.3 after 0.5 time penalty, 3:17, 51.1
Bert Cisneros, of Cottonwood, 25.5, 1:56, 49.2
Evan Dissinger, of Flagstaff, 26.4, 2:32, 50.5
Lauren Deja, of Phoenix, 25.8, 2:46, 50.6
The Klute, of Phoenix, 29.5, 2:34, 52.7
Ryan Brown, of Flagstaff, 28.6, 2:43, 54.5
Lynn Gravatt, of Sedona, 25.3, 1:23, 44.0

Photo by Tara Graeber

Nodalone, of Las Vegas, featured at the Oct. 13, 2012 Sedona Poetry Slam.

Feature: Nodalone, of Las Vegas, Nev.

Sorbet: Charles Levett, of Phoenix

Round 3
High to Low

Ryan Brown, of Flagstaff, 27.0, 2:06, 81.5
The Klute, of Phoenix, 26.3, 1:22, 79.0
Josh Wiss, of Flagstaff/Phoenix, 26.6, 1:47, 78.4
Ashley Swazey, of Phoenix, 26.0, 2:21, 77.1
Lauren Deja, of Phoenix, 25.4, 1:54, 76.0

Sorbet: Jeremiah Blue, of Phoenix

Victory: Ryan Brown, of Flagstaff

Final Scores

1 Ryan Brown, of Flagstaff, 81.5
2 The Klute, of Phoenix, 79.0
3 Josh Wiss, of Flagstaff/Phoenix, 78.4
4 Ashley Swazey, of Phoenix, 77.1
5 Lauren Deja, of Phoenix, 76.0

6 Evan Dissinger, of Flagstaff, 50.5
7 Lauren Perry, of Phoenix,  49.7
8 Rowie Shebala, of Phoenix, 49.2
8 Bert Cisneros, of Cottonwood,  49.2
10 Little Blue Lyon-Fish, of Phoenix,  49.1
11 Vincent Vega, of Flagstaff, 47.6
12 Austin Reeves, of Flagstaff,  46.6
13 Lynn Gravatt, of Sedona,  44.0

Scorekeeper and camerawoman: Azami

Sedona National Poetry Slam Team
Slamoff Point Standings
4 points
Ryan Brown, of Flagstaff✓
3 points
The Klute, of Phoenix
2 points
Josh Wiss, of Flagstaff/Phoenix
1 point
Jeremiah Blue, of Phoenix*

Bert Cisneros, of Cottonwood
Lauren Deja, of Phoenix
Evan Dissinger, of Flagstaff
Christopher Fox Graham, of Sedona
Lynn Gravatt, of Sedona
Charles Levett, of Phoenix*
Little Blue Lyon-Fish, of Phoenix
nodalone, of Las Vegas
Lauren Perry, of Phoenix
Austin Reeves, of Flagstaff
Rowie Shebala, of Phoenix
Ashley Swazey, of Phoenix
Vincent Vega, of Flagstaff
0.5 points
Jackie Stockwell, of Flagstaff

✓ = won a Sedona Poetry Slam
*=Due to a communication error that was totally my fault, these two poets contacted me early enough to slam, as such and in deferrence to their dedication, they earn a full participation point for this slam.

First three slams of the 2012-13 Sedona Poetry Slam Season

2012-13 Sedona Poetry Slam Season

• Saturday, October 13
  Feature: Nodalone, Las Vegas, Nev.
• Saturday, November 17
  Feature: Houston Hughes, Fayetteville, Ark. 
• Saturday, December  1
  Feature: Jordan Ranft, Santa Rosa, Calif.

Buy your tickets now for the Sedona Poetry Slam on Saturday, Oct. 13

Buy your tickets now for the Sedona Poetry Slam on Saturday, Oct. 13

Click here to buy your tickets now.

Sedona's Studio Live hosts a poetry slam Saturday, Oct. 13, starting at 7:30 p.m. featuring Las Vegas poet Nodalone and hosted by Sedona poet Christopher Fox Graham.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

The slam is the first of the 2012-13 season, which will culminate in selection of Sedona's second National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Boston and Cambridge, Mass., in August. (Assuming, of course, the Mayans don't destroy the world in December 2012. Or the  Québécois in January 2013. If you thought the Mayan calendar was apocalyptic, just wait until the Québécois get their shot ....)

The local poets will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C.

Nodalone

Nodalone - Shaun Srivistava - is the first featured poet of the Sedona
Poetry Slam Season. Nodalone will feature Saturday, Oct. 13.

Nodalone — born Shaun Srivastava — is a spoken word artist currently residing in Las Vegas. While quietly writing for years, Nodalone began performing his work in late 2010 in Flagstaff. Ever since, the poet has continued to bring his poems to life on stage at slams and various events throughout the country.

Preferring to use his platform to address current political, cultural and social issues, Nodalone gives a performance that captures the power of the issue with a personal and passionate style.

Nodalone is the 2011 FlagSlam Grand Slam Champion and a member of both the 2011 and 2012 FlagSlam National Poetry Slam Teams.

He prefers hugs to handshakes, and is a raging baby animal enthusiast.

Sedona Poetry Slam

To compete in the slam, poets need at least three original poems, each three minutes long or shorter. No props, costumes or musical accompaniment are permitted. All types of poetry are welcome.

The slam will be hosted by Graham, who represented Northern Arizona on six FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010 and 2012.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

What is Poetry Slam?

Founded in Chicago in 1984, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

2013 Sedona National Poetry Slam Team

Last year, five poets represented Sedona at the week-long National
Poetry Slam in Charlotte, N.C. In August 2013, NPS will be held in
Boston and Cambridge, Mass. Will you be among them? Or will you
help choose who represents Red Rock Country in Beantown?

Competing poets earn points with each Sedona Poetry Slam performance between September and May. Every poet earns 1 point for performing or hosting. First place earns 3 additional points, second place earns 2 and third place earns 1.

Based on points, the top 12 poets in May are eligible to compete for the four slots on the Sedona Poetry Slam Team, which will represent the community and Studio Live at the 2013 National Poetry Slam in Boston. Poets can compete for multiple teams during a season and still be eligible to compete in the Sedona team.

For poetry slam standings, videos from past slams, and updates, visit foxthepoet.blogspot.com.

Tickets are $10 in advance and $12 the day of the event, available  online at studiolivesedona.com.

Click here to buy your tickets now.

Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, call (928) 282-2688.

"The Golden Record" by Christopher Fox Graham

This audio recording of Bulgarian folk sing Valya Balkanska performing “Izlel e Delyu Haydutin,” is one of several songs on the Voyager 1 and Voyager 2 space probes.

"The Golden Record"
A poem for the Voyager 1 & 2 spacecraft

By Christopher Fox Graham

Valya Balanska

in 60,000 years
when the human race is extinct
racing at a geologic pace to fossilize ourselves
next to dinosaurs
Valya Balkanska will still be singing
she may be the last
and only voice
the galaxy knows of our species

to tell her story
I must begin at the beginning:
we all shared the same neighborhood once
when matter didn’t matter so much
but FLASH-BANG! scattered us
like children
from doors of school
on the last day before summer
some stayed close to home
while others wanted to see how far away they could run

and when they began to pick up the pieces
they clung to each other so tightly
you could feel the gravity of it all
but these rocky asteroids and gas giants
comets of ice and terrestrials covered in methane or argon
stare across the vacuum playing telephone with each other
and wonder if they’ll ever touch again

can you hear them?
they speak slow
some syllables take millions of years to finish
but out in the black
are so many lost marbles
they number a billion billion for each one of us here
they, too, were born blind in the dark
wondering, “what is this place”“
and “where did I come from?”
they cling to the nearest glowing stars
like lost children
terrified to be alone

The Voyager spacecraft, launched in 1977.

among the sea
in a stretch of nebula
on one of those marbles
unremarkable in its ordinariness
a thump-pulse of moving things speaks so fast
the planets can’t understand the gibberish
but they love the sound of it all
it reminds them of a split moment in lost memory
when we all were dancing on the head of a pinprick

those creatures, they say,
have sent ambassadors into the stars
riding radio waves in images and sounds
but we have no way to answer, just to listen
a few constructions of metal
have sailed into the dark bearing their dreams
like messages in bottles
so if they annihilate themselves
in a flash of fire
or by eating up all the matter on which they survive
something will remain to prove
there was some magic once

The Golden Record with encoded messages about how to play it,
Earth's location triangulated with 14 pulsars, and information about
the hydrogen atom to give a point of measurement reference.

on one of those lost satellites called Voyager
now 18 billion miles away from a home
it will never see again
is a golden record
and instructions to play it
so if, in eons hence
on some other marble, wiser life sprouts
and in their wild youth,
breaks the laws of gravity
they may find it floating wandering in the dark
and hear the sounds

of us

those alien discoverers may not get past the wonder
of greetings in 55 different human languages
saying in Begali “Hello! Let there be peace everywhere.”
or in Indonesian “Good night ladies and gentlemen.” and
“Goodbye and see you next time.”
after hearing “Johnny B. Goode”
they may crusade the stars
searching for Earth
and more Chuck Berry
they may listen over and over
to the perfect precision of Beethovan’s 5th symphony
or the unleased joy in the Peruvian wedding song

1½ tons of metal
weighing nothing in the ether
carries our billion conversations
every love story
every epic poem
every genocide and celebrity wedding
every nation to rise and fall
every miracle
manmade or otherwise

1½ tons of metal
carries the weight of 10,000 years of human history
on a record barely an hour long

But when they hear Valya Balkanska sing“Izlel e Delyu Haydutin,”
our evolution and extinction will not have been in vain

those alien discoverers
may not have tears

but they will know we did

they may not understand grief

but the first sound they utter afterward

will become it

they will understand
why we could not bear to be alone
when there were so many lost marbles
aching to feel footsteps
the touch of stargazing strangers
they will know there was good in us

and they may even call us 

“brothers”

to the creatures who find Voyager:

you may not have a song to mourn your dead

but as Valya’s haunting melody

and the Bulgarian pipes

retch all the sorrow of a million human generations 

into the stars one last time

you have a mourning song now

and Valya,

Valya will sing it for us

Visit GoldenRecord.org, where you can see and hear everything aboard the Voyager 1 & 2 spacecrafts.

For more information about the Voyager mission and their discoveries, click here.

Bulgarian lyrics

Излел е Делю хайдутин,
хайдутин ян кеседжия
с Домбовци и Караджовци.
Зароча Дельо пороча
Дериденските аяне,
айяне, кабадаие:
- Две лели имам в селоно,
да ми ги не потурчите,
да ми ги не почърните,
че кога флезем в селоно,
млого щат майки да плачат,
по-млого млади нивести,
дете ще в корем проплака.

Гюлсюме Делю заръча:
- Варди са, Делю, чувай са,
канят са да та примажат,
деридеренски аяне,
аяне, кабадаие:
сребърен куршум ти леят,
та ще та, Делю, удрият.
- Гюлсюме, любе Гюлсюме,
не са е родил чилякън,
дену ще Деля примаже.

English translation

Deljo the hayduk went out,
the hayduk, the rebel
with the Dumbovi and the Karadjovi clans.
Deljo gave the following orders
to the brazen-faced governors of Zlatograd:
- "There are two aunts of mine in the village.
Do not make them Turks,
do not besmirch them,
because when I come back
a lot of mothers will cry,
a lot of young brides,
and unborn children."

Gyulsume told Deljo:
- "Beware, Deljo, beware,
you are being threatened, Deljo
the Zlatograd rulers,
the brazen-faced governors,
they cast a silver bullet
for you, Deljo, to kill you."

- "Gyulsume, my love Gyulsume,
not yet is born a man
who could kill me."

Nodalone features at the Sedona Poetry Slam on Saturday, Oct. 13

Nodalone features at the Sedona Poetry Slam on Saturday, Oct. 13

Sedona's Studio Live hosts a poetry slam Saturday, Oct. 13, starting at 7:30 p.m. featuring Las Vegas poet Nodalone and hosted by Sedona poet Christopher Fox Graham.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

The slam is the first of the 2012-13 season, which will culminate in selection of Sedona's second National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Boston and Cambridge, Mass., in August. (Assuming, of course, the Mayans don't destroy the world in December 2012. Or the  Québécois in January 2013. If you thought the Mayan calendar was apocalyptic, just wait until the Québécois get their shot ....)

The local poets will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C.

Nodalone

Nodalone - Shaun Srivistava - is the first featured poet of the SedonaPoetry Slam Season.
Nodalone will feature Saturday, Oct. 13.

Nodalone — born Shaun Srivastava — is a spoken word artist currently residing in Las Vegas. While quietly writing for years, Nodalone began performing his work in late 2010 in Flagstaff. Ever since, the poet has continued to bring his poems to life on stage at slams and various events throughout the country.

Preferring to use his platform to address current political, cultural and social issues, Nodalone gives a performance that captures the power of the issue with a personal and passionate style.

Nodalone is the 2011 FlagSlam Grand Slam Champion and a member of both the 2011 and 2012 FlagSlam National Poetry Slam Teams.

He prefers hugs to handshakes, and is a raging baby animal enthusiast.

Sedona Poetry Slam

To compete in the slam, poets need at least three original poems, each three minutes long or shorter. No props, costumes or musical accompaniment are permitted. All types of poetry are welcome.

The slam will be hosted by Graham, who represented Northern Arizona on six FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010 and 2012.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

What is Poetry Slam?

Founded in Chicago in 1984, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

2013 Sedona National Poetry Slam Team

Competing poets earn points with each Sedona Poetry Slam performance between September and May. Every poet earns 1 point for performing or hosting. First place earns 3 additional points, second place earns 2 and third place earns 1.

Based on points, the top 12 poets in May are eligible to compete for the four slots on the Sedona Poetry Slam Team, which will represent the community and Studio Live at the 2013 National Poetry Slam in Boston. Poets can compete for multiple teams during a season and still be eligible to compete in the Sedona team.

For poetry slam standings, videos from past slams, and updates, visit foxthepoet.blogspot.com.

Tickets are $10 in advance and $12 the day of the event, available at Golden Word Books and Music, 3150 W. SR 89A, and online at studiolivesedona.com.

Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, call (928) 282-2688.

GumptionFest's annual Haiku Death Match only 2 days away ....

Time to get writing, poets. The Haiku Death Match nears.

You need about 20 haiku to compete. The more, the better, however.

GumptionFest VII's Haiku Death Match, aka GF7HDM

As in past years, we will hold a Haiku Death Match, (not a "death match" per se, but a Head-to-Head Haiku Slam), at GumptionFest VII. GumptionFest VII will be Friday to Sunday, Sept. 14 to 16, along Coffee Pot Drive and State Route 89A in West Sedona.

The Haiku Death Match will be held Saturday, Sept. 15 at 5 p.m. at the Szechuan Martini Bar, on the north side of State Route 89A.

Challenge last year's champion, Teresa Newkirk,
and vie for the
Grand Prize of $17

A Haiku Poetry Slam is a competitive poetry duel that is a subgenre of poetry slam. The Haiku Poetry Slam is a prominent feature at the annual National Poetry Slam, replete with full costume for the host, in the style of former NPS hosts Daniel Ferri and Jim Nave and current NPS host Taz Yamaguchi.

At GumptionFest VII, we will attempt to hold a Haiku Death Match as similar to the NPS Haiku Poetry Slam version as possible.

Can you beat The Klute, the 2010 GumptionFest Grand Haikuster?

What is haiku?
Haiku (俳句) is a form of Japanese poetry consisting of 17 syllables in three metrical phrases of 5 syllables, 7 syllables, 5 syllables.

Japanese haiku typically contain a kigo, or seasonal reference, and a kireji or verbal caesura. In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku.

What is slam haiku?
Slam haiku used in a Haiku Death Match is far simpler: Use of three or fewer lines of 17 syllables. Slam haiku can be anything from a single 17-syllable line or simply 17 words.

A standard Haiku Death Match is conducted thus:
The host randomly draws the names of two poets, known as haikusters, from the pool of competitors.
The haikusters adorn headbands of two colors: Red and Not-Red (white).
Red Haikuster and Host bow to each other.
Not-Red Haikuster and Host bow to each other.
Red Haikuster and Not-Red Haikuster bow to each other.
Red Haikuster goes first.
The Red Haikuster reads his or her haiku twice. The audience does not clap or make noise (usually, though, they laugh or vocalize, but, of course, we must pretend that this is completely unacceptable).
The Not-Red Haikuster reads his or her haiku twice. Again, the audience does not clap or make noise.
The host waits for the three judges to make their choice for winner, then signals them to hold aloft their Red or Not-Red flag.
Simple majority (3-0 or 2-1) determines the winner.
The host asks the audience to demonstrate “the sound of one hand clapping,” i.e., silence, then “the sound of two hands clapping,” at which point they can finally applaud. The mock ceremony involving the audience is half the fun.
The winning haikuster then goes first.
Depending on the round, the winner will be best 3 of 5, 4 of 7, best 5 of 9, etc., of a number determined beforehand for each round.
After the duel, Red Haikuster and Not-Red Haikuster bow to each other and shake hands. The next duel begins.
Rules for the GumptionFest VI Haiku Death Match:

• Titles: Haikusters can read their haiku titles before they read the haiku. (This gives the haikusters technically more syllables to put the haiku in context, but the haiku itself must still be only 17 syllables. While this is not “pure” Haiku Death Match rules, it’s much more fun for the audience.
  
  
• Originality: Poets must be the sole authors of the haiku they use in competition. Plagiarized haiku are grounds for disqualification. We all love Matsuo Bashō, but he’s 300 years too dead to compete.
  
  
• On-page or memorized?: Poets can read from the page, book, journal, notepad, etc.
  
  
• Preparation: Poets can have haiku written beforehand or write them in their head while at the mic. As long as the haiku are 17 syllables, we don’t care how, when or from where the haiku originates.
  
  
• Rounds: Will be determined by the number of haikusters who sign up to compete.
  
  
• Quantity of haiku needed: Depends on the number of rounds. 30 haiku will likely be enough for poets who push rounds to the last haiku needed and go all the rounds, but 50 to 100 gives haikusters enough material to be flexible in competition. Most veteran haikusters have several hundred to compete with.
  
  
• Censorship: Adult themes and language are acceptable. There may be children present so you may have to deal with their parents afterward, but that’s your call.
  
  
• Register early: E-mail me at foxthepoet@yahoo.com.
  

What’s the Best Strategy to Win?

• A winning haikuster is flexible.
  
  
• If your opponent reads a serious or deep haiku, read one that is more serious or more profound, or go on the opposite tack and read something funny.
  
  
• If your opponent reads a funny haiku, read one that is funnier, or go on the opposite tack and read something serious or deep.
  
  
• If your opponent makes fun of you, make fun of yourself even bigger or make fun of them. A good head-to-head haiku can work wonders and often wins a Haiku duel. For instance, my “Damien Flores Haiku,” “Easy way to win: / Damien is 20, Officer, / and he's drunk."
  
  
• If you’re on stage and you get an idea for a haiku, feel free to write it down immediately. That might be the next round’s haiku that wins you the duel.
  
  
• Have a good time. Even if don't get past the first round, it's still a great time for all.

Slam poet Josh Wiss joins GumptionFest lineup

Saturday, Sept. 15, 9:30 p.m. @ Oak Creek Brewing Co.:

Josh Wiss, a member of the the 2012 Sedona National Poetry Slam Teams

Josh Wiss, photo by Tara Graeber

Josh Wiss is a 21-year-old poet who is bound to a lifestyle constant creativity. He attended his first poetry slam in the Fall of 2010 and has been addicted to the art form ever since.
A self-proclaimed “feeler,” Wiss lives life riding the oscillating waves of a water sign. He has dedicated his life to embracing the purity of existence and trying to transcribe experiences through a variety of expressive mediums.
Whether he is plucking ukulele strings, painting vibrant panels or pouring poetry onto pages, Josh attempts to completely envelop himself in each of his works. His poetry is raw and often reflects an optimistic side of his personality. Obsessed with bold colors and blowing bubbles, a childlike energy inhabits his performances.
Grateful to be finished with an undergraduate degree in English from Northern Arizona University, Wiss now faces the task of being a “poet in debt” with naïve excitement. He has hopes of publishing fiction, non-fiction, poetry and even graphic works in the years to come.
He has self-released four albums of his various musical projects to date and plans to continue making albums as well. The journey that will quench his wanderlust is still on the horizon. Until then you may find him buried in books or consumed by canvas.
It is his goal to help others however he can with his art under the belief that even the most personal of feelings is relatable and relative in life. Wading through waves of weird, this mind-surfer finds contentment in the simplicities of life.
Wiss was a member of the inaugural Sedona National Poetry Slam Team in 2012 and competed with his team at the National Poetry Slam in Charlotte, N.C.

Poets at GumptionFest VII

Friday, Sept. 14, 7 p.m., @ Szechuan Martini Bar:

Christopher Fox Graham, host of the Sedona Poetry Slam and member of the 2001, 2004, 2005, 2006, 2010 and 2012 Flagstaff National Poetry Slam Teams

Christopher Fox Graham, photo by Harley Deuce

Christopher Fox Graham is a poet living in Sedona, Arizona.
Beginning his performance poetry career in 2000, Graham has been a member of six Flagstaff National Poetry Slam teams, representing Flagstaff in 2001, 2004, 2005, 2006, 2010 and 2012. Graham won the Flagstaff Poetry Grand Slam championship in 2004 and 2012.
Graham was part of the Save the Male Tour, a four-man international spoken word tour in 2002 that performed in 26 states over three months.
In 2005 and 2006, Graham’s teams won the Slab City Slam at Arcosanti, the state’s poetry slam team championships.
Since 2006, Graham has been the poetry coordinator of GumptionFest, a free, grassroots arts festival in Sedona.
In 2008, he founded the Sedona Poetry Slam and became a slammaster in 2012, sponsoring the inaugural Sedona National Poetry Slam Team. Graham was a featured performer at the invitation-only 2012 Desert Rocks Music Festival.
Graham has published five books of poetry and a spoken word CD, and been published in six anthologies of spoken word and in two DVDs of Grand Slam Championships. He has been featured in two films on the
Sedona art scene.
Graham has performed poetry for MTV, The Travel Channel and at venues in nearly 40 states, Canada, Ireland and Great Britain.
His blog, FoxThePoet.Blogspot.com, features his work and those of other national poets and Sedona artists, recording more than 2,000 hits a week.

Friday, Sept. 14, 10 p.m., @ Olde Sedona Bar & Grill:

Evan Dissinger, a member of the 2012 Sedona National Poetry Slam Team.

Evan Dissinger, photo by Kelly Watts

Acrylic tattooed skateboards, the sound of concrete waves crashing, rock ’n’ roll to pass the time, marijuana cigarettes, and candle light dinners eaten alone.
Evan Dissinger like to paint and laugh in kinetic conversations.
He enjoys watching Atlas shoulder tomorrows promises, no sun rise should be taken for granted.
Dissinger and his cat, Azula, both smile at serendipitous psychedelic situations. He doesn’t believe in cops, bosses or politicians, some call that anarchism, He calls it having a fucking heart that beats. He believes in being honest, especially if it means being wrong, self-reliance is a product of self-responsibility.
Joe Strummer said his motivation to wake every morning was the ability to think. That gift is the one certainty we have in this life, the simple knowledge that we are here, right now, everything else should be subject to question.
Dissinger is infatuated with the human experience. There is no wrong way to live life as long as you can recognize fleeting moments of true lucid beauty.
Don’t check out early, there are great stories and warm coffee here, there is no way the next life will be as vivid visceral.
Live as if this were a dream and nothing can stop you from knowing who you are.

Saturday, Sept. 15, 5 p.m., @ Szechuan Martini Bar:

4th annual Haiku Death Match

The GumptionFest VII Haiku Death Match is open to all attendees of GumptionFest VII.

What is haiku?

Haiku (俳句) is a form of Japanese poetry consisting of 17 syllables in three metrical phrases of 5 syllables, 7 syllables, 5 syllables.
Japanese haiku typically contain a kigo, or seasonal reference, and a kireji or verbal caesura. In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku.

What is slam haiku?

lam haiku used in a Haiku Death Match is far simpler: Use of three or fewer lines of 17 syllables. Slam haiku can be anything from a single 17-syllable line or simply 17 words.

What are the Haiku Death Match rules?

• Titles: Haikusters can read their haiku titles before they read the haiku. (This gives the haikusters technically more syllables to put the haiku in context, but the haiku itself must still be only 17 syllables. While this is not “pure” Haiku Death Match rules, it’s much more fun for the audience.
• Originality: Poets must be the sole authors of the haiku they use in competition. Plagiarized haiku are grounds for disqualification. We all love Matsuo Bashō, but he’s 300 years too dead to compete.
• On-page or memorized?: Poets can read from the page, book, journal, notepad, etc.
• Preparation: Poets can have haiku written beforehand or write them in their head while at the mic. As long as the haiku are 17 syllables, we don’t care how, when or from where the haiku originates.
• Rounds: Will be determined by the number of haikusters who sign up to compete.
• Quantity of haiku needed: Depends on the number of rounds. 30 haiku will likely be enough for poets who push rounds to the last haiku needed and go all the rounds, but 50 to 100 gives haikusters enough material to be flexible in competition. Most veteran haikusters have several hundred to compete with.
• Censorship: Adult themes and language are acceptable. There may be children present so you may have to deal with their parents afterward, but that’s your call.
• Register early: E-mail Christopher Fox Graham at foxthepoet@yahoo.com.

Saturday, Sept. 15, 7 p.m., @ Szechuan Martini Bar:

The Klute, a member of the 2002, 2003, 2005 and 2006 Mesa National Poetry Slam Teams, the 2008, 2009, 2010, 2012 Phoenix National Poetry Slam Team, a two-time National Poetry Slam semi-finalist, and winner of the 2010 GumptionFest Haiku Death Match

The Klute, photo by Jessica Mason-Paull

The Klute, aka Bernard Schober, competed at the National Poetry Slam six times, for the Mesa Slam Team in 2002, 2003, 2005 and 2006, and the Phoenix Slam Slam Team in 2008 and 2009, 2010 and 2012. He has led two of those teams to the NPS semi-final stage, ranking him among the best of the best nationwide. He was also the Mesa Grand Slam champion in 2005 and 2010.
Standing more than 6 feet tall and always bedecked in
a black trench coat, the Klute is hard to miss. When
poetry escapes his lips at full blast, he’s hard not to hear.
In an era when most artists and poets shy away from confronting politics, the Klute stands apart.
He has earned a reputation for in-your-face political commentary and over-the-top humor targeting Neo-Conservative politicians, crass laissez-faire commercialism and Goth subculture.
Originally from south Florida, The Klute writes almost exclusively in free verse, making his poetry conversational and relevant to even those who see poetry as something to avoid.
Standing more than 6 feet tall and always bedecked in a black trench coat, the Klute is hard to miss. When poetry escapes his lips at full blast, he’s hard not to hear.
The Klute has released three poetry chapbooks, “Escape Velocity,” “Look at What America Has Done to Me” and “My American Journey,” which prompted a cease and desist order from the attorneys of former Secretary of State Colin Powell.
“Despite the heat, [The Klute] wears a black trench coat almost everywhere he goes and if the setting permits, he’ll blast through enough slanderous commentary to make Andrew Dice Clay blush,” according to Phoenix 944 Magazine. “Today, his addiction for getting in front of the microphone and spitting out everything from a Dick Cheney haiku to a long-winded prose on race car driving to the late Hunter S. Thompson is as strong as his love for vodka and absinthe. If anyone’s seen ‘The Klute’ in action, they’d know it. If they haven’t, they must.”

Saturday, Sept. 15, 9:30 p.m. @ Oak Creek Brewing Co.:

Ryan Brown, a member of the the 2008, 2009, 2010, 2012 Flagstaff National Poetry Slam Teams, and 2008 National Poetry Slam semi-finalist

Ryan Brown, photo by Tara Graeber

Born twenty-three years ago in Phoenix, Arizona, Ryan Brown has been writing and performing poetry in Northern Arizona for nearly five years.
After discovering Flagstaff’s FlagSlam in 2007, Brown began writing poetry with a small group of like-minded young people, eventually taking over as the slam’s Slammaster in the fall of 2008. That year, the Flagstaff poetry scene saw features such as Gypsee Yo and Andrea Gibson hit Flagstaff stages for the first time, reinvigorating a slam community that pulled poets from Northern Arizona University, Sedona, and Phoenix to create one of the largest consistent poetry slams in Arizona.
After slamming at his first National Poetry Slam in 2008, Brown began to focus his writing more on the ideals of community, social networking, and the ever-cliché but always boundless topics of love, intimate relationships, and human connection.
Teaming up with Frank O’Brien on Flagstaff nationals teams in 2008, 2009, and 2010, Brown worked on herb and coffee farms in Hawaii in late 2010, eventually coming back to NAU to get an English degree with the class of 2012. The
FlagSlam took place at Sundara Boutique for the 2011-12 season, thriving in an all-ages scene that draws upwards of 75 people on a schoolnight, poets flocking from miles away.
Currently the Flagstaff Slammaster, Brown’s passion for poetry and poetic expression can be rivaled by his love of baseball, skateboarding, and patio conversations with a few good friends, or a couple of brothers.
He cites John Cartier, Frank O’Brien, Jessica Guadarrama, Aaron Johnson, and Josh Wiss as his biggest influences, both in poetry and in life, and would like to give a shout-out to his pug-terrier Pip, whom he passed on to another family before taking off to Hawaii.
Peace, homie.

Sunday, Sept. 16 5:45 p.m. @ Szechuan Martini Bar:

Tara Pollock, a member of the 2012 Flagstaff National Poetry Slam Team

Tara Pollack, photo by Tara Graeber

Tara Pollock has been writing poetry since she was a young girl, and performing poetry on and off throughout her adult life.
She is excited to have the opportunity to be on Flagstaff’s 2012 National Poetry Slam Team. She seeks to inspire, liberate, and uplift through her words.
The creative force of poetry has been a catalyst for her personal evolution, as well as providing a medium through which she has come to know herself more deeply, and to share herself with her community. She is currently finishing her Biology degree at Northern Arizona University with plans to attend Southwest College of Naturopathic Medicine in the fall of 2013.
When she is not knee deep in books, pens, and paper, she can be found teaching yoga, hiking, dancing or cooking.

Sunday, Sept. 16, 9:30 p.m. Olde Sedona Bar & Grill:

Dan Seaman, longtime Prescott are poet and founder and host of the Slab City Slam, Arizona’s state poetry team championship from 2001-2007

Dan Seaman is a performance poet and fire dancer

Dan Seaman is a second-generation Arizonan who was encouraged to continue writing poetry … despite the obvious physical contradictions of his overtly masculine appearance and furrowed brow.
His work has been described as “realistic romanticism”… and his voice, as “an undertow of emotion”.
Dan was also a co-founder of the 2001-2007 Arizona State Championships held at Arcosanti, diligently planning, hosting, managing and overall making sure the best weekend of poetry is the state lived up to it’s pedigree …

Fourth annual Sedona Haiku Death Match at GumptionFest VII, Sept. 15

GumptionFest VII's Haiku Death Match, aka GF7HDM

As in past years, we will hold a Haiku Death Match, (not a "death match" per se, but a Head-to-Head Haiku Slam), at GumptionFest VII. GumptionFest VII will be Friday to Sunday, Sept. 14 to 16, along Coffee Pot Drive and State Route 89A in West Sedona.

The Haiku Death Match will be held Saturday, Sept. 15 at 5 p.m. at the Szechuan Martini Bar, on the north side of State Route 89A.

Challenge last year's champion, Teresa Newkirk,
and vie for the
Grand Prize of $17

A Haiku Poetry Slam is a competitive poetry duel that is a subgenre of poetry slam. The Haiku Poetry Slam is a prominent feature at the annual National Poetry Slam, replete with full costume for the host, in the style of former NPS hosts Daniel Ferri and Jim Nave and current NPS host Taz Yamaguchi.

At GumptionFest VII, we will attempt to hold a Haiku Death Match as similar to the NPS Haiku Poetry Slam version as possible.

Can you beat The Klute, the 2010 GumptionFest Grand Haikuster?

What is haiku?
Haiku (俳句) is a form of Japanese poetry consisting of 17 syllables in three metrical phrases of 5 syllables, 7 syllables, 5 syllables.

Japanese haiku typically contain a kigo, or seasonal reference, and a kireji or verbal caesura. In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku.

What is slam haiku?
Slam haiku used in a Haiku Death Match is far simpler: Use of three or fewer lines of 17 syllables. Slam haiku can be anything from a single 17-syllable line or simply 17 words.

A standard Haiku Death Match is conducted thus:
The host randomly draws the names of two poets, known as haikusters, from the pool of competitors.
The haikusters adorn headbands of two colors: Red and Not-Red (white).
Red Haikuster and Host bow to each other.
Not-Red Haikuster and Host bow to each other.
Red Haikuster and Not-Red Haikuster bow to each other.
Red Haikuster goes first.
The Red Haikuster reads his or her haiku twice. The audience does not clap or make noise (usually, though, they laugh or vocalize, but, of course, we must pretend that this is completely unacceptable).
The Not-Red Haikuster reads his or her haiku twice. Again, the audience does not clap or make noise.
The host waits for the three judges to make their choice for winner, then signals them to hold aloft their Red or Not-Red flag.
Simple majority (3-0 or 2-1) determines the winner.
The host asks the audience to demonstrate “the sound of one hand clapping,” i.e., silence, then “the sound of two hands clapping,” at which point they can finally applaud. The mock ceremony involving the audience is half the fun.
The winning haikuster then goes first.
Depending on the round, the winner will be best 3 of 5, 4 of 7, best 5 of 9, etc., of a number determined beforehand for each round.
After the duel, Red Haikuster and Not-Red Haikuster bow to each other and shake hands. The next duel begins.
Rules for the GumptionFest VI Haiku Death Match:

• Titles: Haikusters can read their haiku titles before they read the haiku. (This gives the haikusters technically more syllables to put the haiku in context, but the haiku itself must still be only 17 syllables. While this is not “pure” Haiku Death Match rules, it’s much more fun for the audience.
  
  
• Originality: Poets must be the sole authors of the haiku they use in competition. Plagiarized haiku are grounds for disqualification. We all love Matsuo Bashō, but he’s 300 years too dead to compete.
  
  
• On-page or memorized?: Poets can read from the page, book, journal, notepad, etc.
  
  
• Preparation: Poets can have haiku written beforehand or write them in their head while at the mic. As long as the haiku are 17 syllables, we don’t care how, when or from where the haiku originates.
  
  
• Rounds: Will be determined by the number of haikusters who sign up to compete.
  
  
• Quantity of haiku needed: Depends on the number of rounds. 30 haiku will likely be enough for poets who push rounds to the last haiku needed and go all the rounds, but 50 to 100 gives haikusters enough material to be flexible in competition. Most veteran haikusters have several hundred to compete with.
  
  
• Censorship: Adult themes and language are acceptable. There may be children present so you may have to deal with their parents afterward, but that’s your call.
  
  
• Register early: E-mail me at foxthepoet@yahoo.com.
  

What’s the Best Strategy to Win?

• A winning haikuster is flexible.
  
  
• If your opponent reads a serious or deep haiku, read one that is more serious or more profound, or go on the opposite tack and read something funny.
  
  
• If your opponent reads a funny haiku, read one that is funnier, or go on the opposite tack and read something serious or deep.
  
  
• If your opponent makes fun of you, make fun of yourself even bigger or make fun of them. A good head-to-head haiku can work wonders and often wins a Haiku duel. For instance, my “Damien Flores Haiku,” “Easy way to win: / Damien is 20, Officer, / and he's drunk."
  
  
• If you’re on stage and you get an idea for a haiku, feel free to write it down immediately. That might be the next round’s haiku that wins you the duel.
  
  
• Have a good time. Even if don't get past the first round, it's still a great time for all.

Christopher Lane (Aug. 5, 1972-Aug. 19, 2012)

Christopher Lane

Aug. 5, 1972 — Aug. 19, 2012

Christopher Lane, 40, of Sedona, died unexpectedly at home Sunday, Aug. 19.

Lane is survived by his wife Akasha, sons Oren, 8, and Zephryn, 3.

Founder of NORAZ, Lane joyfully worked with local high schoolers and Alzheimer’s patients spreading the healing power of poetry.

A memorial is Saturday, Aug. 25, at 5 p.m. at Indian Gardens Park. Carpooling is mandatory.