National Poetry Slam 2011 cypher, poet #5

A poet in a cypher from 2011 National Poetry Slam, Aug. 8-14.

Shot in on the street outside 496 Massachusetts Ave., Cambridge, Mass.

If you can help me identify the poets in some these clips, please comment.

National Poetry Slam 2011 cypher, poet #4

A poet in a cypher from 2011 National Poetry Slam, Aug. 8-14.

Shot in on the street outside 496 Massachusetts Ave., Cambridge, Mass.

If you can help me identify the poets in some these clips, please comment.

National Poetry Slam 2011 cypher, poet #3

A poet in a cypher from 2011 National Poetry Slam, Aug. 8-14.

Shot in Le Meridian Hotel, Cambridge.

If you can help me identify the poets in some these clips, please comment.

"They Held Hands," for those who fell from the World Trade Center

"They Held Hands"

For the 200 people who jumped or fell to the deaths
from the World Trade Center on Sept. 11, 2001.

On a commonplace Tuesday morning,
not unlike that Sunday morning
60 years before, destined for infamy
they held hands as they fell

It was a working Tuesday
a date on the calendar
a morning like the morning before
but now they found themselves
standing on the window sill
of the 92nd floor
overlooking the city
and they felt weightless

They were not thinking
about the cause-and-effect history
of textbooks and CNN sound bytes
they weren’t debating the geopolitical ramifications leading up to that morning
he had decaf
she had a bearclaw and an espresso
and they talked about Will & Grace

jets impregnated buildings with infernos
and now the fire was burning
and the smoke was rising
and it was getting hard to breathe
even after they smashed the window out
the inferno was swelling
it had reached their floor
their stairwells were gone
and the options now
were to burn
or to fall

when the human animal realizes death is inevitable
psychologists say we want control
over those final moments
choosing suicide over surrender is a healthy reaction
because we choose to accept annihilation
rather than letting it choose us

So on one side
is unbearable heat
roaring flames
acrid smoke
and screams of the suffering
On the other side
fresh air
suicide is the final act of free will
that keeps the consciousness intact
even as it is destroyed

but they were not thinking about psychology
they were not thinking about terrorism
the debate about responsibility,
retalaiation,
wars, flags, and Patriot Acts
can wait until September 12th
this morning belongs to them
because they did not have a tomorrow
the true terror of that morning
is to know what they were thinking
as they decided then whether
to burn
or to fall
now, imagine having that conversation
with the stranger
sitting next to you:
The barricade at the door is on fire
the extinguisher is empty
we are blinded by the smoke
and on the windowsill of the 92nd floor
we wait until flames lick our clothes
before we lean forward
and choose that moment to fall
others who fell were scrambling
or screaming or on fire
but we held hands as we fell

survivors of falls from extreme heights report
that falls are slow-motion transcendence
and the experience is almost “mystical”

I don’t know if they felt “mystical”
I know it takes
1 …
2 …
3 …
4 …
5 …
6 …
7 …
8.54 seconds to fall 1,144 feet

just enough time to say a prayer
or regret a memory
or ask forgiveness
or say goodbye
or wonder how the sky can be so perfectly blue
on such a beautiful morning

National Poetry Slam 2011 cypher, poet Brando Chemtrails

Poet Brando Chemtrails from Denver's SlamNuba performs during a cypher from 2011 National Poetry Slam, Aug. 8-14. Shot in on the street outside 496 Massachusetts Ave., Cambridge, Mass.

SlamNuba won the 2011 National Poetry Slam. Brando is one reason why.

National Poetry Slam 2011 cypher, poet #2

A poet in a cypher from 2011 National Poetry Slam, Aug. 8-14.

Shot in Le Meridian Hotel, Cambridge.

If you can help me identify the poets in some these clips, please comment.

National Poetry Slam 2011 cypher, poet J.G. The Jugganaut

Poet J.G. The Jugganaut performs during a cypher at Le Meridian Hotel in Cambridge, Mass., during the 2011 National Poetry Slam, Aug. 8-14.

National Poetry Slam 2011 cypher, poet Electric Jon from the Toronto Slam Team

Electric Jon from the Toronto Slam Team performs during a cipher at Le Meridian Hotel in Cambridge, Mass., during the 2011 National Poetry Slam.

Photo by Matt Toth/Toronto Poetry Slam

Electric Jon from the Toronto Poetry Slam

National Poetry Slam 2011 cypher, Gray Brian Thomas

Gray Brian Thomas performs a a poem outside Le Meridian Hotel in Cambridge, Mass., during the 2011 National Poetry Slam.

I met Gray Brian Thomas at the home of Jesse Parent in Salt Lake City, a few hours before we faced off in the team slam at the Utah Arts Festival in June. He opened the slam with "Life in Reverse," a brilliant poem about reversing time.


An excerpt:
"... Fathers would pour gallons of themselves
into small square bottles, then take the bottles
to local liquor stores
and place them on crude shelves


the liquor store owners
would give the fathers back their paychecks 
in small
but gracious increments ..."


I got to know him better at the afterparty in the hotel where he performed in the cypher.


At NPS 2011, the Salt Lake City team made semi-finals and Thomas quickly produced a small chapbook, "A Better Word is Needed" which I proudly acquired.

Challenge 2010 champion The Klute for title of GumptionFest Grand Haikuster

GumptionFest VI's Haiku Death Match, aka GF6HDM

As in past years, we will hold a Haiku Death Match, aka Head-to-Head Haiku Slam, at GumptionFest VI: Return of the Art. GumptionFest VI will be Friday to Sunday, Sept. 16 to 18, along Coffee Pot Drive in West Sedona.

The Haiku Death Match will be held Sunday, Sept. 18 at 3 p.m. at the Best of Show Stage, on the corner of Yavapai and Coffee Pot drives.

Challenge last year's champion, The Klute,
and vie for the
Grand Prize of $17

A Haiku Death Match is a competitive poetry duel that is a subgenre of poetry slam. The Haiku Death Match is a prominent feature at the annual National Poetry Slam, replete with full costume for the host, Jim Navé from Taos, N.M. or Daniel Ferri.

At GumptionFest VI, we will attempt to hold a Haiku Death Match as similar to the NPS version as possible.

Can you beat The Klute, last year's GumptionFest Grand Haikuster?

What is haiku?
Haiku (俳句) is a form of Japanese poetry consisting of 17 syllables in three metrical phrases of 5 syllables, 7 syllables, 5 syllables.

Japanese haiku typically contain a kigo, or seasonal reference, and a kireji or verbal caesura. In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku.

What is slam haiku?
Slam haiku used in a Haiku Death Match is far simpler: Use of three or fewer lines of 17 syllables. Slam haiku can be anything from a single 17-syllable line or simply 17 words.

A standard Haiku Death Match is conducted thus:
The host randomly draws the names of two poets, known as haikusters, from the pool of competitors.
The haikusters adorn headbands of two colors: Red and Not-Red (white).
Red Haikuster and Host bow to each other.
Not-Red Haikuster and Host bow to each other.
Red Haikuster and Not-Red Haikuster bow to each other.
Red Haikuster goes first.
The Red Haikuster reads his or her haiku twice. The audience does not clap or make noise (usually, though, they laugh or vocalize, but, of course, we must pretend that this is completely unacceptable).
The Not-Red Haikuster reads his or her haiku twice. Again, the audience does not clap or make noise.
The host waits for the three judges to make their choice for winner, then signals them to hold aloft their Red or Not-Red flag.
Simple majority (3-0 or 2-1) determines the winner.
The host asks the audience to demonstrate “the sound of one hand clapping,” i.e., silence, then “the sound of two hands clapping,” at which point they can finally applaud. The mock ceremony involving the audience is half the fun.
The winning haikuster then goes first.
Depending on the round, the winner will be best 3 of 5, 4 of 7, best 5 of 9, etc., of a number determined beforehand for each round.
After the duel, Red Haikuster and Not-Red Haikuster bow to each other and shake hands. The next duel begins.
Rules for the GumptionFest VI Haiku Death Match:

• Titles: Haikusters can read their haiku titles before they read the haiku. (This gives the haikusters technically more syllables to put the haiku in context, but the haiku itself must still be only 17 syllables. While this is not “pure” Haiku Death Match rules, it’s much more fun for the audience.
  
  
• Originality: Poets must be the sole authors of the haiku they use in competition. Plagiarized haiku are grounds for disqualification. We all love Matsuo Bashō, but he’s 300 years too dead to compete.
  
  
• On-page or memorized?: Poets can read from the page, book, journal, notepad, etc.
  
  
• Preparation: Poets can have haiku written beforehand or write them in their head while at the mic. As long as the haiku are 17 syllables, we don’t care how, when or from where the haiku originates.
  
  
• Rounds: Will be determined by the number of haikusters who sign up to compete.
  
  
• Quantity of haiku needed: Depends on the number of rounds. 30 haiku will likely be enough for poets who push rounds to the last haiku needed and go all the rounds, but 50 to 100 gives haikusters enough material to be flexible in competition. Most veteran haikusters have several hundred to compete with.
  
  
• Censorship: Adult themes and language are acceptable. There may be children present so you may have to deal with their parents afterward, but that’s your call.
  
  
• Register: E-mail me at foxthepoet@yahoo.com or GumptionFest at GumptionFest@gmail.com.
  

What’s the Best Strategy to Win?

• A winning haikuster is flexible.
  
  
• If your opponent reads a serious or deep haiku, read one that is more serious or more profound, or go on the opposite tack and read something funny.
  
  
• If your opponent reads a funny haiku, read one that is funnier, or go on the opposite tack and read something serious or deep.
  
  
• If your opponent makes fun of you, make fun of yourself even bigger or make fun of them. A good head-to-head haiku can work wonders and often wins a Haiku duel. For instance, my “Damien Flores Haiku,” “Easy way to win: / Damien is 20, Officer, / and he's drunk."
  
  
• If you’re on stage and you get an idea for a haiku, feel free to write it down immediately. That might be the next round’s haiku that wins you the duel.
  
  
• Have a good time. Even if don't get past the first round, it's still a great time for all.

Flyers for GumptionFest VI: Return of the Art

Feel free to print, post and pass out these flyers, GumptionFesters

The official logo for GumptionFest VI: Return of the Art

4 ups. You can print 4 to a page

One ol' big page

"Ragnarok" or how Mathias Rust saved the world, by Christopher Fox Graham

West German Mathias Rust, 19, lands his Cessna on Red Square on May 28, 1987

Ragnarok

By Christopher Fox Graham

Ragnarok is the end of the world

The Norse Gods
no matter how bravely they fought
believed their doomsday was inevitable

"Odin and Fenrir," by Hélène Adeline Guerber, 1909

on Ragnarok
the Earth would tremble
as Sirtr, the King of the Fire Giants,
split open the skies with a sword brighter than the sun
his army would break Bifröst,
Odin's rainbow bridge
and cover the earth in fire

as the gods fought to their doom
Fenrir the wolf in his death-throes
would swallow the sun
leaving the world to freeze in an endless winter

but Mathias Rust stopped Ragnarok

he's not a Norse god
or found on comic book pages
and in blockbuster films
and if he wears a viking helmet
it's in the privacy of his living room

Mathias stopped Ragnarok
at age 19, he saved the world

at the University of Chicago
the Doomsday Clock
counts down the minutes until the world ends
35 atomic detonations
could cover Earth in a decade of nuclear winter
in 1982, the human race had 20,000 warheads

"Battle of the Doomed Gods" by Friedrich Wilhelm Heine, 1882

because Ronald Reagan and Leonid Brezhnev
couldn't stop counting
reasons to kill each other
in 1984 the Doomsday Clock was 3 minutes to midnight
Mutual Assured Destruction was just a matter of time

in May 1987, Mathias Rust flew his small Cessna
from West Germany to Iceland
he visited Hofdi House
where negotiators from NATO and the Warsaw Pact failed to believe
the other side loved their own children
more than they hated the other's

Mathias Rust flew to Finland and left Helsinki for Stockholm
with visions of how the Norse gods
saw their inevitable doomsday

somewhere over the smooth Baltic Sea
he couldn't help but notice
how the the forests in Sweden on his right
and those in Russia on his left
were beautiful
and identical
somewhere over the sea
terrified by the thought
of those trees burning at Ragnarok
he turned east toward Moscow

at 19 years old
Mathias wanted to become a rainbow bridge
Reagan, Gorbachev and the Norse gods
didn't how easy peace could be

Mathias parted the Iron Curtain
into the most well-defended skies in the Cold War
three surface-to-air missile sites immediately locked on

two MiG-23 interceptors rose with
weapons bristling for the easy kill
while in the cockpit
Mathias heard pilots
asking for permission to shoot him down
they saw the West German flag on the tail
and made eye contact
but no one on the ground believed

the Soviet air force
thought Mathias
was just an lost Russian
who forgot to turn his radio on

for five hours
missile sites locked on
but tagged him a "friendly"
and three more pairs of MiGs
intercepted his plane
but generals on the ground
were blinded by a rainbow

in the the Ring of Steel around Moscow
missile sites built to shoot down the American air force
weren't built to fire on Mathias
and he landed in Red Square

Mathias Rust after his illegal landing on May 28, 1987near Red Square
in Moscow. As an amateur pilot, he flewfrom Finland to Moscow, being
tracked several times by Soviet air defense and interceptors. Soviet
fighters never received permission to shoot him down, and several
times he was mistaken for a friendly aircraft. He landed on Vasilevski
Spusk next to Red Square near the Kremlinin the capital of the Soviet
Union.

Russians visiting the mummified body of Vladimir Lenin
the man who began the Cold War
crowded to see the 19-year-old boy
who would end it

for their failure to stop a boy
landing a dream for peace in Red Square
warhawk Soviet generals were fired faster than Stalin's purges
and Mikhail Gorbachev stood unopposed
he signed a missile treaty
and one-by-one
let former republics declare their freedom

sent back west,
Mathias watched the Berlin Wall fall
and at the University of Chicago
the Doomsday Clock
measuring how close we are to suicide
tick, tick, ticked back time
pushing Ragnarok away

our children doesn't have to worry about Fenrir
swallowing the sun in the 12 minutes
between missile silo mistake and nuclear impact

because Mathias
was just a little bit crazy
and whole lot of lucky

never let anyone tell you
"you're too young change the world"
it doesn't take a Norse god
just a dreamer like Mathais or you
risking your life
to become a rainbow

if we leave it to the gods
the world may still end in fire on Doomsday
but if you sacrifice yourself into a rainbow
Ragnarok may still come
but not today

What You Don't Know About the Sub Sandwich You Want Delivered

KuK, a master delivery driver for a sub shop in Tempe, Ariz., waxes poetic about the ethic of delivery drivers and the importance of bending traffic laws for the betterment of society as a whole.

"The Peach is a Damn Sexy Fruit," by Christopher Fox Graham

"The Peach is a Damn Sexy Fruit," by Christopher Fox Graham, clearing poem at the July 30, 2011, Sedona Poetry Slam at Studio Live, Sedona. I typically don't perform the infamous "Peach" poem at slams I host because it's so well-known, but my mother was a judge and she loves this poem.

"The Peach is a Damn Sexy Fruit"

By Christopher Fox Graham

the Peach is a damn sexy fruit
if I could love a fruit like a woman
I would love a Peach
strong but soft
sweet but tart
the fuzz tickles my nose
and the sticky dewiness
is finger-licking good

you can keep your apples
Mr. Johnny Appleseed
that turn brown in minutes

you can have your bitter grapefruit
the blinder of eyes at breakfast

tempt me not tomátoes or tom%u0103toes!
cucumbers and zucchinis
those transvestite fruit
masquerading as vegetables!
for shame!
be true to yourselves!
do not deny that you were born as
and will always be fruit!

Coconuts require hammers, screwdrivers, or stones
and I am not into fetishes

Raspberries are too fragile
and can not love my volatility

Strawberries went corporate and sold out
now just fruits of the Man

Bananas are too exotic, too high maintenance
I have no patience for their ego

Cherries are but pop culture prostitutes
in everything from couch syrup to antacids to condoms

give me truth!
give me tenderness!
give me consistency!
give me a Peach!
give me Peaches!
give me millions of Peaches
Peaches for me
millions of Peaches
Peaches for free

you can eat a Peach voraciously
diving into juicy goodness
dribbling down your chin,

or eat it slowly in slices - one by one
you can nip off the skin
bit by tender bit
in a slow seduction
and tongue and suck it to the end

or you can rub that Peach into your face
eating it like a drunk starving monkey
and leave the orgasmic dew
on your cheeks and lips for hours

when complete,
no matter how consumed
you have the core
as a reminder that we are all the same
beneath it all
when our flesh, youth, and vitality are gone

yet...

you can bury the Peach core
to be born again
because the Peach embodies hope
because the Peach embodies life
the Peach is a message
the Peach is sensual
the Peach is you and me
the Peach is a damn sexy fruit

Copyright 2003 © Christopher Fox Graham

"Line in the Sands," by nodalone

"Line in the Sands," by nodalone aka Shaun Srivastava, third round poem in the Sedona Poetry Slam on Saturday, July 30, 2011.

"Line in the Sands"

by nodalone 
from the 2011 FlagSlam National Poetry Slam team chapbook "Gossamer Outrage"

At this very moment
in this great state of Arizona
we have congressmen sipping brandy
out of crystal clear snifters with white supremacists
up in Kingman
correlating Mexicans with empty bunk beds
in private prisons that haven’t even been built yet

laughing amongst themselves
comparing the thread counts in their satin sheet disguise
while their allegedly more educated children size up
ivory husk flecked business cards on wall street
and strategize
on how to sell credit default swaps and derivatives
and scams as grand as Egyptian pyramids
trying to tell college kids
staying up all night searching for scholarships
that the “American Dream”
is still alive
even though we can’t seem to escape the fact that it reeks
of formaldehyde

all while the powers that be perpetrate “patriotic ideas”
like repealing the 14th Amendment
to better protect the American public
from the imminent tidal wave
of little brown “anchor babies” and such nasty liberal tactics
as the “Dream Act” that they fancy to frame in a Pandora’s Box called amnesty

so what does one power broker of cultural purity say to the other?
“oh. I know,
we’ll call it SB 1070”
better get your papers, please
matter of fact I think this is a fake ID
step outta the car, Pedro, and get down on your fucking knees
start praying to that blond-haired
blue-eyed Jesus the same way
Governor Jan Brewer does every night before she slips off into her sweet slumber
resting comfortably on her California King sleep number
tallying migrant worker fatalities like counting sheep
before they’re sent off to slaughter

it’s time to tell our “glorious” war hero of a senator
that this country will not be reduced to Berlin
in the mid 1980s
metal walls and electric fences need only be reserved for cattle in this country
you would think that John McCain would be able to better understand
what it means
to be wrongfully imprisoned
simply for crashing in another man’s land

what was that he said again?
“finish the dang fence already?”
desperately pandering to
hypermedicated
understimulated
overweight
postmenopausal baby boomer blank faces
hiding behind the thick irony of straw gardening hats used to lynch Lipton tea bags
who can’t even navigate their way through a subway to order a ham sandwich

so who you gonna stand with?
NPG Cable and Cox Communications don’t collectively control enough
bandwidth
and there are not enough like-minded activists in this great state
to halt the implementation
of this blatantly racist legislative injustice

how much longer must we wait?
until we see Sheriff Joe Arpaio
dressed in standard-issue
Maricopa County pink jumpsuits sporting
stainless steel shackles enraged
developing strain polyps encaged
behind miles and miles of 20-foot tall chain-link fences

why don’t we just erase the border altogether
and sever the umbilical cord that is funneling federal funding
to that double-wide tractor trailer mechanical combine
of ignorance and hate
that is raping lady liberty and get back to
what that statue on Ellis Island really means

to be that faint glimmer at the end of the tunnel
for those families willing to risk their lives
so their children can grow up to one day realize
that opportunity
is more than that just an abstract term in the middle of an English dictionary

so why does it seem so quiet?
you should be rocking back and forth red in the face and screaming
hell, you’re already on top of the mountain
why don’t you go home and
Google Jim Crow and
come back next week and start shouting

because you see the truth is
history …
is gonna judge our generation
not by what we believed in,
but by what we didn’t.

Copyright 2011 © nodalone Shaun Srivastava

nodalone

Photo courtesy of Tara Graeber

nodalone 

Originally from East Lansing, Mich., Shaun Srivastava, aka nodalone, moved to Flagstaff in 2008 to attend Northern Arizona University.

While quietly writing poetry for many years, nodalone has only recently begun performing his spoken word at slams and various events throughout Arizona.

Preferring to use his platform to address current political, cultural, and social issues, the poet gives a performance that captures the power of the issue in a personal and passionate style.

He will complete degrees in both exercise science and psychology in 2012, with plans to pursue a master’s degree in psychology.

"A 1,000 Best Days," by Mikel Weisser

"A 1,000 Best Days," by Mikel Weisser, third round poem in the Sedona Poetry Slam on Saturday, July 30, 2011.

Mikel Weisser

Son of a nightclub singer, Kingman slam poet Mikel Weisser spent his teens as a hitchhiker.

Since then Weisser has gone on to receive a masters in literature and a masters in secondary education, published hundreds of freelance magazine and newspaper articles and political comedy columns, along with seven books of poetry and short fiction.

A former homeless shelter administrator, contestant on "Who Wants to Be a Millionaire," and survivor of his first wife's suicide, Weisser teaches junior high history and English in Bullhead City.

He and his wife, Beth, have turned their So-Hi, Ariz., property into a peace sign theme park.

"Fever Dreams," by Valence aka Tyler Sirvinskas

"Fever Dreams," by Valence aka Tyler Sirvinskas, third round poem in the Sedona Poetry Slam on Saturday, July 30, 2011.

"Fever Dreams"

by Valence

from the 2011 FlagSlam National Poetry Slam team chapbook "Gossamer Outrage"

Photo courtesy of Tara Graeber 

 Valence will perform at the Sedona Poetry Slam on Saturday,
July 30.

It’s been a long time since I watched the leaves skip through the empty street.
Nothing else calms me in these fever dreams but the passing of trains in-between delta wave sleep and the celluloid carousel vignette it brings.
Through the green-tinted Metra windows, dark nimbostratus soothe my fearful heart,
and the nervous fever follows suit against the glowing pavement — moist and soon to frost, cobblestones along the parkway shine from lights that dot the fog. As the benches dampen in the rain, I know we forget the womb for our own good, sighing lonely splendor for love that we have lost.
and I’ve lost just enough to know what’s worth keeping, it isn’t what most think but the things that keep most going are the first things to go, I go it alone so I think I would know this.
and I know the edge of these lips should end with joy, I remember how the arms of my grandmother make me a child
and while the memory takes my open, swinging hand as lovers never would, dancing Campanula warm my soul, the empty streets...
Nothing else can paint the skyline vista from atop the Gothic steeple’s snowy shingles,
hidden watching revelers through warm-lit window panes, trading in organic eros all for Nike’s wings — but when I dream, I’m walking off that Metra at dusk, trailing daylight’s last venture like the stepping stone path to a boyhood home,
and in the garden I watch the roses grow at the tombstones of prior eras’ chosen,
and I’m hearing dead voices sing beautiful things
sing like parking garages echo sounds of life outside
sing to try to form their human hands into a heart-shaped cradle
but most people don’t listen like the streets are empty anymore
the child speaks,
and I actually listen
to what the world sounds like
and whispers to him
Nights he stares out the window
to watch the leaves skip ’til they sing him to sleep
and I waltz to that rhythm with ghosts down the street
where weeping mortar mausoleums make for timeless prose;
where the bones are mere ephemera
where this earth is open-armed,
standing testament to victory
27
as the night gives way to dawn
your bones still bear the memory of purest sunlit womb
know your life is but a memory, a dream that ambles on

Copyright 2011 © Valence Tyler Sirvinskas

Valence

Tyler Sirvinskas, aka Valence, is a poet among other things.

Valence has been a slam poet since 2010 and new to the format of slam, but not to the art of writing.

After living 14 years in Chicago, he has spent six years and counting in Arizona.

"Goodbye," by Ryan Brown

"Goodbye," by Ryan Brown, third round poem in the Sedona Poetry Slam on Saturday, July 30, 2011.

Ryan Brown is a kid from Phoenix who spends most of his time posing as a writer and poet. He now goes to school and lives in Flagstaff, where he is the SlamMaster of the FlagSlam Poetry Slam.

Ryan Brown represented the Flagstaff National Poetry Slam Team in 2008, 2009 and 2010.

"Today, he Woke Up with Visions of the Future," by Taylor Marie Kayonnie-Erlic

"Today, he Woke Up with Visions of the Future," by Taylor Marie Kayonnie-Erlich, third round poem in the Sedona Poetry Slam on Saturday, July 30, 2011.

Taylor Marie Kayonnie-Ehrlich

Photo courtesy of Tara Graeber 

Taylor Marie Kayonnie-Ehrlich

Taylor Marie Kayonnie-Ehrlich was born and raised in Flagstaff, Arizona. Fifteen years later she started spitting poems at FlagSlam. The first time she slammed, she shook like a leaf, but now she commands the audience.

Now at 18, she is staring into a world of open doors, not sure of which ones to walk through. She believes that life is all about fun and happiness, and we must learn to make it just that.

Like a child, she’s constantly curious and eager to see what life’s all about, and eager to find out. Writing is one of the many ways she expresses her audacity for life. Performing her poetry for three years now, she believes that slam poetry isn’t just a competition, but a tool, one to be heard.

"Orion" by Christopher Fox Graham

"Orion"

By Christopher Fox Graham

For Azami

MapQuest the miles in the sky
it's easier to find you that way
than to traipse the hills between us

begin at Betelgeuse,
the moment we met
you, smiling as a stranger yet to know me
me, tripping over words
until I learn the rhythm to match you
we trace the lines
the midnights you teach me the art of touch
the mathematics of how to hold you
wrap starstrings of limbs to encase you
and become a hammock for your dreams

I first kiss you
near the lips of Meissa
taste the words camping in your backyard tongue
bring them inside mine
swirl them around until they lost track of their speaker
and became one breath

on the edge of Belatrix
we start our roadtrips
showing you all the places I loved
atlasing each one in sequence into new memories
snapping photographs for future shoeboxes
and Facebook updates

the fights erupt near Mintaka
parry, thrust, riposte,
we practice the arts of combat
study the hows and ways of pushing each other
you always win the battles, even if you don’t believe me

near Alnilam, you proffer forgiveness
and I discover how to say "sorry"
without losing face
on the brink of the Horsehead Nebula
I dive into all your stories
bleed out all of mine
let you examine all my sins
with the enthusiasm of a hell-bent prosecutor
working an open-and-shut case
but on the executioner's block
before the guillotine blade drops
the electric chair switch makes contact
or the Sodium Pentothal entered the vein
the pardon comes
and into my arms you sweep like a storm
tsunaming my defenses to wreckage
and calling me back to bed

we swim to the Orion Nebula
lovers in the surf of a black and white movie
drenched in the waves
as if to tell Nature and the gods,
"your eternity will not outlast us"
"our kisses will still come ferociously
long after this sand is washed away to bedrock
and the waves have evaporated in the heat of a dying sun"
"Your mighty Olympus will fall into Eden's vacant valleys
before we yield to your earthquakes
shrug off lightning bolts and burning bushes"
"our pulses will be the last thing the universe will hear
before entropy turns all the matters into orphaned atoms
finding lonely refuge in the dark"

we lost ourselves in those nebulas
swallowing stardust to give birth to new suns
we seemed to live there for eons of mortal time
just black sheets, bare skin, whispered poems
smiles and slumber

but in the bliss, we drift just past Alniltak,
and differences became too much too bear
so we kiss for last time
make love for the last time
said our last words as lovers
and go our own way

You sail on to Saiph,
I go home to Rigel
leaving phone numbers scarred on each other's aorta
mine still beats out the ten digits daily
when the moment feels right
and in the time it takes to draw a line between them
with the tip of finger remembering the sequence
we fold space like bedsheets in the blink of eye
so two points become one

and we cross the thousands of light years
become lovers again, drunk instead on words
remember the old times,
the joys in Orion and Horsehead,
the battles of Alniltak, Alnilam and Mentaka
the road routes to Belatrix
the kiss of Meissa
and the first hello in the orbit of Betelgeuse
but when the phone clicks off
and the points unfold,
you shine in Saiph
and I glow bright above Rigel
so we can see each other

and if on some little world called Earth
where two lovers like us
gaze up and see us shining on the same night and wonder
so be it
navigate by us if you will
send wishes heavenward if you think it'll do any good
but know we don't glimmer for you
we, instead, burn brilliant so the other can see us
and know that despite it all
love travels faster than light
and our story is wide as a constellation