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This is the official blog of Northern Arizona slam poet Christopher Fox Graham. Begun in 2002, and transferred to blogspot in 2006, FoxTheBlog has recorded more than 670,000 hits since 2009. This blog cover's Graham's poetry, the Arizona poetry slam community and offers tips for slam poets from sources around the Internet. Read CFG's full biography here. Looking for just that one poem? You know the one ... click here to find it.
Wednesday, May 13, 2009
ASU, my alma mater, snubs Obama?
Way to go, ASU, now I'm even disappointed I graduated from your campus.
Monday, May 11, 2009
The wit and wisdom of cancer
The video is associated with the Voluntary Human Extinction Movement, a group which I found fascinating today, simply because it pushes environmentalism to one of the furthest extremes. It a way it's a cartoonish representation of Agent Smith's in "The Matrix:"
"Human beings are a disease, a cancer of this planet. You're a plague and we are the cure."I don't things are that bad by any means. A professor of mine once said that if human beings ruin the environment and destroy life as we know it, the planet won't care. Earth has suffered mass extinctions on a global scale hundreds of times and if we kill ourselves and 70% of life, the planet will just start over. Sucks for us, sure, but we learn the hard way.
From "Extinction," John Baez, 8 April 2006:
27% of all families and 57% of all genera went extinct.
This was the second biggest extinction of marine life, ranking only below the Permian extinction. There was only life in the seas at this time, and more than one hundred families of marine invertebrates died, including two-thirds of all brachiopod and bryozoan families. One theory is that as the continent Gondwana drifted over the south pole, there was a phase of global cooling, and so much glaciation took place that sea levels were drastically lowered.
19% of all families and 50% of all genera went extinct.
By this point there were plants, insects and amphibians on land, fish in the seas, and huge reefs built by corals and stromatoporoids. The continents of Uramerica and Gondwana were just beginning to move together to form Pangea. The extinction seems to have only affected marine life, but 70% of marine species went extinct! Reef-building organisms were almost completely wiped out, so that coral reefs returned only with the development of modern corals in the Mesozoic. Brachiopods, trilobites, and other sorts got hit hard. Since warm water species were the most severely affected, many scientists suspect another bout of global cooling. There may have also been a meteorite impact, but it seems this extinction was not a sudden event.
57% of all families and 83% of all genera went extinct.
At the end of the Permian there was one supercontinent, Pangea. There were many sorts of reptiles and amphibians on land, together with many plants, especially ferns but also conifers and gingkos. There were also complicated coral reef ecologies undersea. After the extinction, we mainly see fossils of one species of reptile on land: a medium-sized herbivore called Lystrosaurus. We also mainly see fossils of just one species of sea life, a brachiopod called Lingula. Eventually other species seem to reappear - the so-called "Lazarus taxa", named after the Biblical character who returned from the dead. Clearly they must have survived the extinction event, but in very low numbers.
This was the largest disaster that life has ever yet faced on our planet.
Perhaps 90% or even 95% of all species went extinct. (The figure of 83% above comes from some papers by Sepkoski, who tried to calculate the number of families and genera that died out in each of the Big Five extinctions.
It took about 50 million years for life on land to fully recover its biodiversity, with the rise of many species of dinosaurs. Nothing resembling a coral reef shows up until 10 million years after the Permian extinction, and full recovery of marine life took about 100 million years.
The causes remain controversial: some scientists blame an asteroid impact, while others blame severe global warming and a depletion of oxygen in the atmosphere due to prolonged massive volcanic eruptions in Siberia - we see signs of these in lava beds called the "Siberian traps". On the other hand, Benton and others argue that the rise of carbon in the atmosphere at this time is only explicable if there was also a catastrophic release of methane from gas hydrates under the ocean.
23% of all families and 48% of all genera went extinct.
By the end of the Triassic there was again a variety of reptiles on land and in sea. But the reptiles were completely different from those at the end of the Permian, and the biodiversity had not completely recovered: for example, there were no truly large predators. There were primitive conifers and gingkos; ferns were not so dominant as before. There were also frogs, lizards, and even the first mammals.
The extinction at the end of the Triassic destroyed about 20% of all marine families, many reptiles, and the last of the large amphibians - opening niches for the dinosaurs of the Jurassic. The cause of this extinction remains obscure, but it's worth noting that this was about the time when the supercontinent Pangea began splitting into Laurasia and Gondwanaland, with massive floods of lava in the Central Atlantic Magmatic Province - perhaps one of the largest igneous events in the earth's history.
17% of all families and 50% of all genera went extinct.
By the Cretaceous there were dinosaurs and flowering plants on land, many new insects taking advantage of the flowering plants, and modern fish. Continents were beginning to resemble the current configuration. In the disaster at the end of this period all the dinosaurs died out, as well as many species of plants, diatoms, dinoflagellates, ammonoids, brachiopods, and fish. Often called the "KT" extinction, this was the smallest of the Big Five - it's mainly interesting because it led to the rise of mammals, and in particular, us. As explained above, many scientists believe this extinction was due to an asteroid impact at Chicxulub. Another popular theory is that it was caused by the enormous volcanic eruptions which formed the lava beds in India known as the "Deccan Traps". Either way, we know it took 10 million years for biodiversity to recover from this mass extinction.
Search Fox's mind
cancer,
extinction,
The Matrix
Sex on the backs of unicorns
"Ever seen two people having sex on the back of a unicorn? My life is the exact opposite." -- Alun Wile
I have no idea what that means.
I have no idea what that means.
Sunday, May 10, 2009
Love Like a Scar
Betwixt my eyebrows
a three-second mistake
of my 6-year-old self
dug a pox mark divot
forever into flesh
the reminds me daily
in the reflection of mirror,
glass frame and inverted spoon
how a reckless moment
marked me months and miles
after context collapsed into confusion
and left me with a scar that pulls me back into
that moment with increasing vividness
so that the facts
enrich and embellish themselves
a vibrant fiction
worthy of Vonnegut or Tolstoy or Tolkien
she scars memory in the same fashion
breaking my heart
whenever her image emerges from picture frames
or she slips into my peripheral
to hang on every unsaid word
I refuse to speak
knowing the desperation
with which she longs to hear them
I revel in sadistically parrying
her stabs toward my affections
and hate myself for it
the burning pleasure that lurks in abusing power
seeped beneath skin in shameful celebration
best elucidated in how children kill small animals
then tearfully confess to parents hours later
part of me wants to crush her beneath my boot heel
while the other half of me wants to save her from it
unreconciled, the two factions vie for control
of my unsatisfied electorate
whose ever-changing pulse pollsters calculate
I've longed a decade
for a lover beholden to my whims
whose loyalty could dance on my fingertips
and here, she twirls,
a paper doll
I want the conviction of her sincerity
the fire of her resistance
to burn my palms with any attempt to hold fast
she yearns for a master
but I require no puppet
I left my toys in a box
when I chose to play with words
she finds new boys daily
who seek the newest shiny thing
to touch and prod and jiggle
until it breaks or they get bored
I learned too quick
grew up too fast
calculating the physics of matter
while most boys were adding lips to lips
I solved her equation long before I met her
and now want new math
to entice my interests
she bears potential to spend my head like a top
but refuses to try
misbelieving I am some dull creature
like those she's met before
I want to want to love her
free from scars or fictions
let her slip into my mind
as easily as she slips into bed
when I'm too drunk, too tired
or too uninterested to resist
I won't share the parts of me she wants
because she hasn't earned them
she can't invite the army of fingers or
heavy artillery of tongue
or invasion of cock
if my mind generally refuses
to fall for an ambush
I’ve read Sun Tzu too many times
to acquiesce to her bait
or be drawn into the conflict
from which I know there is no swift retreat
I should erect a Great Wall between us
hold back her barbarian mess
stand guard all along the watchtower
and prevent her flanking maneuvers
something in me
longs for a pitched battle
a contest of wits
strategies, forces, and tactics
the conflict between worthy adversaries
a sparring match
a fencing gambit
a card game with control of an empire on the line
because so few past lovers
offered challenge beyond the moment
I pull back too often
shelter in my warm deceptions
hold back from feeling
the fall of water
the touch of soil
the warmth of fire
the caress of wind
and the shutter when nature shatters shelter
too afraid of the stain
I resist hearing the sound of rain
just grab my gun
and bring in the cat
before she gets close enough to harm me
I stand mome with mimsy sword in hand
against the fabled frumious Jabberwock
with jaws that bite and claws that catch
the men who know me
just want me to get laid
“it’s just one more pussy vacation
to notch on the headboard”
but I’ve been down this road
chipped so beaverly into the wood
that it fears collapse if I orgasm again
and new ports match old harbors
I don’t care where I drop anchor
because no storm yet has sunk me
she’s merely a summer squall
shimmying the jibs and fluttering books on deck
but the crew is sleeping drunk down below
oblivious to the winds stirring the soup outside
she wants to swamp the boat
but her crests fall below the gunwale
I should sleep through her winds and waves
remember her as a crossed-off calendar date
but she scarred me in a moment
somehow, somewhere, some when
so that my fiction-focused protagonist
fills in the potentials of how and why
I’m unable to withdraw my rearguard
trapped Slaughterhouse-style
on her Vietnamese hillocks
Tễt transfigures into Groundhog Day
whenever she walks into my room
this divot forged a new history
once the flesh that filled it
departed my skin for an undiscovered country
but its secession stares back
a perpetual absent passenger reminding me
how adults can be broken
by their own childish naïveté
reminded with every wayward glance
every new “hello”
and every “good to see you again”
how she marked me the same
although the evidence lurks beneath skin
I can still see her with these eyes
and gritted teeth
I yearn for a plastic surgeon who can fix me
restore me to the way I should be
before I met her
made the mistake of loving her for a moment
longer than I should have
but enough to mark me with the reminder
of how the absence of her
will ride shotgun into my last decade
separated only when my final campfire
frees my visage from this flesh frame
and converts Earthbound skin and bone
into the ash of a million gray angels
a three-second mistake
of my 6-year-old self
dug a pox mark divot
forever into flesh
the reminds me daily
in the reflection of mirror,
glass frame and inverted spoon
how a reckless moment
marked me months and miles
after context collapsed into confusion
and left me with a scar that pulls me back into
that moment with increasing vividness
so that the facts
enrich and embellish themselves
a vibrant fiction
worthy of Vonnegut or Tolstoy or Tolkien
she scars memory in the same fashion
breaking my heart
whenever her image emerges from picture frames
or she slips into my peripheral
to hang on every unsaid word
I refuse to speak
knowing the desperation
with which she longs to hear them
I revel in sadistically parrying
her stabs toward my affections
and hate myself for it
the burning pleasure that lurks in abusing power
seeped beneath skin in shameful celebration
best elucidated in how children kill small animals
then tearfully confess to parents hours later
part of me wants to crush her beneath my boot heel
while the other half of me wants to save her from it
unreconciled, the two factions vie for control
of my unsatisfied electorate
whose ever-changing pulse pollsters calculate
I've longed a decade
for a lover beholden to my whims
whose loyalty could dance on my fingertips
and here, she twirls,
a paper doll
I want the conviction of her sincerity
the fire of her resistance
to burn my palms with any attempt to hold fast
she yearns for a master
but I require no puppet
I left my toys in a box
when I chose to play with words
she finds new boys daily
who seek the newest shiny thing
to touch and prod and jiggle
until it breaks or they get bored
I learned too quick
grew up too fast
calculating the physics of matter
while most boys were adding lips to lips
I solved her equation long before I met her
and now want new math
to entice my interests
she bears potential to spend my head like a top
but refuses to try
misbelieving I am some dull creature
like those she's met before
I want to want to love her
free from scars or fictions
let her slip into my mind
as easily as she slips into bed
when I'm too drunk, too tired
or too uninterested to resist
I won't share the parts of me she wants
because she hasn't earned them
she can't invite the army of fingers or
heavy artillery of tongue
or invasion of cock
if my mind generally refuses
to fall for an ambush
I’ve read Sun Tzu too many times
to acquiesce to her bait
or be drawn into the conflict
from which I know there is no swift retreat
I should erect a Great Wall between us
hold back her barbarian mess
stand guard all along the watchtower
and prevent her flanking maneuvers
something in me
longs for a pitched battle
a contest of wits
strategies, forces, and tactics
the conflict between worthy adversaries
a sparring match
a fencing gambit
a card game with control of an empire on the line
because so few past lovers
offered challenge beyond the moment
I pull back too often
shelter in my warm deceptions
hold back from feeling
the fall of water
the touch of soil
the warmth of fire
the caress of wind
and the shutter when nature shatters shelter
too afraid of the stain
I resist hearing the sound of rain
just grab my gun
and bring in the cat
before she gets close enough to harm me
I stand mome with mimsy sword in hand
against the fabled frumious Jabberwock
with jaws that bite and claws that catch
the men who know me
just want me to get laid
“it’s just one more pussy vacation
to notch on the headboard”
but I’ve been down this road
chipped so beaverly into the wood
that it fears collapse if I orgasm again
and new ports match old harbors
I don’t care where I drop anchor
because no storm yet has sunk me
she’s merely a summer squall
shimmying the jibs and fluttering books on deck
but the crew is sleeping drunk down below
oblivious to the winds stirring the soup outside
she wants to swamp the boat
but her crests fall below the gunwale
I should sleep through her winds and waves
remember her as a crossed-off calendar date
but she scarred me in a moment
somehow, somewhere, some when
so that my fiction-focused protagonist
fills in the potentials of how and why
I’m unable to withdraw my rearguard
trapped Slaughterhouse-style
on her Vietnamese hillocks
Tễt transfigures into Groundhog Day
whenever she walks into my room
this divot forged a new history
once the flesh that filled it
departed my skin for an undiscovered country
but its secession stares back
a perpetual absent passenger reminding me
how adults can be broken
by their own childish naïveté
reminded with every wayward glance
every new “hello”
and every “good to see you again”
how she marked me the same
although the evidence lurks beneath skin
I can still see her with these eyes
and gritted teeth
I yearn for a plastic surgeon who can fix me
restore me to the way I should be
before I met her
made the mistake of loving her for a moment
longer than I should have
but enough to mark me with the reminder
of how the absence of her
will ride shotgun into my last decade
separated only when my final campfire
frees my visage from this flesh frame
and converts Earthbound skin and bone
into the ash of a million gray angels
Search Fox's mind
Ashley Wintermute,
Battlestar Galactica,
Christopher Fox Graham,
Jabberwocky,
Starbuck,
Sun Tzu
Saturday, May 9, 2009
The Taste of Brownies
The Taste of Brownies
For Lori-Ann Rella, my "sister from another mister,"
we sat over brownies the last night
relating in our particular linguistic dance
the stories of the last six months
recounting in details only we knew
how a brother and sister should speak
when all secrets are thrown aside
and we knew the combinations
to the hall closets
where daddy keeps the gun
and mommy hides her booze
“remember when …”
“oh, yeah, that, wasn’t that a good time?”
“only because no one got hurt,”
the instigations and infidelities
that defined darker days
the anecdotes of our soap opera life
all the lies laid bare
without pretext that this deception or that
had to be believed
and we could compare what defines us
the real us beneath façade
when the mask of formality set aside
and we see our nakedness reflected
with moles and scars exposed to open airing
talk honestly and slow
about the facts and figures
compare the notes borne through our veins
bled out over bare skin
over brownies
she showed me her scars
and I measured the entry wounds
told her what each press of skin meant
while she anecdoted the chapters
in chronological order
until I could Cliffs Notes the story for others
over brownies I told her
that with a new lover
I was becoming a unrepentant sadist
wanting her to suffer vividly
due to how she wounds me privately
but resented the shame in holding that power
but over brownies,
she patted my head
and told me that she had faith
that my atheist countenance
would find the path
back to the man I wanted to be
over brownies,
we flipped forward a few pages
read the stories we had yet to live
planned out how we’d like to reach there
compared law and loopholes
that technicalities and linguistic tenses
could alleviate
over brownies
I said my goodbyes
to a sister I was soon to lose
knowing unwritten stories rarely
follow the outline we so exhaustively prepare
coffee spilt on the manuscript
newborn babies interrupting writing rituals
tornadoes and career changes
adjust all the details
until we forget where we left our lucky pens
or the chunk of dialogue
that seemed so flawless last night
but unrealistic this morning
over brownies
I knew she was leaving
the chapter between us was over
and a new one would pick up
time zones apart in media res
I knew then
but such things mean little before the fact
only in retrospect moments in ages hence
can we state clear hindsight
of days gone by
I knew our future but bit my tongue
swallowed the late-night conversation
without chewing the meaning into unrecognition
enjoyed what was shared between us:
a plate of brownies to say goodbye
For Lori-Ann Rella, my "sister from another mister,"
we sat over brownies the last night
relating in our particular linguistic dance
the stories of the last six months
recounting in details only we knew
how a brother and sister should speak
when all secrets are thrown aside
and we knew the combinations
to the hall closets
where daddy keeps the gun
and mommy hides her booze
“remember when …”
“oh, yeah, that, wasn’t that a good time?”
“only because no one got hurt,”
the instigations and infidelities
that defined darker days
the anecdotes of our soap opera life
all the lies laid bare
without pretext that this deception or that
had to be believed
and we could compare what defines us
the real us beneath façade
when the mask of formality set aside
and we see our nakedness reflected
with moles and scars exposed to open airing
talk honestly and slow
about the facts and figures
compare the notes borne through our veins
bled out over bare skin
over brownies
she showed me her scars
and I measured the entry wounds
told her what each press of skin meant
while she anecdoted the chapters
in chronological order
until I could Cliffs Notes the story for others
over brownies I told her
that with a new lover
I was becoming a unrepentant sadist
wanting her to suffer vividly
due to how she wounds me privately
but resented the shame in holding that power
but over brownies,
she patted my head
and told me that she had faith
that my atheist countenance
would find the path
back to the man I wanted to be
over brownies,
we flipped forward a few pages
read the stories we had yet to live
planned out how we’d like to reach there
compared law and loopholes
that technicalities and linguistic tenses
could alleviate
over brownies
I said my goodbyes
to a sister I was soon to lose
knowing unwritten stories rarely
follow the outline we so exhaustively prepare
coffee spilt on the manuscript
newborn babies interrupting writing rituals
tornadoes and career changes
adjust all the details
until we forget where we left our lucky pens
or the chunk of dialogue
that seemed so flawless last night
but unrealistic this morning
over brownies
I knew she was leaving
the chapter between us was over
and a new one would pick up
time zones apart in media res
I knew then
but such things mean little before the fact
only in retrospect moments in ages hence
can we state clear hindsight
of days gone by
I knew our future but bit my tongue
swallowed the late-night conversation
without chewing the meaning into unrecognition
enjoyed what was shared between us:
a plate of brownies to say goodbye
Search Fox's mind
Christopher Fox Graham,
Lori-Ann Rella,
poetry,
Sedona
Friday, May 8, 2009
Calculate Jesus in CFG
Although I am atheist, this is not meant to be blasphemous, just pointing out a numerical fact. And having a bit of fun.
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
Wednesday, May 6, 2009
Zombies will eat your brains in 2012
Seriously, people, zombies. The Mayans didn't say "zombies" specifically because they didn't want to frighten us. And the Mayan word for "zombie" roughly translates as "dumb as a banana," which got mistranslated.
I figure I'll gain the anti-zombie vote at the cost of the zombie vote - which is fine because they usually only trip the voting booth lever while chasing those poor, poor, elderly election day workers desperately trying to scramble away.
So when they come for your brains, Sedona voters, will you have chosen wisely?
I figure I'll gain the anti-zombie vote at the cost of the zombie vote - which is fine because they usually only trip the voting booth lever while chasing those poor, poor, elderly election day workers desperately trying to scramble away.
So when they come for your brains, Sedona voters, will you have chosen wisely?
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
Honesty in politics
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
A new dawn is coming
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
Tuesday, May 5, 2009
Say Your Prayers and Vote
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
Don't speak ... rebel
I found a photoshop version of this photo about a year ago and built a flyer around it. Since I changed venues, I went back to find the photo for a new flyer and found the original image. Now I can credit it, too. The photo is by Austrian Berit Leena Raven and the model is Jasmin S. The image reminds me of a René Magritte painting.
Search Fox's mind
2012 vote,
Christopher Fox Graham,
flyer,
poetry,
Sedona,
Sedona Poetry Open Mic
Rock on, grandma, rock on
This woman isn't my grandmother, and my Grandma Redfield isn't a rebel per se, but my grandmother is awesome and this is kind of how I picture my grandmother in my mind's eye.
Search Fox's mind
2012 vote,
Christopher Fox Graham,
flyer,
poetry,
Sedona,
Sedona Poetry Open Mic
Monday, May 4, 2009
Nuclear weapons in Sedona
Every elected official needs a little fear-mongering. George Washington used the British and "taxation without representation," Pericles used Sparta and "No dynasty without pederasty" and Thag of the Bent-Tree Cave used mastodon stampedes and "No dead youths without sabertooths."
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2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
Speak for the silent
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flyer,
poetry,
Sedona,
Sedona Poetry Open Mic
Sunday, May 3, 2009
Beware of the pink bunny ninjas!
Search Fox's mind
flyer,
poetry,
Sedona,
Sedona Poetry Open Mic
What Are Your Words Worth?
These are all poets who spent time in prison because of their poetry. Flora Brovina (Kosovo), Irina Ratushinskaya (Russia), John O’Leary (Ireland), Myo Myint Nyein (Burma), and Armando Valladares (Cuba).
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flyer,
poet,
poetry,
Sedona,
Sedona Poetry Open Mic
Two new CFG2012 election posters
Not sure which of these I like better. I like the text of the first one, but having a good haiku is nothing to shake a stick at.
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
My destiny is mayorship
We can not fight our destiny. Mine is to run for elected office. It might also be to face impeachment, but such is life.
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
CFG2012 committee gets in gear
The election heats up. Yes, it's 3 1/2 years away. So what? I plan on winning the procrastinators' votes.
Search Fox's mind
2012 vote,
Christopher Fox Graham,
election,
mayor,
mayoral campaign,
Sedona
Saturday, May 2, 2009
Art makes you famous
You know you've become famous in a small town when you're included as a in local art. In this Brian Walker mural now hanging at Java Love Cafe in West Sedona, there are several local arts figures, everyone from Brian Walker himself as an elephant, my ex-semi-quasi-current-roommate Lori-Ann Rella as herself and a panda, Tyrell, Gianni, Angel Mike, Jesus and Streetwalker Jesus, Gandhi, Lou Moretti as Charlie Chaplin, etc.
I stand out with my 2012 mayoral campaign sign, American Spirit cigarette and Red Star Communist hat.
I stand out with my 2012 mayoral campaign sign, American Spirit cigarette and Red Star Communist hat.
Search Fox's mind
2012 vote,
Brian Walker,
Christopher Fox Graham,
election,
Lori-Ann Rella,
Lou Moretti,
mayor,
mayoral campaign,
poetry,
Sedona
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