"Sedona Underground" in newsstands Friday.

My first column in Sedona Red Rock News comes out Friday. It's called Sedona Underground and focuses on our local underground art scene. In Sedona, everyone is an artist of some kind, and if they're not, they're probably a tourist.

For Sedona locals who read my LiveJournal, pick up Friday's issue and tell me what you think. It's on Page 2 of The Scene.

In a month, you may call me Commissioner Christopher Fox Graham

Today, I interviewed with the Sedona City Council for a position on the Sedona Child and Youth Commission. It's a 7-member board made up of 4 teens and 3 adults. Biologically, I'm an adult, though I have much more in common with the teens.

Sometimes, I have a reoccurring dream where I'm doing some big formal event, like a benefit or a dinner or a meeting and I get stopped mid-sentence by an adult who tells me that I'm faking "adulthood." They tell me I'm not old enough and haven't grown up yet. Daniela sometimes calls me Peter Pan, but she doesn't know how often she's right. Except about the tights.

The interview went well. It was like those Senate hearings on C-SPAN. The questions were simple, but it was good to see how I handle formal pressure. Still Peter Pan, but I faked adulthood well.

Councilman Ernie Strauch asked if I had written a poem for the interview, which I hadn't, but offered to perform one.

Vice Mayor Susan Solomon was absent, which sucked, because I hear from my co-workers at Sedona Red Rock News that she asks a lot of hardball questions and really grills interviewees. I was hoping for a debate and tough questions - a real challenge of myself under pressure.

After the interview, about 30 minutes long, Mayor "Pud" Colquitt asked for a poem, and I performed "Spinal Language."

The City Hall chamber doubles as the Sedona Magistrate Court when council is not in session, so I'm sure a slam poem was the oddest thing ever performed in that room.

I won't hear if I was appointed until June 12 or later, after they interview the other candidate.



Michelle Branch was once sentenced to 36 hours of community service in that room for minor in possession of alcohol.

Arizona Daily Sun news story 04/22/2005

Slam poets prepare for a linguistic battle
By AMY OUTEKHINE
Sun Staff Reporter
04/22/2005

Arizona Daily Sun © 2005

If you met Christopher Fox Graham on the street, you wouldn't know he was a walking repertoire of 1,800 poems.
If you saw him in a dark, crowded room on a stage, you would know he is a master slam competitor of nearly 100 poems.
This Saturday he could pull out one of 12 poems from his arsenal at the Northern Arizona (NORAZ) Poets Grand Slam event, being held at 7:30 p.m. at the Orpheum.
Graham is among the 10 poets competing for the Grand Slam title. The top five finishers will qualify to compete in the National Poetry Slam in Albuquerque in August.
A poetry slam differs from an open-mic poetry reading in a couple of different ways. Slam poets have three minutes for the reading, can use drama elements while performing and are judged by non-poets from the audience. Performers are scored on a scale of 0-10 with one decimal, just like the scoring in the Olympics.
To compete in the NORAZ Grand Slam finals Saturday, poets had to compete in at least five slams prior to this one. There were 19 poets in northern Arizona that fulfilled that criteria, and Graham finished second in the overall point total.
Graham began reading poetry publicly on Oct. 11, 2000. Three months later, he won his first poetry slam and then quickly rose in the ranks with the help of his poetry mentor, Sally Y in Tempe.
While flash and dash may impress some, Graham believes in the fundamentals of poetry writing. "A good poem slams itself," Graham said.
He also sited examples of his favorite dynamic poetry readers.
"Christopher Lane is an amazing performer," Graham said. "Dan Seaman reads a very imposing poem about his grandfather in the mines in Jerome. It is incredible."
Graham's sincere and quiet poems have helped launched his success in competitions. He was a member of the inaugural Flagstaff National Poetry Slam Team that competed at the 2001 National Poetry Slam in Seattle.
Since then, he's been the former Slam Master of the Flagstaff Poetry Slam, founder of the Flagstaff Area High School Poetry Slam, two "Zoning-Out in Vegas" poetry tours, a co-founder of the four-person, 3-month-long "Save the Male" National Poetry Tour that performed in 26 states and Canada in summer 2002, and was a bout manager at the 2003 National Poetry Slam in Chicago.
He placed second in the 2002 Arizona All-Star Slam, third in 2003, and fourth in 2004, against the 15 best slam poets in the Southwest. He was also the Grand Slam Champion of the inaugural NORAZ National Poetry Slam Team that competed and placed 24th at the 2004 National Poetry Slam in St. Louis.
Those competing this year are Logan Phillips, of Flagstaff; Aaron Johnson, of Flagstaff; Al Moyer, of Flagstaff; Ryan "Guts" Guide, of Flagstaff; Meghan Jones, of Flagstaff; Christopher Lane, of Sedona; Sharkie Marado, of Sedona; Eric Larson, of Prescott; Rowie Shabala, of Flagstaff; and Graham.
In June the five-member NORAZ team will compete with a team from Denver in Sedona.
"They are a really good community and we really support each other in competition," Graham said.
Graham's education and career choices also reflect his love of language. He received a Bachelor of Arts in English and history from Arizona State University. He currently is a copy editor of The Red Rock News in Sedona.
"Words are pretty much all I have," Graham said.
Tickets are $10 for adults and $7 for students with ID.

Daniela and me

Letter of Advice to My Son

Spit the verse in you; the music will subside.
Life has a volume knob if you know where to look.
Bleed away the bullshit. Kill it with a 40, or a pack of cigarettes
Stand bare naked before a bathroom mirror and count your scars.
Name them in chronological order.
Invent new histories for them; they won't care.

Pretend into fact: dive bar fistfights, whores with forgettable names.
Make new your old skin and become a rough-and-tumble drunkard in your imagination.

Learn to sneer like an old west cowboy played by John Wayne or Clint Eastwood
Name your dead horse. Work him into random conversations.
Sit alone in the desert and remember the long rides.
Weep for him and let the desert swallow your tears.

Cut your skin deep, so you won't fear pain.
Watch yourself bleed.
Understand that that time
is doing the same thing to you.
Then let it heal and forget.

Fuck without fearing it
Don't call the first three.
They will haunt you appropriately.

Then, only fuck for love
Only lonely nights, remember. them all
You may love hundreds
or just one for decades
but sin or death will take them all in time
leaving you with only cherished moments
so cherish all the moments
as if they will be your last

Face the city alleys
Know their darknesses:
and the difference between a stray cat
and a street gang.

Forgive your fathers.
Let them teach you how not to live.
Where they failed, do not.
Know that their sins were simple:
they did not see you coming
teach your son better
accept that you will fail
but he may forgive you
for your effort

Some men deserve to die; you are no exception

Fear the indifference of good men more than evil

Know that fools no different than you built all institutions.

Embrace solitude. It will save you on the lonely nights.

Accept no story as fact unless it happens to you.

Once a year, lay down in a gutter to learn how to sleep there if need be.

Suicide can be rational
men are not.

Watch sunsets prayerfully, to learn why we first worshipped the sun and the moon.
Count stars nightly - know that some will die tonight and never shine again.

Name constellations in your honor. Invent their mythologies

Learn to lie well.
do it sparingly, but be dedicated
Confess to no one
Honest lies become truth in time.
Not all lies are sins
Learn the difference

never admit to being an artist
they are pretentious
if you are an artist
history will take care of it for you

change jobs constantly
stagnant waters are poisonous

serve your community selflessly
it will repay in kind
Know it can turn rabid
flee when necessary
mobs cannibalize leaders

Resist authority always
Obedience must be earned

Governments replace anarchy, but they are not free from it

Love your nation and your tribe
never call yourself a patriot
you are better than that.

Admire the pageantry of humanity
but do not believe it
we all wear silly hats

Converse with lunatics
they have much to teach
speak their dialects

Women are sacred, always.
Men are expendable, always.
Without women, our tribe is lost.
So raise your daughters to be warriors.

Breed intelligently
you owe it to your grandfathers

Know that your honor and your pride
are the only gifts you give yourself
and the only things no man can take from you

Death is evitable
embrace this
die nobly if you can
we are meat puppets
be sure not to spoil

Words can kill
use them wisely
Speak honestly and slow
Enunciate with conviction.
Your words will bind you when all else is lost.

Poetry is the captured sincerity of a moment
you live for only a moment
live poetically

Cool Down

some say "cool down"
I say "stay warm"

some say "cool down"
I say "I'm hot, hot hot"

some say "cool down"
I say "you're being a douche-bag, mr. JB jr."

some say "cool down"
I say "you only wish you were hot"

some say "cool down"
I say "melt down"

some say "cool down"
I say "God Save the Queen"

some say "cool down"
I say "you're just scared"

some say "cool down"
I say "I'm brighter than the sun, baby"

My Fucked Up Friday

On Jan. 22, a local 11-year-old, RayLynne hung herself. It's been the third such suicide by hanging in the Verde Valley since my last post. The first was an 8-year-old boy in Cottonwood; then a 15-year-old boy, the son of Camp Verde's Town Manager; and now RayLynne. At the newspaper, we've debated endlessly about if and how to cover these events. The consenus is that our job as journalists in to inform our community about the facts. It's not easy. With RayLynne, rumors started flying about her death; I heard from the parent of a child at her school that she had shot herself - another that it was a drug overdose. Neither was the case and to prevent gossip and serve our community, we have to be both accurate and respectful.

There is something seriously wrong in the Verde Valley. Why are these kids killing themselves and why by hanging?

On friday, RayLynne's mother had a meeting with me. The girl's grandmother had faxed a letter to the editor thanking local organizations and individuals for support and donations to the girl's funeral expenses. The mother wanted to add some names. No big deal, I thought.

She came in Friday and she was tweaking at the meeting. Shows up on meth at my newsroom after what her daughter had done. I helped her out as much as I could and made the changes she requested, but I wanted to punch her. This was the reason RayLynne felt helpless and there was nothing I could do for her now, but shit Christ woman, you'd think your daughter's suicide would be cause to get clean.

I left work immediately after. I just wanted to break something. I came home, threw stones, whacked on a stump with a 2x4 and cried.

Airborne

Airborne
for Daniela

as the girl’s voice
on the other end of the phone line
seduces me
like some remembered childhood dream
come to the forefront
by the smell of rain
the second hand on my watch moves
slower…,
slower…,
slower…,
stop –

until time halts the countdown to infinity
and listens to the raw power
in her small voice
that hits me
like 10,000 thunderstorms spinning themselves
into a single cyclone
to wipe out a hilltop trailer park in Kansas

she has a beauty in her smile
to launch a thousand ships
and an intensity in her tears
to sink the entire fleet on its way home
I can feel lightning beneath my skin
when her hands brush against me
and hurricane tsunamis
rip through my veins when she laughs

she is the Perfect Storm
condensed from air
into 120 pounds of a swimmer’s body
and she is every storm god
wrapped in 66 inches of a girl’s flesh
and because I know her
I love her
and I am terrified
because with her poetry,
her words,
her voice,
she could cascade the world into its final oblivion
or save it all
with just a whisper
and she will change us
because it’s just a matter of time
until she learns that nothing
can hold her down
except the weight of her own wings
until I can teach her to fly
and she breaks the bonds of earth
to touch the face of god
and I can only hope
that she’ll still want to hold my hand
when she finds that her words
will lift her higher than I ever could
even in dreams
because those of us who bare our souls
on a stage,
behind a mic,
on a page,
or on a canvas,
are artists,
but this girl,
who lives and breathes poetry like air,
she is art
and her only limitation is how high
she wants to fly

I can already hear her wings
beginning to beat
in perfect iambic pentameter
and the echoes reverberate
into flawless 17-syllable haikus
but she’s not the angel I believe her to be
and if she had a halo
she’d throw it from her head
faster than god could blink
because pedestals steal humanity
and she knows that she’s just a girl
whose words give her wings
lifting her higher and higher
and she’ll change the world
when she learns to control her storms and winds
and starts
to fly

Copyright 2005 © Christopher Fox Graham

Ray Lynn Bilbray obituary

Ray Lynn Bilbray

Saturday, Jan. 22, 2005

Ray Lynn Bilbray, 11, a resident of Sedona, died Jan. 22.

Born in Kingman on May 14, 1993, Ray Lynne attended West Sedona Elementary School and was a member of the Sedona branch of the Boys & Girls Clubs of Northern Arizona.

Ray Lynne is survived by her mother, Gail Brigham, of Sedona; and her father, Barry Bilbray, of Laughlin, Nev.

A funeral service took place at Westcott Funeral Home in Cottonwood on Saturday, Jan. 29.

In lieu of flowers, memorial donations may be sent to the Ray Lynn Bilbray Memorial Fund at the National Bank of Arizona.

Mikel Weisser biography

mikel weisser is a husband, father, teacher, artist, writer and perpetual student and at age 45, will still not capitalize his own name. A native Texan (explaining his oversize personality), weisser lived in Springfield, Ill. (home of such famous poets as Vachel Lindsay and John Knoepfle) for 15 years and turned a life long obsession with writing into an actual starving artist career: self publishing 4 books in 4 years, editing the local college journal, presenting 4 literary criticism papers at national conferences and careening through a 6 year stint as a political satirist for the underground zine scene before finally earning some cash and reputation as a freelancer for the Springfield arts and entertainment weekly Illinois Times.

Along the way he won the 1993 and 2000 Poets and Writers Literary Forum SlamJams (the only two he entered), earned a Master of Arts from the University of Illinois at Springfield and did most every kind of job from plumber to carnie to health food co-op manager to homeless shelter administrator just to keep his family fed. In 2001 weisser moved to Bullhead City as an 8th grade social studies teacher, a position he absolutely loves, but this year, 2004, weisser also became the poetry instructor for the Bullhead campus of Mohave Community College, released two more poetry collections, a simple calendar and Verb*I*Age, and returned to his writer-y roots with a vengeance as a political columnist and freelance journalist. Now, to raise interest in poetry in Bullhead City, weisser has founded the Live Poets Society West, a non-profit non-organization dedicated to preserving the works of earlier poets and promoting new writers. Currently a grad student with NAU and mikel should earn an M Ed in secondary social studies/writing instruction this fall, but he is going to take till spring just to be perverse. Some of his poetry can be found in the poetry pages of his Web site.

We Will Resist You, America the Destroyer

America, the absent-minded lover
who forgets your name in the ambivalence of night
doubts the pressure pressed gently to it yesterday was worth remembering today
America, you drunk rapist
of suburban children
seeking to know your currents
pull themselves higher to see the view
know the far side of your hulk
you, America, show shadows of past days
bring down the cultural acme
to a level you can conduct with a symphony of fools playing 0ff and out of meter
you, America, want us to love you
and your ideals that you stopped practicing long before most of us came here,
you want us to love you
the way you were and ignore the bomb leaflets
dropped on Americans who haven't moved here yet
you, America
with your blind eyes and traffic stops
with your breathalyzers of dissidents
shatter our hopes with your material wealth
and the need to make more
you draw in our children with your Technicolor dreamscapes
teach them that 2D TV lovelives
can fill the void we feel
by not reaching out to feel our neighbors hands
call 9𒴏 instead of showing up
to speak some words
you, that forbids our secret pleasures
from leaving us happy for a night
let us damn ourselves if you believe the freedom
with which our ancestors built you
let go of wrists because these nations' hands
have empires to wreck
and men to free
we have lovers to swoon
and stars to call our own
without the cataloging of spheres of gases
we have dreams of starlight
to worship lovers beneath
without the fist fall of your suspicions
let us alone, America,
you redneck whore,
you control freak with good intentions
our way to hell is paved with your statutes
that enforce the will of do杗othing meat puppets
instead of letting the artists
live for art's sake
and drag the moonlight out into day
name the blind sun with our own tongue
and kiss the clouds into tomorrow
you, America, the destroyer of worlds
the doom of dreams
leaving broken roads not taken
through yellow woods unseen
bought with slaves wages
we will resist you
cap your mountains with our footfalls
bring down the gates of mud
and bury them for peach tree orchards
you, America, may doom us one by one
but the enumeration of our mysteries
will hopscotch through our daughters' minds
raise the sons
to raise the armies to resist you
tear down the towers
overlooking our prison camp daymares
America, we love you
but you do bad things
no man is evil
but his actions may be
and sometimes crimes deserve just punishment
when too many have been broken

we, America, your sons and daughters, lay broken
but we won't here long
soon we'll rise
it will only take a moment
when one swift kick in the ribs
proves one to many
and we retake our place
and the bearers of freedom
the entrepreneurs of artistry
one more artist with shotgun dentistry
one more ghetto enclave to genocide the unwanted
one unlucky fuck who gets too close to the riot line
and takes a round on live network daytime TV
one martyr who didn't want to be
to raise the call in us
get us to pull each other up by the bootstraps
and bring down the highjackers of our grand experiment
and make you remember that you
are ours
we are not yours
you were a republic once
and they can last forever,
but all empires
must one day fall.

Three Minutes for Dylan

Cottonwood police report that the death of an 8-year-old Cottonwood boy was suicide.


Dec. 6. COTTONWOOD, AZ According to a press release issued Dec. 3 by the Cottonwood Police Department, the Yavapai County Medical Examiner's Office in Prescott performed an autopsy Thursday evening and the results appear to be consistent with suicide.

Cottonwood Police Department Public Information Officer Lt. Jack Stapleton said, "The autopsy was performed last night on the boy and it appears that it will be ruled not suspicious in nature. This is a strange situation and very tragic."

The Cottonwood police will continue investigating this tragic death.

Cottonwood police reported that the boy was discovered in a closet of a residence located in the 200 block of S. 12th Street on Wednesday, Dec. 1 at 7:08 p.m. Investigators believe the boy was hanged.

Stapleton said he is not sure of how long the boy was in the closet before he was discovered. He was transported to Verde Valley Medical Center, where he was later pronounced dead.

Cottonwood Fire Department Chief Mike Casson said that eight crew members from Cottonwood Fire Department responded as well as a crew from Verde Valley Fire District who assisted as Cottonwood was on another call.

"It appears that the boy was taken down and was on the floor when we arrived," he said. They arived by 7:11 p.m.

Casson added that paramedics immediately began cardiopulmonary resuscitation and Verde Valley Ambulance Company transported the boy to VVMC within four minutes after its arrival.

"They worked quickly and performed CPR all the way to the hospital until he was taken by hospital staff," he said.

The boy was pronounced dead at 7:18 p.m.

"This is truly a sad thing, especially at Christmastime. This is even tough on our guys."

Julie Larson, superintendent of Cottonwood-Oak Creek School District, said the victim was a third-grader at Cottonwood Elementary School, and, "it's a terrible thing to lose a student."



three minutes for Dylan
by Christopher Fox Graham ©

Wednesday, Cottonwood
7:07 p.m.
in the air the boy hangs
suspended above the floor like an angel
his lungs are vacant of sound and life

7:08 pm
the upstairs bedroom closet door opens
slow at first
and fear explodes
mother's hands
no! struggle! rope! throat!
no! phone! fumble! 9–1–1!
no! address! son! paramedic!
no! baby! come! quick! please!
no! son! son! son …
Dylan …

she had three minutes with him
three minutes alone
three minutes to contemplate
how her eight–year–old son
could hang himself
could jump from a chair
could prepare a closet
could tie a noose
could find his lungs vacant of a reason to live
could decide at 8
that life was not worth living

she had three minutes
before they arrived
and no answer when they did

there is a word
for a man widowed by a wife
for a woman widowed by a husband
for a child orphaned by parents
but there is no name
when a parent loses a son
because the thought is too terrifying
to imagine

he was trying to speak to us
but his lungs were vacant
before he jumped
but his lungs were vacant
before he tied the noose

the ritual of suicide
speaks a language of its own
with a gun – helpless fury in a moment
with a leap from a building – surrender to the world
with an overdose – a secret shame
with a bomb strapped to your body – rage wrapped in your people's despair
but with a hanging
every step must be calculated
and there can be no doubt
of your intention

but his vacant lungs either
did not speak before then
or we did not hear him

the medical examiner ruled the case closed
with no four play
and the paramedics added one more
atrocious anecdote to their nightmares
and we, at the newspaper,
had to grapple
with how to best word the headline
and write the story
of a child who was too silent to speak
whose lungs were too vacant of breath to be quoted

no one was charged in his death
but we are criminals
because none of us stopped him
none of us heard him
none of us offered him
three minutes of silence
to contemplate his value
to tell him he was an angel worth living

he tied the noose
he prepared the closet
he jumped from the chair
but we hanged him
by not hearing the scream held
in his 8–year–old lungs

his name was Dylan
these are the three minutes I'm giving him

your turn.

Poetry event gathers talent from across the region

By Christopher Fox Graham
Sedona Red Rock News

Before the invention of musical instruments, people would gather to tell stories.
Once a month in Jerome, a group of 30 to 50 people gather at the Anderson–Mandette Art Gallery to listen to spoken word.
At each Poetry Tonight! event, three featured poets read 20 to 30 minutes of their own work, followed by a one–poem open mic.
"I love the community aspect of it," said Robin John Anderson, one of the gallery's owners. "It's a chance to hear poets put out a body of work."
Members of the audience are encouraged to sign up and read their work. The night's host rotates each month, letting a different member of the poetry community invite the featured poets, Anderson said. The rotation adds a diversity of voices.
Anderson, and his wife, Margo Mandette, have been holding a poetry reading for about three years at their gallery, in the old Mingus Union High School building. He estimates that roughly a hundred poets have featured at the event.
The featuring poets have come from all over Arizona and some from around the country. Recently, features have included poets from Houston and Boston.
"This was the first time, but it won't be the last," said David Ward about attending the event. Ward, of Sedona, is a senior at Sedona Red Rock High School and was one of Friday's featured poets.
Ward started writing in seventh grade, but became more interested in it during his freshman year of high school, he said, Ward has honed his work at the Poetry Salon, a weekly poetry workshop roundtable that has been gathering at Ravenheart Coffee Wednesday nights in West Sedona for over four years. Ward is now the author of his first chapbook, "Death of the Full Moon."
"When I started going to the Salon, I never thought I would have my own chapbook," Ward said. "I didn't even know what a chapbook was."
A chapbook is an inexpensive, self–published book. While some poets manufacture their own chapbooks at photocopy centers, many, like Ward's, are bankrolled by friends or patrons and sent to professional photocopy and graphic design companies.
The teacher that pushed Ward further into spoken word and poetry when he was in seventh grade was Karyl Goldsmith, of Sedona. She was the second poet to feature on Friday and teaches senior literature and advancement placement at Sedona Red Rock High School. Some of her students, including her daughter, Hannah, a junior at SRRHS, were in the crowd.
Though Goldsmith has been writing since she was a high school student, she said, this was one of her first chances to turn page poetry in to spoken word.
"This is one of the most exciting things to happen to poetry since – ever," Goldsmith said.
"Poetry used to be dead white men," she continued, "sometimes it still is. But now it's alive."
Poetry Tonight! and the Poetry Salon are two poetry and spoken word programs in Northern Arizona sponsored by the NORAZ Poets, a formal organization of poetry communities in Prescott, the Verde Valley, Flagstaff and smaller towns throughout Northern Arizona. The group, soon to be a nonprofit, promotes poetry, shares featured poets and promotional costs, runs a Web site, http://norazpoets.org, and toll–free hot line, listing poetry events across
Northern Arizona.
"Without NORAZ, poetry in Northern Arizona would not be where it is today," Ward said. "The poetry scene in Sedona is exploding. "NORAZ came it at the right time and we're riding that wave."
Poets who discover one poetry event Northern Arizona can be quickly connected through the Web site and word–of–mouth network to other events which offer more avenues, such as the open mic or the salon workshop, with which poets can share and improve their work and help other poets do the same.
Six poets from around the Verde Valley, and the events host, Rebekah Crisp, of Sedona, read at the open mic.
Eric Brunet, of Flagstaff, was the third and final feature of Friday's event. Brunet, 34, lived in Tucson of a year and half before moving to Flagstaff.
Brunet published his first book, "Flee Now, Young Dog," in 1991 and is working on the manuscript for his second, "Ukulele Aikido."
Friday's event was his "first taste of the scene," he said, but he plans to get active. He was active in Tucson's poetry scene and is glad to see a scene in Northern Arizona.
"I'm jumping back into the water with both feet."
To attend 928–634–3438.
Contact Christopher Fox Graham

Reasons why I like Gretchen so much it hurts

· Looks great with or without glasses
· Ballet dancer. She practices 3 hours a day, Monday through Friday.
· Really, really cute. Big points. I'm shallow sometimes, but I'm honest.
· Speaks French.
· Speaks Spanish. Cool in itself, but when added with the French, doubles the coolness factor.
· Is learning Greek. Cool in itself, but when added with the French and Spanish, triples the coolness factor.
· She's curious as hell. Loves listening to my friends talk to her and with each other. Like me, she likes stories.
· Literate. Not just literate, but reads a lot.
· Likes poetry.
· Feminist.
· Sends me haiku in text messages.
· Calls when she promises. Sends cute text messages.
· Really, really hot.
· She likes me. This is usually the maker or breaker when I have a crush. The likes me part is a huge plus, obviously.
· Shy, but doesn't want to be. Ditto.
· To date, I have not heard her say anything negative about anyone. Serious. How can anyone be so damn nice?
· Great, huge, brown eyes.
· Great smile
· Soft skin
· She got horny watching "Casablanca" with me. Who does that?
· Blushes
· Likes that I like her so much.
· Her middle name is Ryan. A boy's name? Damn sexy.
· Great hair. Longer than her shoulder, jet black, perfectly straight. I'm a sucker.
· Always has an answer when I ask, "what are you thinking?" That's my litmus test.
· Drives a stick shift.
· Always dresses great and has a choice in earrings that fashion models would kill for.
· Wants to move to France. I love French toast.
· Has a Zen bedroom. There are monks with more material possessions
· She likes me. I just wanted to write that again because it's a huge plus.
· Sends me French text messages that I have to wait for her to translate.
· Amazing kisser. She bites.
· Wants to be a philosophy major.
· Wants me to meet her parents, specifically her dad because she thinks we'd hit it off.
· Likes to cuddle. Loves sex.
· She's more worried that I won't like her. This never happens to me. I always put out too much effort.
· Endured a poetry open mic. Usually this is a make or break for someone who claims to like poetry. If sincere, they stay and can discuss the poems later. If not, they get bored or leave or zone out. She stayed and remembered poets and poems.
· Endured and resisted a Mike–Attack, a drunken verbal assault with my best friend, Mike KuKuruga. He's very protective of me, doesn't let anyone lay on bullshit, and not only did she stand her ground but she fought back against him, and got really cool with him only minutes later. Earned much respect from KuK for it.
· Best friend KuK said "she's a keeper."
· Best friend Christopher Lane said "she's got a nice shitter." That's Texan for "she's a keeper."
· Friend Katie likes her. Always trust the opinions of crazy geniuses. They have weird powers.
· Friend Nikki liker her. Again, always trust the opinions of crazy geniuses. They have weird powers.
· Ex–girlfriend Emily likes her.
· She adores Dan Seaman
· Curious. Despite everything else I like, a constant curiosity is the best trait she could have. It means that we'll always be learning.
· Likes to hold me.
· Everything fits with her. Fate–style. There hasn't been any off moments or odd things to irk me. I always have a something. But not with her.
· She likes to live in the moment. Ditto.
· She wants kids. Lots. Me too. 3 daughters and a son, minimum.
· Really, really hot with a tight dancer's body.
· I like telling people, with her right there, how much I like her.
· Hasn't been out of the state as an adult but wants to travel. I love travel more than almost anything.
· Great hands
· Already inspired a poem that I wrote in 25 minutes, slammed with in 3 hours, and scored a pair of 10s.
· Boston won the World Series. So good things come to the faithful.
· Makes me smile a lot, even when she's not around.
· Likes sushi.
· Has a lot of non–sequitirs.
· Drinks beer. Sometimes a boy doesn't want to buy his girl a fru–fru drinks or a Long Island. A girl with a Sam Adams is a keeper
· Has a little happy trail of stomach hair. Very feminine.
· Great shoulders.
· No extraneous piercings or tattoos, as far as I can tell. This isn’t really a
negative, but some times girls want to be so distinct and unique, that they
become like everyone else.
· Only smokes when she drinks. Ditto
· Aquarius, Feb 2nd. We get along.
· Just generally 100% awesome.
· Except for two days in Las Vegas with Katie, I've seen her every day since I met her. Granted, I met her Friday, but hey.
· She stayed in Flagstaff for a slam. I was first with a Nationals poem, then the aforementioned new poem about her, then I threw round three and did something fun because Christopher Lane was disqualified for perhaps the best slam stunt ever: passing out flyers with my picture while insulting me hardcore.
· The Ex of Ex-girlfriends Daniela thinks she's really pretty and likes to see me happy.
· She is more fragile than she lets on.
· Doesn't know that I know that.

Extroverted Introspection by Brian "Seuss" Mosher

Extroverted Introspection
by Brian "Seuss" Mosher

The delicious ambrosia of differences astounds me;
This bouquet of uniqueness has come to pique my interest
Much like the scintillating spectrum that abounds and surrounds us
That weaves the tapestries of our dreams while making miracles manifest.

That said, during our waking life, we dazedly dream,
And in our dreams, we wander around in wonder.
It’s a wonder that we exist in this, yet know not what it means
to be a being amongst beings casting all the spells we’re under.

This deluded illusion does not have to be a plague!
The keys to a life of elation aren’t that subtle or vague.
All you need to know of control, you already knew;
Shakespeare said it also: “To Thine Own Self Be True”.

Now I have heard it said that we’ve reached the “End of Days”.
I’ve been implored to batten down and be regretful for my sins,
But my sins have been my teachers, I’ve lived many different ways,
So let the days pass into sunset, and let evening begin.

Sight

For Ronny Kraft

the problem with trying to see the world of the 21st century
is that it’s gotten so complicated, so enormous
that in order to compensate
we’ve condensed, concentrated, consolidated, cultivated, confined, refined,
abridged, purified, and focused our surroundings
to the point that we’re not sure if what we see is reality anymore
we’ve put contact lenses on our world view
without realizing that any clarification, by design,
produces a distortion
but we weren’t ready for one on this scale
and the human race has been at this so long
we’ve forgotten what reality looked like when we started
when we turned open savannahs into urban jungles
we stopped adapting nature to fit us
we turned other species into products and figured out how to exterminate the
competition because capitalism isn’t an economic policy- it’s genetic
we cut up the landscape and sold in pieces to the suburbs
we spread 18-hole golf courses across prime real estate
and prosecuted children for trespassing when they built castles in sandtraps
we built million-dollar mansions in the shadow of red rocks so we could get
away from it all
unfortunately, it came with us
because we can’t escape our history

we’ve spent so much time trying to figure out what makes human beings tick
that we’ve relegated human nature
to a mixture of chemistry, physiology, numerology, astrology, biology,
cosmology, psychology, and neurology
to the point that we accepted ourselves as nothing more than the sum of our
parts
but we’re more than “-ologies”
we’re human

but when we’re locked in a jihad over which group has more right to occupy a
piece of Middle Eastern real estate
or we’re stuck with the dogma or born-again apathy teaching us to love a name
2000 years dead rather than love each other
or we have to endure the pretentions of self-righteous New Age shamans selling
reinvented spirituality and self-help books then you can see why it’s so easy
to give up hope

now we’re waging a war of attrition where we’re the enemy
and we’ve been on the losing side for a long, long, long time
because we’ve given up hope that we’re still worth saving

it’s not that we lost our purpose
it’s just that we forgot we had to find one
without help from Oprah’s Book Club or a made for TV movie

but here, now, we can end this civil war
by refusing to settle for this restructured reality
we can take out these contact lenses we’ve used to see
rejoin Nature as a member, not it’s master
we can tear down the illusions we’ve constructed to make us forget
that race, creed, color, nationality, ethnicity, belief, sex, age, and
orientation
doesn’t matter when we’re dead
because we’re all just ashes and dust renting space
we can remember that knowing what we are
doesn’t matter a damn
but knowing who we are while we’re here
is a purpose always worth dying for

The First Big Bang of the New Year

We could have gotten drunk together tonight.
Watched the moon come up.
Marveled at the colors we create.
Kissed away the old years' civilizations
Stood among the fools and sinners
artists, insomniacs, and insanities
dancing in the exuberance of ending time.
Watched the world tick one heartbeat closer to the next big bang.

No Through Street by David Ward

No Through Street
By David Ward

I can see the end of this road.

I can send myself down
rabbit-hole memory

and trace the faded double yellow
past the old house with the
broken shutters hanging like black eyes
and the ancient bricks starting to let
their hands slip because
the past happened years ago
and tomorrow happens overnight,

the old house whose edges ar
as blurry in my watercolor poetry
as they are in my recollection
of ever having lived there.

I can see the flowers growing in the
gravel beside this highway,
and I am not scared to remember
things I will see again.

I have walked this road
under skies with suns like fists
under skies like the breath mist in a mirror
under skies that are stretched too tight
and rip at the horizon.

I will walk this road
in days dark enough for moonlight
in days that fit without having to
crumple the edge
in days that come to early
and let the stars watch the first
minutes of dawn.

I can already feel the pavement
through the bottoms of my shredded soles
and there is no place to rest
in the orange glow of the tar tunnel
running like a worm-hole
through the heart of a mountain.

I can see where this road stops,
where it grinds to a halt at
some ocean's rough edge,
and I can wait there to be
broken by the breakers.

I can see the end
of this road.

It will die out with the
echo of my footsteps.
It will be reclaimed by the grass
that climbs up through
the unpatched cracks.

First Christmas Without The Children by Mary Heyborne

First Christmas Without The Children
By Mary Heyborne

I waken early Christmas morn
Aware that we're alone,
Grasping remnants of fleeting dreams—
Of Christmas with children home.

Christmas, when all of us were young—
Those "vision splendid" years
When our arms could circle everyone
And only joy made tears.

And now we graying lovers sleep
Alone in our tinseled house.
No midnight tappings grace our door,
No "Can we get up now?"s.

No pre-dawn bounding from our bed
To stuff the biggest bird—
We'll start our little fowl past noon
And eat with scarce a word.

The rhythm of your breathing breaks.
I sense you're thinking, too,
Of distant loveds—and how this year
There’s only me and you.

I turn to your beloved face
And see reflected there—
Midst longing for what used to be—
The joys we yet can share.

We'll build a fire and open gifts—
Make all the Christmas fuss—
Then find the children's Santa mugs
And raise some juice to us.

We Call Him Papa

for Frank Leslie "Buster" Redfield
May 14, 1925 - Oct. 31, 2004



we call him Papa
and he could move mountains with his silence

he fathered a family of artists
who knew the value of labor
the efficiency of expression
if it is unclear, rephrase it
if it is unusable, remove it
if it is imperfect, rework it
until it is as much a part of you
as a limb
he never said this
but his life implied it

his stone eyes
edited lies from our speech
before we could speak them
his hands held me tight once
after I sinned
they held me soft
when my father translated himself
into a mythology
I've since ceased believing in
his hands were the tools
with which he spoke through his silence

he carved and crafted rifles
like Stradivarius made violins
and the first recoil
was a symphony
compressed to a split second
he brought wood to life
as though generations of forests grew
to make the right grain
the right feel worthy of his talent

he did not build airplanes,
he built aircraft with the precision of a heart surgeon
knowing a loose screw, one misaligned wire
could transform a craft of beauty
into a coffin
and wife like his into a widow
he made no widows
except one

he crafted art that soared like mechanical angels
and made us feel
how he must have felt with Grandma

even in his absence he scares me
because he was so much more
of what a man should be
than the men I see around me
than the man who fathered me

he was sometimes the machine moving me
he was sometimes the monster under my bed
keeping me from going gently into the night
without fighting the darkness
he was sometimes a giant
stretching hands from horizon to horizon
holding down the sun and moon
and dictating their rising

I am convinced that eastern Montana
is so perfectly flat
in awe of him

we call him Papa
and he could move mountains with his silence

I never heard him say he loved her
not in words
not in a way I could steal
not in a way that the cheap poet in me
could have plagiarized into a stanza
for some mediocre poem unworthy of his memory

I never heard him say he loved her with words

he said it with his eyes

he said it in the stories my mother would tell me
about how he would raise armies and wage wars
just to bring her flowers

he said it with the way he told me
about driving across New York and Pennsylvania every weekend
just to see her for two hours between college classes and curfews

he said he loved her by playing "waltzing matilda" on a harmonica
like he was asking her to dance for the first time,
even after all these years

he said he loved her
by showing us how good man
should love a woman right

we call him Papa
and he could move mountains with his silence

he is the poet
me, his eldest grandson,
I am just his microphone