This is the official blog of Northern Arizona slam poet Christopher Fox Graham. Begun in 2002, and transferred to blogspot in 2006, FoxTheBlog has recorded more than 670,000 hits since 2009. This blog cover's Graham's poetry, the Arizona poetry slam community and offers tips for slam poets from sources around the Internet. Read CFG's full biography here. Looking for just that one poem? You know the one ... click here to find it.
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Sunday, April 28, 2019

Sedona Poetry Slam on Saturday, May 25

The Sedona Poetry Slam brings high-energy, competitive spoken word to the Mary D. Fisher Theatre on Saturday, May 25, at 7:30 p.m.

A poetry slam is like a series of high-energy, three-minute one-person plays, judged by the audience. Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets are judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

Poets in the Sedona Poetry Slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University and youth poets from Sedona Red Rock High School.

Mary D. Fisher Theatre is located at 2030 W. SR 89A, Suite A-3, in West Sedona. Tickets are $12. For tickets, call 282-1177 or visit SedonaFilmFestival.org.

The first slam of the spring was held Saturday April 27.

The prize money is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

Contact host Christopher Fox Graham at foxthepoet@yahoo.com to sign up to slam early by Friday, May 24, or arrive at the door by 7 p.m. May 25 to sign up the day of the slam. Poets who want to compete should purchase a ticket in case the roster is filled before they arrive. The Sedona Poetry Slam will be hosted by Graham, who represented Northern Arizona on 12 FlagSlam National Poetry Slams in 2001, 2004-06, 2010 and 2012-18. Graham has hosted the Sedona Poetry Slam since 2009.

For more information, visit sedonafilmfestival.com or foxthepoet.blogspot.com.

What is Poetry Slam?

Founded at the Green Mill Tavern in Chicago in 1984 by Marc Smith, poetry slam is a competitive artistic sport designed to get people who would otherwise never go to a poetry reading excited about the art form when it becomes a high-energy competition. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe. Slam poets have opened at the Winter Olympics, performed at the White House and at the United Nations General Assembly and were featured on "Russell Simmon's Def Poets" on HBO.

For the last seven years, Sedona sent a four-poet team to National Poetry Slam, held in different cities around the United States every August. Sedona sent its first team to the 2012 NPS in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third and fourth to Oakland, Calif., its fifth to Decatur, Ga., its sixth to Denver and its seventh to Chicago.

Unfortunately, there will be no National Poetry Slam this year due fiscal insolvency of the parent nonprofit, Poetry Slam Inc., last fall. The Sedona poetry slam, however, is doing well as it heads into its 10th year of hosting poetry slams in the Verde Valley.

Saturday, April 6, 2019

Sedona Poetry Slam on Saturday, April 27


The Sedona Poetry Slam brings high-energy, competitive spoken word to the Mary D. Fisher Theatre on Saturday, April 27, at 7:30 p.m.

A poetry slam is like a series of high-energy, three-minute one-person plays, judged by the audience. Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets are judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

Poets in the Sedona Poetry Slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University and youth poets from Sedona Red Rock High School.

Mary D. Fisher Theatre is located at 2030 W. SR 89A, Suite A-3, in West Sedona. Tickets are $12. For tickets, call 282-1177 or visit SedonaFilmFestival.org.

The second slam of the spring will be held Saturday May 25.

The prize money is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

Contact host Christopher Fox Graham at foxthepoet@yahoo.com to sign up to slam early by Friday, April 26, or arrive at the door by 7 p.m. April 27 to sign up the day of the slam. Poets who want to compete should purchase a ticket in case the roster is filled before they arrive. The Sedona Poetry Slam will be hosted by Graham, who represented Northern Arizona on 12 FlagSlam National Poetry Slams in 2001, 2004-06, 2010 and 2012-18. Graham has hosted the Sedona Poetry Slam since 2009.

For more information, visit sedonafilmfestival.com or foxthepoet.blogspot.com.

What is Poetry Slam?

Founded at the Green Mill Tavern in Chicago in 1984 by Marc Smith, poetry slam is a competitive artistic sport designed to get people who would otherwise never go to a poetry reading excited about the art form when it becomes a high-energy competition. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe. Slam poets have opened at the Winter Olympics, performed at the White House and at the United Nations General Assembly and were featured on "Russell Simmon's Def Poets" on HBO.

For the last seven years, Sedona sent a four-poet team to National Poetry Slam, held in different cities around the United States every August. Sedona sent its first team to the 2012 NPS in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third and fourth to Oakland, Calif., its fifth to Decatur, Ga., its sixth to Denver and its seventh to Chicago.

Unfortunately, there will be no National Poetry Slam this year due fiscal insolvency of the parent nonprofit, Poetry Slam Inc., last fall. The Sedona poetry slam, however, is doing well as it heads into its 10th year of hosting poetry slams in the Verde Valley.

Sunday, May 20, 2018

Sedona hosts Last Chance Poetry Slam on Saturday, May 26


The Sedona Poetry Slam bring high-energy, competition spoken word to the Mary D. Fisher Theatre for the "Last Chance Slam" on Saturday, May 26, at 7:30 p.m.

The Last Chance Slam on May 26 is be the final opportunity for poets who want to qualify for the 2018 Grand Slam. 

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets are judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

A poetry slam is like a series of high-energy, three-minute one-person plays, judged by the audience. Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

Poets in the Sedona Poetry Slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School.

The first six slams of the season were held Nov. 4, Dec. 16, Dec. 30, Feb. 3, April 7 and May 5, won by Lauren Perry, M.C. Tristan Marshall, Bernard "The Klute" Schober, Josh Wiss and Kim Jarchow and Ryan Smalley, respectively. The final open slam of the season will be at the Mary D. Fisher Theatre, 2030 W. SR 89A, Suite A-3, in West Sedona, on Saturday May 26.

The Klute won the Dec. 30 Sedona Poetry Slam
Tickets are $12. For tickets, call 282-1177 or visit SedonaFilmFestival.org

The 2017-18 season will culminate in selection of Sedona's seventh National Poetry Slam Team, the foursome and alternate who will represent Sedona and the Verde Valley at the National Poetry Slam in Chicago in August. 

With every regular slam, poets earn points toward a slot in the Grand Slam, on Saturday, June 9. The poets who make the Sedona National Poetry Slam Team at the final contest will represent Sedona and share the stage with 350 of the top poets in the United States, Canada and Europe at the week-long National Poetry Slam in Chicago in August.

Sedona sent its first team to the 2012 NPS in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third and fourth to Oakland, Calif., its fifth to Decatur, Ga., and its sixth to Denver. For more information, visit foxthepoet.blogspot.com.

The prize money is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

Contact host Christopher Fox Graham at foxthepoet@yahoo.com to sign up to slam early by Friday, May 25, or arrive at the door by 7 p.m. to sign up the day of the slam. Poets who want to compete should purchase a ticket in case the roster is filled before they arrive. The Sedona Poetry Slam will be hosted by Graham, who represented Northern Arizona on 10 FlagSlam National Poetry Slams in 2001, 2004-06, 2010 and 2012-17. Graham has hosted the Sedona Poetry Slam since 2009.

What is Poetry Slam?
Founded at the Green Mill Tavern in Chicago in 1984, poetry slam is a competitive artistic sport designed to get people who would otherwise never go to a poetry reading excited about the art form when it becomes a high-energy competition. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe. Slam poets have opened at the 2010 Winter Olympics, performed at the White House and at the United Nations General Assembly and were featured on "Russell Simmon's Def Poets" on HBO.

For more information, visit poetryslam.com or the PSi channel on YouTube.

Saturday, April 28, 2018

Sedona Poetry Slam hosts slam Saturday, May 5

The Sedona Poetry Slam bring high-energy, competition spoken word to the Mary D. Fisher Theatre on Saturday, May 5, at 7:30 p.m.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets are judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

A poetry slam is like a series of high-energy, three-minute one-person plays, judged by the audience. Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a “slam” poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

Poets in the Sedona Poetry Slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School.

Kim Jarchow won the Sedona Poetry Slam on April 7
The first five slams of the season were held Nov. 4, Dec. 16, Dec. 30, Feb. 3 and April 7, won by Lauren Perry, M.C. Tristan Marshall, Bernard "The Klute" Schober, Josh Wiss amd Kim Jarchow, respectively. The final open slam of the season will be at the Mary D. Fisher Theatre, 2030 W. SR 89A, Suite A-3, in West Sedona, on Saturday May 26.

Tickets are $12. For tickets, call 282-1177 or visit SedonaFilmFestival.org.

The 2017-18 season will culminate in selection of Sedona’s seventh National Poetry Slam Team, the foursome and alternate who will represent Sedona and the Verde Valley at the National Poetry Slam in Chicago in August.

The Last Chance Slam on May 26 will be the final opportunity for poets who want to qualify for the 2018 Grand Slam. With every regular slam, poets earn points toward a slot in the Grand Slam, on Saturday, June 9. The poets who make the Sedona National Poetry Slam Team at the final contest will represent Sedona and share the stage with 350 of the top poets in the United States, Canada and Europe at the week-long National Poetry Slam in Chicago in August.

Sedona sent its first team to the 2012 NPS in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third and fourth to Oakland, Calif., its fifth to Decatur, Ga., and its sixth to Denver. For more information, visit foxthepoet.blogspot.com.

The prize money is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

Contact host Christopher Fox Graham at foxthepoet@yahoo.com to sign up to slam early by Friday, May 4, or arrive at the door by 7 p.m. to sign up the day of the slam. Poets who want to compete should purchase a ticket in case the roster is filled before they arrive. The Sedona Poetry Slam will be hosted by Graham, who represented Northern Arizona on 10 FlagSlam National Poetry Slams in 2001, 2004-06, 2010 and 2012-17. Graham has hosted the Sedona Poetry Slam since 2009.

What is Poetry Slam?
Founded at the Green Mill Tavern in Chicago in 1984, poetry slam is a competitive artistic sport designed to get people who would otherwise never go to a poetry reading excited about the art form when it becomes a high-energy competition. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets’ contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe. Slam poets have opened at the 2010 Winter Olympics, performed at the White House and at the United Nations General Assembly and were featured on "Russell Simmon's Def Poets" on HBO.

For more information, visit poetryslam.com or the PSi channel on YouTube.

Saturday, March 31, 2018

Mary D. Fisher Theater hosts Sedona Poetry Slam on Saturday, April 7

The Sedona Poetry Slam bring high-energy, competition spoken word to the Mary D. Fisher Theatre on Saturday, April 7, at 7:30 p.m.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets are judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

A poetry slam is like a series of high-energy, three-minute one-person plays, judged by the audience. Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

Poets in the Sedona Poetry Slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School.

The first four slams of the season were held Nov. 4, Dec. 16, Dec. 30 and Feb. 3, won by Lauren Perry, M.C. Tristan Marshall, Bernard "The Klute" Schober and Josh Wiss, respectively. The next two slams will be at the Mary D. Fisher Theatre, 2030 W. SR 89A, Suite A-3, in West Sedona, on Saturdays May 5 and May 26.

Bernard "The Klute" Schober reads his victory poem after winning the third 
Sedona Poetry Slam of the 2017-18 season on Dec. 30 at the Mary D. Fisher 
Theatre. The next Sedona Poetry Slam takes place Saturday, April, at 
7:30 p.m. at the Mary D. Fisher Theatre.
Tickets are $12. For tickets, call 282-1177 or visit SedonaFilmFestival.org

The 2017-18 season will culminate in selection of Sedona's seventh National Poetry Slam Team, the foursome and alternate who will represent Sedona and the Verde Valley at the National Poetry Slam in Chicago in August.

The Last Chance Slam on May 26 will be the final opportunity for poets who want to qualify for the 2018 Grand Slam. With every regular slam, poets earn points toward a slot in the Grand Slam, on Saturday, June 9.

The poets who make the Sedona National Poetry Slam Team at the final contest will represent Sedona and share the stage with 350 of the top poets in the United States, Canada and Europe at the week-long National Poetry Slam in Chicago in August.

Lauren Perry won the first Sedona Poetry Slam of the 2017-18 season 
on Nov. 4 at the Sedona Arts Center. The next Sedona Poetry Slam 
takes place Saturday, April 7, at 7:30 p.m. at the Mary D. Fisher 
Theatre.
Sedona sent its first team to the 2012 NPS in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third and fourth to Oakland, Calif., its fifth to Decatur, Ga., and its sixth to Denver. For more information, visit foxthepoet.blogspot.com.

The prize money is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

Contact host Christopher Fox Graham at foxthepoet@yahoo.com to sign up to slam early by Friday, April 6, or arrive at the door by 7 p.m. to sign up the day of the slam. Poets who want to compete should purchase a ticket in case the roster is filled before they arrive.

The Sedona Poetry Slam will be hosted by Graham, who represented Northern Arizona on 10 FlagSlam National Poetry Slams in 2001, 2004-06, 2010 and 2012-17. Graham has hosted the Sedona Poetry Slam since 2009.

What is Poetry Slam?

Founded at the Green Mill Tavern in Chicago in 1984, poetry slam is a competitive artistic sport designed to get people who would otherwise never go to a poetry reading excited about the art form when it becomes a high-energy competition.

Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

Slam poets have opened at the 2010 Winter Olympics, performed at the White House and at the United Nations General Assembly and were featured on "Russell Simmon's Def Poets" on HBO.

For more information, visit poetryslam.com or the PSi channel on YouTube.

Saturday, February 10, 2018

Christopher Fox Graham proposes to Laura Ann Lynn at the Flagstaff Poetry Slam on Feb. 7, 2018


All thanks to Andrew Ibrado for the footage!
And thanks for the well wishes from Kenneth Kreslake, Ian Keirsey, Taylor Hayes, Teresa Newkirk, Bernard "The Klute" Schober, Tyler "Valence" Sirvinskas, Ryan Smalley, Nicolas Perez, Briana Grace Hammerstrom, Kimberly "Possible" Jarchow, Gabbi Jue, Vincent Vega, Taja Carina, Claire Pearson, Jessica Renee Ballantyne and Jeanne Freeland

Performing "Our Death is in Your Belly"

The kiss after the poem

The proposal from the five judges, read by host Briana Grace Hammerstrom

With the ring on bended knee

The kiss

Laura Ann Lynn says "yes"
(see, I have video proof)

The kiss after the "yes"

The crowd wildly applauding

Putting on the ring

We're engaged!
Well-wishes from our friends:
Kenny Kreslake
Ian Keirsey
Taylor Hayes
Kenny Kreslake
Teresa Newkirk
The Klute
Valence
Ryan Smalley
Nicolas Perez
Briana Grace Hammerstrom
Kim Possible
Gabbi Jue
Vincent Vega
Taja Carina
Claire Pearson
Briana Grace Hammerstrom
Gabbi Jue
Jessica Renee Ballentyne
Jeanne Freeland
Our last kiss in the video


Wednesday, September 23, 2015

Poets Love Stars

Gaze skyward and select a star
name it secretly,
the same name as the lover
you’ve longed to touch
if the circumstances of circumstances
loosed their vicious, tight grip
on the ribbon of choices that lead you here
and you could sail to them
like Peter Pan or Superman

now, pretend that this moment
is the last one worth holding
the flotsam floating
from the sinking ship of time

imagine as your vision dims and fades
as your body decays into dust
eternity will be you staring in blissful wonder
at one last image embossed forever
on the blackboard of your eyelids
in the abandoned elementary school of your life
time will stumble forward for living things,
but for you
at the moment your ghost
takes off its bodysuit
you’ll hang on this thumbprint of the world
no sinful heaven,
no sinless hell,
no ponderous purgatory
just one pure moment till the end of the end ends finally

pretend this is that moment
and that lover’s name
is the last one to echo through memory
kaleidoscoping all the dots and dates of your history
drawing a final picture of who
you always wished you were

this is that moment

I am pretending this moment, too
the way your name wraps around my frame like a blanket
thick with the smell of sex and ’80s punk rock

you hold a forever passport to my dreams
irrevocable despite your embargo of time
or the miles between our car crash collisions
that slam our bodies into each other
with evening newscast picture perfection

I’ll warn you now
that this poem lacks mathematical computations
calculating distances of our heartbeats
I won’t bore you with algorithms and complex probability equations
to explain why I love you

I'll warn you know that in daylight, I can’t gaze skyward
because you named all the clouds in my eye-scape
I try to repeat them like the 99 names of Allah
and somehow found YHWH was trying
to pronounce my name correctly

the last time I traveled the world
you asked me to bring you clouds and sunsets
but photographs lack depth
stories can’t change fast enough
poetry fails to articulate color
so I was doomed to fail you
you knew that before I left
but gave me a quest anyway
to test my sincerity
so all I have are the stars

I’ll warn you now
that this poem lacks ambiguity
I will not spend stanza after stanza
elucidating all your curves
without naming you as the owner
you will not be able,
in ages and ages hence
to claim this poem is for another lover
unless her name is Rebecca, too

now,
I have broken the oldest taboo of
all poets:
never name the girl
because the audience suddenly
gives the subject form and fixture
no longer is she vapor and ether
no longer a lover of theirs
no longer possibly them
strangers can bump into on the street
and say they already know her as the reason
poets love stars

I'll warn you now
in the space between midnight and dawn
I long to find you have taken
the Normandy beach of my doorframe
outflanked my defenders
slaughtered the POWs
and threaten occupation;
we promise no resistance
if you swear immediate annexation
strip me bare
and claim these lands as yours
you’ll find a nation of willing collaborators kiss me tiger stripes
transform my carcass into a buffet
eat of my body, broken for you
the bruises you inflicted have faded
retreated down to my bones
though in dreams,
they rise again to the surface
marking me like tattoos

I'll warn you now
that sitting next to you
for the first time in months
starring at the stars
I’m resisting the urge to lean over and kiss you
but we’re beyond that
better than that

children have those urges
and can’t keep their hands to themselves
but you and I have these stars:
but I do confess
my forever moment shares your name
I love not because I need to
but because I need you

Wednesday, July 8, 2015

Magicks Contained Beneath the Skin

Some magicks are best contained beneath the skin
while others should be loosed to the world,
unrestrained in an unyielding fury of kaleidoscopic colors
bedecked in cat ears or fox tails or deer antlers
a child’s wonder on their tongues and bellies full of fires
some are still the unpasteurized joy of days gone past
all tiger-teeth, shark-fang wildness of youth in its hooligan infancy
dancing in the moonlight of playing in a sealess playa
dreaming of cars turn mutant when swallowed in the dreams of artists
like those beneath her eyelids

Photo by David Schnack
do not fret the days when stars can still be counted as we once did
skipping digits while applicable or when unnecessary
knowing the final number was reachable
and always the same in the this county or the old

as the decades churn old histories into misremembered mysteries
of what-whens and who-hows Seuss would have created had he the lexicon
futures remain unwritten, though envisioned by madmen young boys never listen to,
coaxial lifespans stretch into the undreamed ether threading parallels when the geometry is right
yet the soft hands holding cracked hearts bend outward to find horizons
the foolish forgotten with half-bitten tongues wish for the best days
as yet-to-bes yet-to-comes rather than as what-may-have beens

and as the cycle of stars circles round a child-sun playing marbles in the dark,
on one, unremarkable in its ordinariness,
dances a spirit in tutus and feathers
Saturning her hips in hoops
marking one more checkbox of numbered years
toward days-to-comes
and soon-to-bes
and not-yet-nows
preparing smiles for the nightwandering desert dreams to sail in on the breeze
to sleep soundly until the next dawn asks her
how her sun rises

Monday, March 9, 2015

"Four Corners" by Christopher Fox Graham

Dorothea Tanning "Self-Portrait"

"Four Corners"
by Christopher Fox Graham

Cities in the Old World
rise triumphant on the horizon
busy bee hives of doing, doing, doing
while the sounds of sins and salvations
fade into the din of the streets
lost in the cups of beggars
trampled under the footfalls of migrants
the hooves of workhorses
the tires of Model-Ts and Mack Trucks
who we are is swallowed in waddle and daub
buried beneath concrete and asphalt
we become frozen in monuments
to legacies long forgotten

Fields in the East
spread wide to catch the morning sun
stretch fingers toward the sun
a trillion siblings no taller than the next
reach toward the heavens
speak stories on the breeze
rumors caught in the wind
sins and salvations swirl into tornadoes
deafening all that could be heard
who we are is swallowed in the green
reaped in the winters
we become harvests
to feed the generation next

Bayous in the South
lazily roll toward the sea
at a strolling pace
caught low the waters stop and stagnate
no desire to move past churned mud and muck to
these waters do not care who floats by
Arcadian, Anglo, alligator
French, free, slave or sharecropper
sins and salvations ooze in the same stillwater
who we are is drowned in the shallow deep
emptied into the Gulf
we become sediment
to hold back the floodwaters

but the West is always open
nothing here lives easy
there are no off days, no weekends, no bounty
even leafless plants are armed
evolved to resist transgressors
here, the stories on the wind are hollow
the breezes instead ask us to speak
so on the edges of canyons
we cry out our names
shout our stories to absent ears
here, where the gods fear to wander
we have no old religions demanding obedience
no monuments to dead kings dare stand
here, sins dry up into dust
salvations thirst for water
turn their bones white into signal flares
the sunrises, drained of their energies
angered at emptying themselves
to all the green elsewhere
beat down their rage into the soil
drunk on their own desperation
there is a hate that beats back into the sky
building mirages of what could be
loneliness is the only common faith
solitude the universal tongue
who we are is what we choose to remake ourselves
each new day if we survive that long
we become whatever we chose for a moment
to live and fade away

Thursday, March 5, 2015

This Began With “I Miss You”



This began with “I miss you”
nestled deep in the liver of pretty words
dancing illusionary around platitudes of nostalgia
the way lynchings and pogroms and Jim Crow
take a back seat when waxing poetic about the Roaring 20s

this began Art Deco
all smooth lines and steel rising above New York City
when Chrysler and Empire State vied for the heavens
when we could still see heaven

but this revisionist history
ignores begging in breadlines for something warm at night
the amputees returning home from the trenches
missing limbs from land mines

you were the FLASH! BANG! landmine
ripping smiles from this face
leaving me to sweat you out on PTSD nights
wondering if you were coming home to finish me off

you are my thousand-yard stare

you are the war story of crashing hips and desert stories
I would tell the neighbors
when they asked about the scars too visible to conceal

this began “I miss you,”
because I can still remember the beginning
when butterflies fluttered in the gut portending the future
back before we learned to fuck the way movie stars taught us:
well lit, in focus, every inch of skin captured center frame,
each retelling revealing more secrets than the last
until I could quote your inches from exposition to ending credits
even now, I can chart your body, knee to nape, lip to clit
like a family farm a man spent 90 years
getting ready to be buried in

your blustering winds do not make you a hurricane
you are not Salamis 
nor Trafalgar
and this is no “I miss you” poem

because I do not miss you

no one misses fatal car accidents
we were a slow-motion rollover
ejecting victims through the windshield face-first

after you found me inhabiting the suburbs of your heart
fostering your broken parts like they were my own children
you began pushing me out one brutal word at a time
no refugee misses the ethnic cleansing
that leaves them in the wilderness

you left me in the wilderness
of this place
in my own chest
surrounded by strange tongues that speak unfamiliar words
like “lover” and “future”
I had found a home in the forever changing definitions of “us”
never expecting to be the only one to remember it that way

you were the memory

I was the action

you were the story

I was the author

but you lit the manuscript on fire
drained the blood from all of my inkwells
broke pens like fingers
and cut the voice from my throat
leaving me to point at strangers
mouth useless words,
knowing they do not understand

you are breathtaking,

but that is no compliment

you hover between regret and unfortunate accident
haunting the stairwells of this cold, empty house
the image of a girl I can see in the television static
around 2 a.m. between the whiskey and the dawn
a tree in winter that I’m not certain is dead or dormant

this began “I miss you,”
this will end with, “I survived you”but we are still somewhere else

a wounded diver in shark-infested waters
and I cannot see the shore

we are the firing squad bullet between rifle and
let justice be done
a hand grenade frozen beautiful in a starburst
before shrapnel turns a dreamer
into a dying, wounded animal

Thursday, May 8, 2014

“Poetry is not dead” by Sam Hasell


Sam Hasell is a young slam poet based in the Macedon Ranges in Victoria, Australia. He produced this work as part of the Foundation for Young Australia’s Propeller Project -  a platform to inspire young Australians to create social change in their local communities.

Saturday, July 20, 2013

"Marine Fossils on Mount Everest," by Christopher Fox Graham

the phone rings
it's her
lying in bed
unable to move
it's either call me
or cut herself again

I am naked words
over a phone line
trying to hold her
but this tunnel
doesn't have light at the end
exit, oncoming train or otherwise

so I talk about Mount Everest

she says she doesn't want to about
mountaineers conquering their fears
besides, the only way off
is to fall or freeze
and she's fallen so far
that the world is cold to the touch already

I say I want to talk about Everest
now, hidden on its slopes …

she says she doesn't want to hear about Shangri-La
a place where dreams come true
if we just let go
of what ties us to the material world
there's no secret entrance to open
with prayer and password

I want to talk about Everest

she says she doesn't want to hear about yeti
how we adapt to our environment
become creatures who can survive anywhere
given circumstance and intention

I say "stop"
I want to talk about Everest
up there, there's no room for metaphor
now, hidden on its slopes
beneath the snow and limestone
under the feet of mountaineers
the tracks of yeti
and the temples of Shangri-La
sandwiched between the stones
are the tiny tombs
of billions of marines animals
despite the claims of creationists
that the gods did it in Noah's drunken haze
or atheists planted them
as if that's all they needed to clinch the contest

there are billions of marine fossils
creatures who fell so deep
swallowed in the muck and mud unmourned
but they were patient
and in millions of years
waited for colliding continents
to shove themselves
colliding like struggling elk
shoving each one higher
until those fossils reached air
higher and higher
until those fossils felt snow
higher and higher
until those fossils scraped the sky
and could gaze across the curve of the Earth
and see it was just a marble floating
like they once did in the sea of space

it takes patience to see the beauty of the world
the wait's not always easy
rainstorms and tectonic shifts
can waylay the best laid plans of mice and men
you don't want to fade away
you ask what the point of life is:
to leave an imprint
a legacy
make a dent in the world
so all your years are worth the time you put in
hold fast,
don't be in a hurry to leave
it takes time to find the right place
the perfect soil to last forever
live like you're already priceless

Tuesday, April 16, 2013

Kickstarter challenge: $20 by April 20


Kickstarter Challenge: If you haven't yet a donated to Necessary Poetry's Kickstarter project, donate $20 by Saturday, April 20.

$20 ain't much and it could do so much.

Why give? 'Cause the project is awesome. Check it out here:


Then ask 20 of your friends to to the same.

Wednesday, March 27, 2013

What does Necessary Poetry want to do?


Help support us on Kickstarter. Donate to help us publish Holy Spoken Word - Necessary Poetry's 1st Anthology: A multimedia anthology, showcasing the amazing writing, artwork, and spoken-word performance of the Necessary Poetry collective.

Click here to help support our efforts on Kickstarter. A donation of even $10 or $20 would do wonders to get us to our goal.

 The poets are some of the best in Northern Arizona:

Tuesday, March 26, 2013

Visit Kickstarter and support "Holy Spoken Word" - Necessary Poetry's 1st Anthology

"Holy Spoken Word" is Necessary Poetry's 1st Anthology:

A multimedia anthology, showcasing the amazing writing, artwork, and spoken-word performance of the Necessary Poetry collective, a group of poets from Sedona, Flagstaff and Prescott.

Click here to help support our efforts on Kickstarter. A donation of even $10 or $20 would do wonders to get us to our goal.

Necessary Poetry is the collaborative effort of over 15 Arizona slam poets.

Sparked by a common love for written and spoken word, and a collective desire to inspire and motivate positive creative expression, we've joined together to publish a multi-media anthology of our best individual and cooperative creations - Holy Spoken Word. We are a passionate band of dedicated volunteers, and this stunning collection of words, artwork, and recorded performances is sure to seduce minds and ignite hearts everywhere.
BUT, POETRY IS BORING. Not this poetry! This poetry is raw. This poetry is relentless. This poetry captures smiles - it takes mouths hostage.

The poets are some of the best in Northern Arizona:


FAQ


  • Words are our religion... so in a way, yes. But in the way you probably meant it - um, no.
    The poetry submitted to Necessary Poetry may have religious themes or imagery from various traditions, but the project as a whole is secular and nonreligious. While some of the poets themselves may be religious or spiritual, others are secular, agnostic and atheist. The title "Holy Spoken Word" stems from the poets' belief that if anything is "holy," then surely it must be poetry and its power to connect peoples across time, languages, cultures, religious and spiritual or nonspiritual traditions.
  • Because everything is poetry. The way the rain falls, the way the light bounces off a glass, the way you cried hard when your first love dumped you because your freckles freaked him or her out... Inspiration can be found anywhere, and we're passionate about presenting ours in a way which connects us all on a human level. 
  • Hell, no!  Necessary Poetry's contributors have all agreed that any monies received from the sale of this anthology will be used to fund a series of workshops on writing and expression, and to support the efforts of aspiring poets and spoken word performers in our community.
    The hardworking poets hope to use those resources to fund workshops and efforts to bring poetry to a wider audience and encourage those who want to want to speak to find the poet and Holy Spoken Word within themselves, whatever that may be.

    Click here to help support our efforts on Kickstarter.