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Showing posts with label Maya Angelou. Show all posts
Showing posts with label Maya Angelou. Show all posts
Wednesday, December 31, 2014
"2014: What Brought Us Together" A compilation video by Jean-Louis Nguyen
Search Fox's mind
2014,
astronaut,
Chris Hadfield,
D-Day,
drone,
Ebola,
Ferguson,
Hong Kong,
human,
humanity,
ISIS,
Jean-Louis Nguyen,
Maya Angelou,
Robin Williams,
Sochi,
Ukraine
Wednesday, May 28, 2014
Poet Maya Angelou died today at age 86
When I was a boy, I remember hearing Maya Angelou read "A Rock, A River, A Tree" at the inauguration of President Bill Clinton in 1993. She was the first poet to read at a presidential inauguration since Robert Frost in 1961, and the second poet ever.
In retrospect, Angelou might have read the first poem I ever heard that didn't require translation from archaic English or explanation from a teacher.
I remember quoting the phrase "A rock, a river, a tree," and "... say simply, very simply, with hope, 'Good morning,'" for years after.
"... Say simply, very simply, with hope, 'Good morning,'" coincidentally appeared at the very end of the startup intro music of my Encarta '95 Encyclopedia -- aka Wikipedia before Wikipedia -- when I was in school. I probably heard the tail end of this poem every day for my formative educational years.
She died today at age 86. We poets mourn her loss, but we have her words.
A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out to us today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song,
It says come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more. Come,
Clad in peace and I will sing the songs
The Creator gave to me when I and the
Tree and the rock were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.
The River sang and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African, the Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They all hear
The speaking of the Tree.
They hear the the first and last of every Tree
Speak to humankind today. Come to me, here beside the River.
Plant yourself beside the River.
Each of you, descendant of some passed
On traveller, has been paid for.
You, who gave me my first name, you
Pawnee, Apache, Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet, left me to the employment of
Other seekers--desperate for gain,
Starving for gold.
You, the Turk, the Swede, the German, the Eskimo, the Scot ...
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am that Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours--your Passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, but if faced
With courage, need not be lived again.
Lift up your eyes upon
This day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out and upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes, and into
Your brother's face, your country
And say simply
Very simply
With hope
Good morning.
Maya Angelou
Born on April 4, 1928, in St. Louis, Missouri, Marguerite Johnson was raised in St. Louis and Stamps, Arkansas.
Her brother who first called her Maya, and the name stuck. Later she added the Angelou, a version of her first husband's name.
In Stamps, Angelou experienced the brutality of racial discrimination, but she also absorbed the unshakable faith and values of traditional African-American family, community, and culture.
As a teenager, Angelou’s love for the arts won her a scholarship to study dance and drama at San Francisco’s Labor School. At 14, she dropped out to become San Francisco’s first African-American female cable car conductor. She later finished high school, giving birth to her son, Guy, a few weeks after graduation. As a young single mother, she supported her son by working as a waitress and cook, however her passion for music, dance, performance, and poetry would soon take center stage.
In 1954 and 1955, Angelou toured Europe with a production of the opera Porgy and Bess. She studied modern dance with Martha Graham, danced with Alvin Ailey on television variety shows and, in 1957, recorded her first album, Calypso Lady. In 1958, she moved to New York, where she joined the Harlem Writers Guild, acted in the historic Off-Broadway production of Jean Genet's The Blacks and wrote and performed Cabaret for Freedom.
In 1960, Angelou moved to Cairo, where she served as editor of the English language weekly The Arab Observer. The next year, she moved to Ghana where she taught at the University of Ghana's School of Music and Drama, worked as feature editor for The African Review and wrote for The Ghanaian Times.
During her years abroad, Angelou read and studied voraciously, mastering French, Spanish, Italian, Arabic and the West African language Fanti. While in Ghana, she met with Malcolm X and, in 1964, returned to America to help him build his new Organization of African American Unity.
Shortly after her arrival in the United States, Malcolm X was assassinated, and the organization dissolved. Soon after X's assassination, the Rev. Martin Luther King Jr. asked Angelou to serve as Northern Coordinator for the Southern Christian Leadership Conference. King's assassination, falling on her birthday in 1968, left her devastated.
With the guidance of her friend, the novelist James Baldwin, she began work on the book that would become "I Know Why the Caged Bird Sings." Published in 1970, I Know Why the Caged Bird Sings was received international acclaim and enormous popular success. The list of her published verse, non-fiction, and fiction now includes more than 30 bestselling titles.
A trailblazer in film and television, Angelou wrote the screenplay and composed the score for the 1972 film Georgia, Georgia. Her script, the first by an African American woman ever to be filmed, was nominated for a Pulitzer Prize.
She continues to appear on television and in films including the landmark television adaptation of Alex Haley's Roots (1977) and John Singleton's Poetic Justice (1993). In 1996, she directed her first feature film, Down in the Delta. In 2008, she composed poetry for and narrated the award-winning documentary The Black Candle, directed by M.K. Asante.
Angelou served on two presidential committees, was awarded the Presidential Medal of Arts in 2000, the Lincoln Medal in 2008, received three Grammy Awards and was awarded the Presidential Medal of Freedom, the highest civilian award of the United States, from President Barack Obama in 2011.
President Bill Clinton requested that she compose a poem to read at his inauguration in 1993. Angelou's reading of her poem "On the Pulse of the Morning" was broadcast live around the world.
Angelou has received over 50 honorary degrees and was Reynolds Professor of American Studies at Wake Forest University.
Angelou has died after a long illness at her home in Winston-Salem, N.C. She was 86.
In retrospect, Angelou might have read the first poem I ever heard that didn't require translation from archaic English or explanation from a teacher.
I remember quoting the phrase "A rock, a river, a tree," and "... say simply, very simply, with hope, 'Good morning,'" for years after.
"... Say simply, very simply, with hope, 'Good morning,'" coincidentally appeared at the very end of the startup intro music of my Encarta '95 Encyclopedia -- aka Wikipedia before Wikipedia -- when I was in school. I probably heard the tail end of this poem every day for my formative educational years.
She died today at age 86. We poets mourn her loss, but we have her words.
A Rock, A River, A Tree
By Maya Angelou
Hosts to species long since departed,
Marked the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out to us today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song,
It says come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more. Come,
Clad in peace and I will sing the songs
The Creator gave to me when I and the
Tree and the rock were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.
The River sang and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African, the Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They all hear
The speaking of the Tree.
They hear the the first and last of every Tree
Speak to humankind today. Come to me, here beside the River.
Plant yourself beside the River.
Each of you, descendant of some passed
On traveller, has been paid for.
You, who gave me my first name, you
Pawnee, Apache, Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet, left me to the employment of
Other seekers--desperate for gain,
Starving for gold.
You, the Turk, the Swede, the German, the Eskimo, the Scot ...
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am that Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours--your Passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, but if faced
With courage, need not be lived again.
Lift up your eyes upon
This day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out and upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes, and into
Your brother's face, your country
And say simply
Very simply
With hope
Good morning.
Poet Maya Angelou receives the Presidential Medal of Freedom - the highest civilian award of the United States - from President Barack Obama in 2011. |
Born on April 4, 1928, in St. Louis, Missouri, Marguerite Johnson was raised in St. Louis and Stamps, Arkansas.
Her brother who first called her Maya, and the name stuck. Later she added the Angelou, a version of her first husband's name.
In Stamps, Angelou experienced the brutality of racial discrimination, but she also absorbed the unshakable faith and values of traditional African-American family, community, and culture.
As a teenager, Angelou’s love for the arts won her a scholarship to study dance and drama at San Francisco’s Labor School. At 14, she dropped out to become San Francisco’s first African-American female cable car conductor. She later finished high school, giving birth to her son, Guy, a few weeks after graduation. As a young single mother, she supported her son by working as a waitress and cook, however her passion for music, dance, performance, and poetry would soon take center stage.
In 1954 and 1955, Angelou toured Europe with a production of the opera Porgy and Bess. She studied modern dance with Martha Graham, danced with Alvin Ailey on television variety shows and, in 1957, recorded her first album, Calypso Lady. In 1958, she moved to New York, where she joined the Harlem Writers Guild, acted in the historic Off-Broadway production of Jean Genet's The Blacks and wrote and performed Cabaret for Freedom.
In 1960, Angelou moved to Cairo, where she served as editor of the English language weekly The Arab Observer. The next year, she moved to Ghana where she taught at the University of Ghana's School of Music and Drama, worked as feature editor for The African Review and wrote for The Ghanaian Times.
During her years abroad, Angelou read and studied voraciously, mastering French, Spanish, Italian, Arabic and the West African language Fanti. While in Ghana, she met with Malcolm X and, in 1964, returned to America to help him build his new Organization of African American Unity.
Shortly after her arrival in the United States, Malcolm X was assassinated, and the organization dissolved. Soon after X's assassination, the Rev. Martin Luther King Jr. asked Angelou to serve as Northern Coordinator for the Southern Christian Leadership Conference. King's assassination, falling on her birthday in 1968, left her devastated.
With the guidance of her friend, the novelist James Baldwin, she began work on the book that would become "I Know Why the Caged Bird Sings." Published in 1970, I Know Why the Caged Bird Sings was received international acclaim and enormous popular success. The list of her published verse, non-fiction, and fiction now includes more than 30 bestselling titles.
A trailblazer in film and television, Angelou wrote the screenplay and composed the score for the 1972 film Georgia, Georgia. Her script, the first by an African American woman ever to be filmed, was nominated for a Pulitzer Prize.
She continues to appear on television and in films including the landmark television adaptation of Alex Haley's Roots (1977) and John Singleton's Poetic Justice (1993). In 1996, she directed her first feature film, Down in the Delta. In 2008, she composed poetry for and narrated the award-winning documentary The Black Candle, directed by M.K. Asante.
Angelou served on two presidential committees, was awarded the Presidential Medal of Arts in 2000, the Lincoln Medal in 2008, received three Grammy Awards and was awarded the Presidential Medal of Freedom, the highest civilian award of the United States, from President Barack Obama in 2011.
President Bill Clinton requested that she compose a poem to read at his inauguration in 1993. Angelou's reading of her poem "On the Pulse of the Morning" was broadcast live around the world.
Angelou has received over 50 honorary degrees and was Reynolds Professor of American Studies at Wake Forest University.
Angelou has died after a long illness at her home in Winston-Salem, N.C. She was 86.
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