Northern Arizona Book Festival sponsors free Sedona Poetry Slam, featuring slam legend Bill Campana on Saturday, April 13

The Sedona Poetry Slam proudly welcomes Arizona slam poetry legend Bill Campana to the stage on Saturday, April 13, as performance poets bringing high-energy, competitive spoken word to the Mary D. Fisher Theatre starting at 7:30 p.m. 

Admission is free, thanks to funding from the Northern Arizona Book Festival.

A poetry slam is like a series of high-energy, three-minute one-person plays, judged by the audience. Anyone can sign up to compete in the slam for the $75 grand prize and $25 second-place prize. Between rounds, Campana will perform a featured set.

Bill Campana

Campana seeks to find answers to the big questions in life, but usually settles for vague, watered down, surreal explanations.

Campana has been a fixture in Phoenix poetry since 1997 and is the author of six out-of-print collections of poetry, a six-time member of the Mesa National Poetry Slam Team, and is the 2014 Individual World Poetry Slam's Haiku Death Match Champion.

“A poetry tour de force, Bill Campana has done what few poets could ever dream of in writing sharp, entertaining poetry that doesn't cater to anyone but is enjoyed by all,” publisher Bob Nelson stated. “In his live performances, he comes at you like a machine gun of short, powerful linguistic observations. Bill's live performances are the thing of legend.”

Anyone Can Compete

To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets are judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. Poets come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University and youth poets from Sedona Red Rock High School. All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

Mary D. Fisher Theatre is located at 2030 W. SR 89A, Suite A-3, in West Sedona. Call 282-1177 or visit SedonaFilmFestival.org.

The next poetry slams of the season will be held on Saturdays, May 11 and June 8.

The prize money is funded by the Northern Arizona Book Festival and by Verde Valley poetry supporters Jeanne and Jim Freeland.

Email foxthepoet@yahoo.com to sign up early to compete or by the Friday before the slam or at the door the day of the slam. 

For more information, visit sedonafilmfestival.com or foxthepoet.blogspot.com. For a full list of slam poetry events in Arizona, visit azpoet.com.

The Saturday, April 13, Sedona Poetry Slam is FREE ADMISSION, thanks to funding by the Northern Arizona Book Festival, which is cover the costs and prize money for the winning poets: $100 for first place, $75 for second place and $50 for third place

Northern Arizona Book Festival

The Northern Arizona Book Festival returns from Friday, April 5, to Monday April 15, with in-person and online events and activities for all ages, including readings from multiple local and regional authors, poetry slams, workshops and live performances for all ages in multiple venues across Flagstaff, Sedona and online.

Admission to all festival events is free and open to the public. The list of the over 30 different events are available at noazbookfest.org.

The bulk of the events, including a Haiku Death Match, take place Friday, April 12, to Sunday, April 14.

What is Poetry Slam?

Founded at the Green Mill Tavern in Chicago in 1984 by Marc Smith, poetry slam is a competitive artistic sport designed to get people who would otherwise never go to a poetry reading excited about the art form when it becomes a high-energy competition. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe. Slam poets have opened at the Winter Olympics, performed at the White House and at the United Nations General Assembly and were featured on "Russell Simmons' Def Poets" on HBO.

Sedona has sent four-poet teams to represent the city at the National Poetry Slam in Charlotte, N.C., Boston, Cambridge, Mass., Oakland, Calif., Decatur, Ga., Denver and Chicago

"If You Could Hold The City Of Mesa Up To Your Ear, You Would Most Likely Hear An Empty Shell" by Bill Campana

Bill Campana performing "If You Could Hold The City Of Mesa Up To Your Ear, You Would Most Likely Hear An Empty Shell" at The Rebel Lounge in Phoenix, AZ on April 5, 2022.

Ghost Poetry Show is committed to creating a community of writers from the greater Phoenix area (and beyond) to share their work on stage. We take pride in having poets that have never performed their work in front of anyone, all the way up to poets that have competed at the national level. No matter gender, race, religion, ethnicity, sexual orientation, or age anyone can take the stage and compete in the three round poetry slam. 

Sedona Poetry Slam on Sept. 7 features The Klute, Bill Campana, Patrick Hare

The Sedona Poetry Slam returns for its 11th year bringing high-energy, competitive spoken word to the Mary D. Fisher Theatre on Saturday, Sept. 7, at 7:30 p.m. The slam kicks off the 2019-2020 season with three featured slam poets who are among the best in Arizona’s history.

The Klute

The Klute, photo courtesy of Jessica Mason-Paull

Bernard “The Klute” Schober is the most recognizable voice from Arizona on poetry slam’s national stage. He grew up along the shores of the Atlantic Ocean on Palm Beach, Fla., where he cultivated a love of sharks to become an activist for shark preservation through the medium of spoken word. He has had the privilege of deep sea diving with those fantastic fish, from the Great White sharks of Isla Guadalupe, Mexico, to the reef sharks of Egypt’s Red Sea coast.

Klute has represented Sedona, Mesa and Phoenix and at the National Poetry Slam 10 times between 2002 and 2014 and has opened for spoken word superstars such as Saul Williams and Amber Tamblyn. He has been the featured performer in such legendary venues as Vancouver’s Cafe Deux Soliels and New York City’s Bowery Poetry Cafe.

His first spoken word CD “Reading the Obituaries Over My Dead Body” and his first book, “Klutopocrypha,” were released by Brick Cave Books. He published a book of shark-themed poems “Chumming the Waters” in 2016. His second book of shark poems “Cap’n Klute’s Ocean Almanac” is illustrated by Arizona artists Gary Bowers and Jan Marc Quisimbing and 100% of book sales go to shark conservation nonprofits.

Bill Campana

Bill Campana is a 1955 model who has outlived his warranty.  He has three books of poetry out with Brick Cave Media: “Said Beauty to the Blues,” “The Ragtime of Modern Living” and “flotsam and gomorrah (parlour tricks and other mysteries).”

He currently hosts the open mic portion of the Caffeine Corridor Poetry Series on Grand Avenue in Phoenix.

He has a high school diploma but has no idea where the hell it is.

Campana has competed with the Mesa National Poetry Slam Team multiple times on the national stage and is known as the loudest voice in poetry slam.

Patrick Hare

Patrick Hare, photo courtesy of David Tabor

Patrick Hare was a member of three Mesa National Poetry Slam Teams.

Hare was a pioneer in the field of poetic sarcasm before the age of snark.

Hare has hosted more than his fair share of poetry events and featured at nearly every venue in the Phoenix Valley.

The poetic trio will perform between the competitive rounds of the regular poetry slam.

A poetry slam is like a series of high-energy, three-minute one-person plays, judged by the audience. Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a “slam” poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets are judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

Poets in the Sedona Poetry Slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University and youth poets from Sedona Red Rock High School.

Mary D. Fisher Theatre is located at 2030 W. SR 89A, Suite A-3, in West Sedona. Tickets are $12. For tickets, call 282-1177 or visit SedonaFilmFestival.org.

The poetry slams of the season will be held Saturday, Sept. 7; Friday, Nov. 1; Saturday, Jan 25; Saturday, March 28; Saturday, April 25; and Saturday, May 23.

The prize money is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

Contact host Christopher Fox Graham at foxthepoet@yahoo.com to sign up to slam early by Friday, Sept. 6, or arrive at the door by 7 p.m. Sept. 7 to sign up the day of the slam. Poets who want to compete should purchase a ticket in case the roster is filled before they arrive. The Sedona Poetry Slam will be hosted by Graham, who represented Northern Arizona on 12 FlagSlam National Poetry Slams in 2001, 2004-06, 2010 and 2012-18. Graham has hosted the Sedona Poetry Slam since 2009.

For more information, visit sedonafilmfestival.com or foxthepoet.blogspot.com.

What is Poetry Slam?

Founded at the Green Mill Tavern in Chicago in 1984 by Marc Smith, poetry slam is a competitive artistic sport designed to get people who would otherwise never go to a poetry reading excited about the art form when it becomes a high-energy competition. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets’ contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe. Slam poets have opened at the Winter Olympics, performed at the White House and at the United Nations General Assembly and were featured on “Russell Simmon’s Def Poets” on HBO.

For seven years, Sedona sent a four-poet team to National Poetry Slam, held in different cities around the United States every August. Sedona sent its first team to the 2012 NPS in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third and fourth to Oakland, Calif., its fifth to Decatur, Ga., its sixth to Denver and its seventh to Chicago.

The Sedona National Poetry Slam Team, chosen in May, will represent the city at national events around the country in 2020.

Arizona will name a Poet Laureate: Let's nominate Phoenix poet Bill Campana

The state of Arizona will name a Poet Laureate in 2013. Let's make sure it's Bill Campana, a prolific poet, veteran slammer and everyone's favorite uncle.

I will be writing a nomination as a representative of the Sedona slam scene. Other slam poets have offered to do the same. Join us.

Click here to help us make this happen.

Why should Bill Campana be Arizona's Poet Laureate?

Before Campana blazed into the Mesa and Phoenix poetry scene in 1997, individuals would attend poetry readings and at the end of every dry, polished piece of mental origami, read with all the flair of a zoning law variance, those still awake in the audience would say "humph." Poets would get a smattering of courtesy applause, and everyone would go home feeling just a little more cultured than their neighbors who owned television sets.

Campana, however, knows that the only true way to respect culture is to break it into little tiny pieces. He came onto the poetry scene at full power, and suddenly the dry dusty notebooks of lesser poets got burned up in the shockwave.

Campana is the atom bomb that levels ivory towers. He got people excited enough about poetry to come back for more, and to see what would happen next. Soon, the audience was too big for the coffeehouse, a feat unprecedented since Socrates dared the baristas to make him a hemlock frappuchino.
Campana began writing poetry at the age of 17, quit at 22 because he realized that he had nothing to say. Twenty years later, he picked up where he left off, soon ran out of things to say again but has not stopped writing.

A member of five Mesa National Poetry Slam Teams, Campana has been to the semi-finals of the National Poetry Slam twice. He has hosted and featured across the Southwest, and continues to write at a feverish pace, always challenging fellow poets to better their craft on the page and the stage.

Campana takes elements of other art forms and applies them to his poetry. Although audiences can't hear the music, he insists it's in there in tributes to composition. Although audiences can't see the paintings and photographs they are there behind the words. Campana currently lives on the fine line that separates the page from the stage. From there he can reach people from both spectrums of modern poetry.

Campana runs the weekly Sound Effects poetry open mic called in Phoenix.

Campana also recently released a compilation album, "The Hit List," that features 94 poems composed over the last 10 years of his performance career in Phoenix.

His work has also been made into a short film:

A young lady visits a piercing parlor and gets more than she bargained for.

Directed by Matt Gismondi

Poem and Voiceover by Bill Campana

Starring David Tabor and Lauren Perry

Arizona Poet Laureate

The Arizona Commission on the Arts, an agency of the State of Arizona, today launches the nomination process for the inaugural Arizona Poet Laureate.

At the start of the last legislative session, Arizona was one of only 8 states without a poet laureate. The Arts Commission and the Arizona literary community worked in close partnership with State Senator Al Melvin during the Fiftieth Legislature’s second regular session, to put forth a bill establishing a poet laureate post for the State of Arizona. On May 11, 2012, Governor Jan Brewer signed SB1348 into law, and October marks the beginning of the nomination, review and selection process.


Jaime Dempsey, Deputy Director of the Arts Commission, said of the process, “It is our hope that the appointed Arizona Poet Laureate will champion the art of American poetry, inspire an emerging generation of literary artists, and educate Arizonans about poets and authors who have influenced our state through creative literary expression.”
The bill specifies that the appointed poet laureate will serve a term of two years; will offer public readings throughout the year, in both urban and rural communities in various regions of the state; and will pursue a major literary project over the course of the appointment term.

The Arizona Poet Laureate will be provided with an annual honorarium of $2,500 to offset travel and so that he/she is able to actively serve the broadest constituency of Arizonans, who live, learn and work in urban, rural and suburban areas of the state. The honorarium will be disbursed from the Arizona Poet Laureate Fund, which consists of private monies donated by individuals, organizations or businesses – raised by the Arts Commission and its statewide literary partners.

Interested parties may nominate themselves or others for the position of Arizona Poet Laureate through a process managed by the Arizona commission on the Arts. The initial deadline for nominations is November 9, 2012. To review details and information regarding the nomination/application and selection process, visit http://www.azarts.gov/azpoetlaureate.

“We would like to recognize and thank Arizona Senator Al Melvin, who introduced the bill and shepherded it through the legislative process, and to our partners in arts advocacy, the Arizona Citizens for the Arts for helping to see this bill through to success,” said Bob Booker, Executive Director. 

Read the bill, here. 

About the Arizona Commission on the Arts

One of 56 state and jurisdictional arts agencies across the United States, the Arizona Commission on the Arts is an agency of the State of Arizona that supports a statewide arts network. The Arizona Commission on the Arts supports access to quality arts and arts education opportunities for all Arizona citizens; the development and retention of statewide jobs in the nonprofit arts, culture and education sectors; and increased economic impact in local communities through arts-based partnerships that develop tax and small business revenue.

For more information about the grants, services and programs of the Arizona Commission on the Arts, visit www.azarts.gov.

We imagine an Arizona where everyone can participate in and experience the arts.

Get your tickets today for the Sedona Poetry Slam on Saturday, April 7, featuring Bill Campana

Bill Campana features at the Sedona Poetry Slam on Saturday, April 7

In celebration of April as National Poetry Month, Sedona's Studio Live hosts a poetry slam Saturday, April 7, starting at 7:30 p.m. featuring Mesa poet Bill Campana and hosted by Sedona poet Christopher Fox Graham.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

Click here to buy your tickets now at $7.

The price rises to $12 at midnight tonight.

The slam will the fourth of the 2011-12 season, which has been more moving, more energetic and more intense because this year as poets compete for a slot in Sedona's first National Poetry Slam Team.

After four years of collaborating with the Flagstaff and Phoenix metro area poetry slam scenes, the Sedona scene has the reputation and strength to send its own team to the 2012 National Poetry Slam in Charlotte, N.C., in August. The eventual four-poet team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Bill Campana

Before Campana blazed into the Mesa and Phoenix poetry scene in 1997, individuals would attend poetry readings and at the end of every dry, polished piece of mental origami, read with all the flair of a zoning law variance, those still awake in the audience would say "humph." Poets would get a smattering of courtesy applause, and everyone would go home feeling just a little more cultured than their neighbors who owned television sets.

Campana, however, knows that the only true way to respect culture is to break it into little tiny pieces. He came onto the poetry scene at full power, and suddenly the dry dusty notebooks of lesser poets got burned up in the shockwave.

Campana is the atom bomb that levels ivory towers. He got people excited enough about poetry to come back for more, and to see what would happen next. Soon, the audience was too big for the coffeehouse, a feat unprecedented since Socrates dared the baristas to make him a hemlock frappuchino.

Campana began writing poetry at the age of 17, quit at 22 because he realized that he had nothing to say. Twenty years later, he picked up where he left off, soon ran out of things to say again but has not stopped writing.

A member of five Mesa National Poetry Slam Teams, Campana has been to the semi-finals of the National Poetry Slam twice. He has hosted and featured across the Southwest, and continues to write at a feverish pace, always challenging fellow poets to better their craft on the page and the stage.

Campana takes elements of other art forms and applies them to his poetry. Although audiences can't hear the music, he insists it's in there in tributes to composition. Although audiences can't see the paintings and photographs they are there behind the words. Campana currently lives on the fine line that separates the page from the stage. From there he can reach people from both spectrums of modern poetry. Campana runs the weekly Sound Effects poetry open mic called in Phoenix.

Campana also recently released a compilation album, "The Hit List," that features 94 poems composed over the last 10 years of his performance career in Phoenix.

Sedona Poetry Slam

Photo by Harley Deuce

The April 7 slam will be hosted by Graham, who
represented Northern Arizona on the Flagstaff team
at five National Poetry Slams between 2001 and 2010.

To compete in the slam, poets need at least three original poems, each three minutes long or shorter. No props, costumes or musical accompaniment are permitted. All types of poetry are welcome.

The April 7 slam will be hosted by Graham, who represented Northern Arizona on the Flagstaff team at five National Poetry Slams between 2001 and 2010.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

Sedona National Poetry Slam Team

Competing poets earn points with each Sedona Poetry Slam performance between Dec. 3 and Saturday, May 5. Every poet earns 1 point for performing or hosting and 1/2 point for calibrating. First place earns 3 additional points, second place earns 2 and third place earns 1.

Based on points, the top 12 poets in May are eligible to compete for the four slots on the Sedona Poetry Slam Team, which will represent the community and Studio Live at the 2012 National Poetry Slam in Charlotte, N.C.

All poets are eligible in the slamoff except those already confirmed members of or coaching another National Poetry Slam or College Unions Poetry Slam Invitational or Brave New Voices team. Poets can compete for multiple teams during a season and still be eligible to compete in the Sedona team.

The last slam of the season takes place on Saturday, May 5, featuring Brooklyn, N.Y., poet Sean Patrick Mulroy.

For poetry slam standings, videos from past slams, and updates, visit foxthepoet.blogspot.com.

What is Poetry Slam?

Founded in Chicago in 1984, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

Tickets are $7 in advance and $12 the day of the event, available at Golden Word Books and Music, 3150 W. SR 89A, and online at studiolivesedona.com.

Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, call (928) 282-2688.

Sedona National Poetry Slam Team
Slamoff Point Standings
7 points
Ryan Brown, of Flagstaff
Shaun "nodalone" Sristava, of Flagstaff ✓
6 points
Rowie Shebala, of Phoenix ✓
5 points
 Josh Wiss, of Flagstaff
The Klute, of Phoenix ✓
Tyler "Valence" Sirvinskas, of Flagstaff
4 points

Christopher Fox Graham, of Sedona

Jackson Morris, of Flagstaff ✓

3 points
Christopher Harbster, of Flagstaff
Mikel Weisser, of Kingman
Frank O'Brien, of Prescott
Lauren Perry, of Phoenix
Tara Pollock, of Flagstaff
2.5 points

Spencer Troth, of Flagstaff
2 points
Tom Heymsfeld, of Sedona
1.5 points

Noberto "Bert" Cisneros, of Cottonwood
1 pointJahnilli Akbar, of New York City
Ellenelizabeth Cernek, of Sedona
Evan Dissinger, of Flagstaff
Gabbi Jue, of Flagstaff
Jack Egan, of Sedona
Gary Every, of Sedona
Josh Goldberg, of Oak Creek Ranch School
Aaron Johnson, of Phoenix
Michelle Peterson, of Sedona
Kendra "Kenj" Shebala, of Flagstaff
Mary Elizabeth Skene, of Sedona
Seth Walker, of Texas
0.5 points
Sasha Anderson, of Flagstaff
Gary Bowers, of Phoenix
Danielle Silver, of Sedona
✓ = won a Sedona Poetry Slam

Bill Campana's poem "Auto-Stigmata" made into a short film

A young lady visits a piercing parlor and gets more than she bargained for.

Directed by Matt Gismondi

Poem and Voiceover by Bill Campana

Starring David Tabor and Lauren Perry

Bill Campana features at the Sedona Poetry Slam on Saturday, April 7
In celebration of April as National Poetry Month, Sedona's Studio Live hosts a poetry slam Saturday, April 7, starting at 7:30 p.m. featuring Mesa poet Bill Campana and hosted by Sedona poet Christopher Fox Graham.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

To buy tickets, click here.

Bill Campana features at the Sedona Poetry Slam on Saturday, April 7

Bill Campana features at the Sedona Poetry Slam on Saturday, April 7

In celebration of April as National Poetry Month, Sedona's Studio Live hosts a poetry slam Saturday, April 7, starting at 7:30 p.m. featuring Mesa poet Bill Campana and hosted by Sedona poet Christopher Fox Graham.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporter Jeanne Freeland.

The slam will the fourth of the 2011-12 season, which has been more moving, more energetic and more intense because this year as poets compete for a slot in Sedona's first National Poetry Slam Team.

After four years of collaborating with the Flagstaff and Phoenix metro area poetry slam scenes, the Sedona scene has the reputation and strength to send its own team to the 2012 National Poetry Slam in Charlotte, N.C., in August. The eventual four-poet team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Bill Campana

Before Campana blazed into the Mesa and Phoenix poetry scene in 1997, individuals would attend poetry readings and at the end of every dry, polished piece of mental origami, read with all the flair of a zoning law variance, those still awake in the audience would say "humph." Poets would get a smattering of courtesy applause, and everyone would go home feeling just a little more cultured than their neighbors who owned television sets.

Campana, however, knows that the only true way to respect culture is to break it into little tiny pieces. He came onto the poetry scene at full power, and suddenly the dry dusty notebooks of lesser poets got burned up in the shockwave.

Campana is the atom bomb that levels ivory towers. He got people excited enough about poetry to come back for more, and to see what would happen next. Soon, the audience was too big for the coffeehouse, a feat unprecedented since Socrates dared the baristas to make him a hemlock frappuchino.

Campana began writing poetry at the age of 17, quit at 22 because he realized that he had nothing to say. Twenty years later, he picked up where he left off, soon ran out of things to say again but has not stopped writing.

A member of five Mesa National Poetry Slam Teams, Campana has been to the semi-finals of the National Poetry Slam twice. He has hosted and featured across the Southwest, and continues to write at a feverish pace, always challenging fellow poets to better their craft on the page and the stage.

Campana takes elements of other art forms and applies them to his poetry. Although audiences can't hear the music, he insists it's in there in tributes to composition. Although audiences can't see the paintings and photographs they are there behind the words. Campana currently lives on the fine line that separates the page from the stage. From there he can reach people from both spectrums of modern poetry. Campana runs the weekly Sound Effects poetry open mic called in Phoenix.

Campana also recently released a compilation album, "The Hit List," that features 94 poems composed over the last 10 years of his performance career in Phoenix.

Sedona Poetry Slam

Photo by Harley Deuce

The April 7 slam will be hosted by Graham, who
represented Northern Arizona on the Flagstaff team
at five National Poetry Slams between 2001 and 2010.

To compete in the slam, poets need at least three original poems, each three minutes long or shorter. No props, costumes or musical accompaniment are permitted. All types of poetry are welcome.

The April 7 slam will be hosted by Graham, who represented Northern Arizona on the Flagstaff team at five National Poetry Slams between 2001 and 2010.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

Sedona National Poetry Slam Team

Competing poets earn points with each Sedona Poetry Slam performance between Dec. 3 and Saturday, May 5. Every poet earns 1 point for performing or hosting and 1/2 point for calibrating. First place earns 3 additional points, second place earns 2 and third place earns 1.

Based on points, the top 12 poets in May are eligible to compete for the four slots on the Sedona Poetry Slam Team, which will represent the community and Studio Live at the 2012 National Poetry Slam in Charlotte, N.C.

All poets are eligible in the slamoff except those already confirmed members of or coaching another National Poetry Slam or College Unions Poetry Slam Invitational or Brave New Voices team. Poets can compete for multiple teams during a season and still be eligible to compete in the Sedona team.

The last slam of the season takes place on Saturday, May 5, featuring Brooklyn, N.Y., poet Sean Patrick Mulroy.

For poetry slam standings, videos from past slams, and updates, visit foxthepoet.blogspot.com.

What is Poetry Slam?

Founded in Chicago in 1984, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances.

Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

Tickets are $7 in advance and $12 the day of the event, available at Golden Word Books and Music, 3150 W. SR 89A, and online at studiolivesedona.com.

Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, call (928) 282-2688.

Sedona National Poetry Slam Team
Slamoff Point Standings
7 points
Ryan Brown, of Flagstaff
Shaun "nodalone" Sristava, of Flagstaff ✓
6 points
Rowie Shebala, of Phoenix ✓
5 points
 Josh Wiss, of Flagstaff
The Klute, of Phoenix ✓
Tyler "Valence" Sirvinskas, of Flagstaff
4 points

Christopher Fox Graham, of Sedona

Jackson Morris, of Flagstaff ✓

3 points
Christopher Harbster, of Flagstaff
Mikel Weisser, of Kingman
Frank O'Brien, of Prescott
Lauren Perry, of Phoenix
Tara Pollock, of Flagstaff
2.5 points

Spencer Troth, of Flagstaff
2 points
Tom Heymsfeld, of Sedona
1.5 points

Noberto "Bert" Cisneros, of Cottonwood
1 pointJahnilli Akbar, of New York City
Ellenelizabeth Cernek, of Sedona
Evan Dissinger, of Flagstaff
Gabbi Jue, of Flagstaff
Jack Egan, of Sedona
Gary Every, of Sedona
Josh Goldberg, of Oak Creek Ranch School
Aaron Johnson, of Phoenix
Michelle Peterson, of Sedona
Kendra "Kenj" Shebala, of Flagstaff
Mary Elizabeth Skene, of Sedona
Seth Walker, of Texas
0.5 points
Sasha Anderson, of Flagstaff
Gary Bowers, of Phoenix
Danielle Silver, of Sedona
✓ = won a Sedona Poetry Slam

Sedona Poetry Slam season's final list of features

2012 Sedona Poetry Slam Season

Upcoming features:

Saturday, February 18
Feature: Aaron Johnson, Phoenix, AZ

Saturday, March 10
Feature: Seth Walker, Austin, Texas

Saturday, April 7
Feature: Bill Campana, Phoenix, AZ

Saturday, May 5
Feature: Sean Patrick Mulroy, Brooklyn, N.Y.

Past features:

Saturday, December 3
Feature: Jahnilli Akbar, Brooklyn, N.Y.

Saturday, January 7
Feature: Ryan Brown, Flagstaff, AZ

Ryan Brown, Aaron Johnson, Bill Campana and Sean Patrick Mulroy to feature in Sedona

With the first slam of the 2012 Sedona Poetry Slam season down, these are our upcoming feature poets

•  Saturday, Jan. 7: Ryan Brown, Flagstaff, AZ 
•  Saturday, Feb. 18: Aaron Johnson, Phoenix, AZ
•  Saturday, March 10: To be announced.
•  Saturday, April 7: Bill Campana, Phoenix, AZ. Also National Poetry Month
•  Saturday, May 5: Sean Patrick Mulroy, Brooklyn, N.Y.

Many thanks to Jahnilli Akbar, of Brooklyn, N.Y., who rocked the first slam on Saturday, Dec. 3.

"This Country: When You Tire of Travels, Come Home" audio recording

This Country: When You Tire of Travels, Come Home by FoxThePoet

This Country:

When You Tire of Travels, Come Home

when your feet grow tired of globetrotting
and all the monuments to forgotten kings
have blurred into obscurity


when your shoulders ache
from carrying your whole world tortoise-style
from one rest-stop lover to another


when you’ve heard all the foreign tongues
repeat the same stories for the last time
and you’ve grown tired of translating


when your shoes have fallen apart
unable to martyr their soles
for your hobo evangelism …

come home
this country still longs for your sunrise
its geography is easy to map:

to the East lie my arms
curling inward to hold back time
their digits stretch northward
ten fingertips on separate crusades to find you
they unite only to pen poems about
the futility of kidnapping you across the borders
back into the caverns of my chest
overwhelming vacant since you stole its last inhabitant
which you unraveled the way Hansel and Gretel taught
to fashion a string to trace your route back here
these cave walls still shudder with your laughter
turning ribs into organ pipes
I play in dreams to orchestrate your reconquest
fool my yearning that you are only a hitchhiker’s thumb
and an hour from my doorstep —
a lie, but at least I can sleep through the night
without filling the hollow in my bed with my wailing
instead, try to keep it warm for you

to the South
are mountains of memories
impossible to scale without oxygen and a Nepalese Sherpa
they stretch to the clouds and in winter, blot out the sun
I chip at them with a pick axe of ink
take the pieces home to an orange juicer
attempt to squeeze out story after story
told in Homeric fashion
the gods of Olympus jealously dwarfed in the shadows
find their epics insufficient
Odysseus, Gilgamesh and Arjuna
camp in the foothills unable to scale you
talk about the good old days
when there wasn’t so much poetry in which to live
on the cliff sides I hunt for the road trips
the afternoon siestas
the midnight embraces
the slow Sunday mornings
for new word wombs
new poems to trap, take home, raise to maturity
and release back into the wild
for the world to see how you changed this boy
I will climb them as long as a pulse thumps me into movement

to the North is an ocean of your words
tide pools of sentences
waves of your stories
tsunamis of our arguments
to wash over any fool who braves to sail them
on maps print the words, “Here Be Dragons”
and I’m never sure which will swamp my boat
or carry me home
white-tip arrogance soothed by Sargasso Sea gentle honesty
choppy squalls when I lost myself to ego
pleas for forgiveness offered on Yom Kippur
all the poems over the phone blowing lost sailors to safe ports
someday when I have outlived you
I foresee abandoning shoes,
gripping frail hands on armrests,
rising from wheelchair
striping down to unflattering Speedo
and walking into these waves to drown
up to my ears in the waters of your laughter
filling my lungs with drops of your whispers

in the center is a house of paper
naked 8½ by 11s begging to be bathed in black ink
the first 30 stories are made of rough drafts
in preparation to meet you
the upper stories will be built to celebrate you
and when I reach my 90s
the tower will collapse with the weight
spreading the pages across this county
Billy Collins keeps an apartment across the hall from Derrick Brown
they meet in the lounge with Shane Koyczan and Ed Mabrey
have coffee on Sundays with R.C. Weslowski and Mike McGee,
each reading a new ode to you
they found that week on the cabinet
under the sink or behind the door
banisters Bill Campana will jot haiku from
window frames slam poems Klute will read aloud after bagels
dueling in rhyme with Shappy Seasholtz
sonnets on fireplaces Dan Seaman and Mikel Weisser will read in tandem
on weekends, CR Avery, Scott Dunbar and Lights
will play the ballroom made of canvasses
echoing through the vents all week long
on the upper floors
poets yet unborn ready to join to the conversation
there is room here
for whomever you choose to fill the house with
forgive the flesh of this man
for being made of flawed skin unedited
he knew not what he did
you always liked me better on paper anyway


to the West is an open country
as far as the eye can see
lie no walls nor borders
no future beyond what we make of it,
without a horizon to fall over
sunsets are unimaginable,
the land yearns for your footfalls
and I will chase you across it
until these feet break beneath me
never ask if it was all for naught
until you have seen the country you built here
the boy you reshaped who lives out in the open
uncertain of where to go now
penning poems from dawn to dusk
dreaming of your open arms
reading them to anyone who’ll listen


when you tire of travels
when you need shelter to rest weary limbs
when you want to see a boy left better
than the one you first met
this country is wherever you choose to meet me
ready to welcome you home


Written Sept. 28, 2010, a year to the day after meeting Azami.

This Country

when your feet grow tired of globetrotting
and all the monuments to forgotten kings
have blurred into obscurity


when your shoulders ache
from carrying your whole world tortoise-style
from one rest-stop lover to another


when you’ve heard all the foreign tongues
repeat the same stories for the last time
and you’ve grown tired of translating


when your shoes have fallen apart
unable to martyr their soles
for your hobo evangelism …


come home
this country still longs for your sunrise
its geography is easy to map:


to the East lie my arms
curling inward to hold back time
their digits stretch northward
ten fingertips on separate crusades to find you
they unite only to pen poems about
the futility of kidnapping you across the borders
back into the caverns of my chest
overwhelming vacant since you stole its last inhabitant
which you unraveled the way Hansel and Gretel taught
to fashion a string to trace your route back here
these cave walls still shudder with your laughter
turning ribs into organ pipes
I play in dreams to orchestrate your reconquest
fool my yearning that you are only a hitchhiker’s thumb
and an hour from my doorstep —
a lie, but at least I can sleep through the night
without filling the hollow in my bed with my wailing
instead, try to keep it warm for you


to the South
are mountains of memories
impossible to scale without oxygen and a Nepalese Sherpa
they stretch to the clouds and in winter, blot out the sun
I chip at them with a pick axe of ink
take the pieces home to an orange juicer
attempt to squeeze out story after story
told in Homeric fashion
the gods of Olympus jealously dwarfed in the shadows
find their epics insufficient
Odysseus, Gilgamesh and Arjuna
camp in the foothills unable to scale you
talk about the good old days
when there wasn’t so much poetry in which to live
on the cliff sides I hunt for the road trips
the afternoon siestas
the midnight embraces
the slow Sunday mornings
for new word wombs
new poems to trap, take home, raise to maturity
and release back into the wild
for the world to see how you changed this boy
I will climb them as long as a pulse thumps me into movement


to the North is an ocean of your words
tide pools of sentences
waves of your stories
tsunamis of our arguments
to wash over any fool who braves to sail them
on maps print the words, “Here Be Dragons”
and I’m never sure which will swamp my boat
or carry me home
white-tip arrogance soothed by Sargasso Sea gentle honesty
choppy squalls when I lost myself to ego
pleas for forgiveness offered on Yom Kippur
all the poems over the phone blowing lost sailors to safe ports
someday when I have outlived you
I foresee abandoning shoes,
gripping frail hands on armrests,
rising from wheelchair
striping down to unflattering Speedo
and walking into these waves to drown
up to my ears in the waters of your laughter
filling my lungs with drops of your whispers


in the center is a house of paper
naked 8½ by 11s begging to be bathed in black ink
the first 30 stories are made of rough drafts
in preparation to meet you
the upper stories will be built to celebrate you
and when I reach my 90s
the tower will collapse with the weight
spreading the pages across this county
Billy Collins keeps an apartment across the hall from Derrick Brown
they meet in the lounge with Shane Koyczan and Ed Mabrey
have coffee on Sundays with R.C. Weslowski and Mike McGee,
each reading a new ode to you
they found that week on the cabinet
under the sink or behind the door
banisters Bill Campana will jot haiku from
window frames slam poems Klute will read aloud after bagels
dueling in rhyme with Shappy Seasholtz
sonnets on fireplaces Dan Seaman and Mikel Weisser will read in tandem
on weekends, CR Avery, Scott Dunbar and Lights
will play the ballroom made of canvasses
echoing through the vents all week long
on the upper floors
poets yet unborn ready to join to the conversation
there is room here
for whomever you choose to fill the house with
forgive the flesh of this man
for being made of flawed skin unedited
he knew not what he did
you always liked me better on paper anyway


to the West is an open country
as far as the eye can see
lie no walls nor borders
no future beyond what we make of it,
without a horizon to fall over
sunsets are unimaginable,
the land yearns for your footfalls
and I will chase you across it
until these feet break beneath me
never ask if it was all for naught
until you have seen the country you built here
the boy you reshaped who lives out in the open
uncertain of where to go now
penning poems from dawn to dusk
dreaming of your open arms
reading them to anyone who’ll listen


when you tire of travels
when you need shelter to rest weary limbs
when you want to see a boy left better
than the one you first met
this country is wherever you choose to meet me
ready to welcome you home


I met Azami on Sept. 28, 2009. How my life has changed over the last 12 months.

Ryan Brown wins the June 12 Sedona Poetry Slam

Results from the Sedona Poetry Slam

Saturday, June 12, 2010, Studio Live, Sedona, Arizona, 7:30 p.m.

Calibration poet and host Christopher Fox Graham of Sedona, "She Begs For Poetry"

Round 1
Random Draw

Liana O'Boyle, of Sedona, 23.1, after 2.5 time penalty, 20.6 (3:50)
Brit Shostak, of Mesa, 26.3 (2:50)
Tristan Marshall, of Mesa, 27.2, after 0.5 time penalty, 26.7 (3:13)
Champion Max Boehm-Reifenkugel, of Sedona, 24.8 (2:47)
Rowie Shebala, of Gallup, N.M., 23.9 (2:01)
Bill Campana, of Mesa, 26.8 (3:04)
Shi'ike, of Cottonwood, 27.9 (3:08)
Tufik Shayeb, of Mesa, 25.7 (2:45)
Mickey Randleman, of Tucson, 26.5 (2:41)
Lauren Perry, of Mesa, 26.4 (3:00)
Ryan Brown, of Flagstaff, 26.9 (2:55)
Evan Dissinger, of Flagstaff, 26.7 (2:23)
Mikel Weisser, of Kingman, 23.4 (1:03)
Doc Luben, of Tucson, 26.3 (3:09)
Randy Warren, of Sedona, 27.5 (2:51)

---intermission---

Between rounds, the audience will be entertained with a feature performance by the Klute, one of the country’s best slam poets and an Arizona artistic treasure.

The Klute, aka Bernard Schober, competed at the National Poetry Slam six times, for the Mesa Slam Team in 2002, 2003, 2005 and 2006, and the Phoenix Slam Slam Team in 2008 and 2009. He has led two of those teams to the NPS semi-final stage, ranking him among the best of the best nationwide. He was also the Mesa Grand Slam champion in 2005 and 2010.

In an era when most artists and poets shy away from confronting politics, the Klute stands apart.

He has earned a reputation for in-your-face political commentary and over-the-top humor targeting Neo-Conservative politicians, crass laissez-faire commercialism and Goth subculture.

Originally from south Florida, The Klute writes almost exclusively in free verse, making his poetry conversational and relevant to even those who see poetry as something to avoid.

Standing more than 6 feet tall and always bedecked in a black trench coat, the Klute is hard to miss. When poetry escapes his lips at full blast, he’s hard not to hear.

The Klute has released three poetry chapbooks, "Escape Velocity," "Look at What America Has Done to Me" and "My American Journey," which prompted a cease and desist order from the attorneys of former Secretary of State Colin Powell.

“Despite the heat, [The Klute] wears a black trench coat almost everywhere he goes and if the setting permits, he’ll blast through enough slanderous commentary to make Andrew Dice Clay blush,” according to Phoenix 944 Magazine. “Today, his addiction for getting in front of the microphone and spitting out everything from a Dick Cheney haiku to a long-winded prose on race car driving to the late Hunter S. Thompson is as strong as his love for vodka and absinthe. If anyone’s seen ‘The Klute’ in action, they’d know it. If they haven’t, they must.”

Round 2
Reverse Order

Randy Warren, 24.5, after 1.5 time penalty, 23.0 (3:39), 50.5
Doc Luben, 24.7 (2:57), 51.0
Mikel Weisser, 23.0 (2:24), 46.4
Evan Dissinger, 25.2 (3:09), 51.9
Ryan Brown, 28.2 (3:05), 55.1
Lauren Perry, 26.7 (3:09), 53.1
Mickey Randleman, 26.4 (2:52), 52.9
Tufik Shayeb, 25.2 (2:49), 50.9
Shi'ike, 24.2, after 4.0 time penalty, 20.2, (4:29), 48.1
Bill Campana, 24.2 (2:49), 51.0
Rowie Shebala, 25.8 (2:55), 49.7
Champion Max Boehm-Reifenkugel, 26.9 (1:54), 51.7
Tristan Marshall, 27.2, (2:48), 51.5
Brit Shostak, 25.4 (2:22), 51.7
Liana O'Boyle, of Sedona, 25.0, after 1.0 time penalty, 24.0 (3:25), 44.6

Round 3
High to Low

Sorbet poet: Kayt Perlman

Ryan Brown, 27.9 (2:26), 83.0
Lauren Perry, 25.6 (2:56), 78.7
Mickey Randleman, 26.2 (2:47), 79.1
Evan Dissinger left the slam early
Champion Max Boehm-Reifenkugel, 26.7 (1:38), 78.4
Brit Shostak, 26.0 (2:23), 77.7
Tristan Marshall, 23.9 (3:01), 75.4
Doc Luben, 25.2 (2:55), 76.2
Bill Campana, 23.4 (3:09), 74.4
Tufik Shayeb, 23.1 (2:21), 74.0
Randy Warren, 26.5, (4:07), 77.0
Rowie Shebala, 23.3, after 0.5 time penalty, 22.8 (3:14), 72.5
Shi'ike, 26.6 (2:40), 74.7
Mikel Weisser, 22.7 (1:16), 69.1
Liana O'Boyle, 23.4, after 1.0 time penalty, 22.4 (3:25), 67.0

Final scores
1st: Ryan Brown, 83.0, $100

2nd: Mickey Randleman, 79.1

3rd: Lauren Perry, 78.7

Champion Max Boehm-Reifenkugel, 78.4
Brit Shostak, 77.7
Randy Warren, 77.0
Doc Luben, 76.2
Tristan Marshall, 75.4
Shi'ike, 74.7
Bill Campana, 74.4
Tufik Shayeb, 74.0
Rowie Shebala, 72.5
Mikel Weisser, 69.1
Liana O'Boyle, 67.0
Evan Dissinger, 51.9* (only competed in 2 rounds)

Slam staff

Scorekeeper and Timekeeper: Jessica Laurel Reese
Host: Christopher Fox Graham
Organizers:
April Holman Payne, Jenn Reddington, Studio Live
Christopher Fox Graham, Sedona 510 Poetry

Get tickets now for Sedona's poetry slam on June 12

Top Arizona slam poet
headlines Sedona Summer Poetry Slam
on Saturday, June 12

The Sedona Summer Poetry Slam will explode at Studio Live at 7:30 p.m. Saturday, June 12, presenting three rounds of poetic competition as poets battle for pride and $100.

Between rounds, the audience will be entertained with a feature performance by the Klute, one of the country’s best slam poets and an Arizona artistic treasure.

The Klute, aka Bernard Schober, competed at the National Poetry Slam six times, for the Mesa Slam Team in 2002, 2003, 2005 and 2006, and the Phoenix Slam Slam Team in 2008 and 2009. He has led two of those teams to the NPS semi-final stage, ranking him among the best of the best nationwide. He was also the Mesa Grand Slam champion in 2005 and 2010.

In an era when most artists and poets shy away from confronting politics, the Klute stands apart.

He has earned a reputation for in-your-face political commentary and over-the-top humor targeting Neo-Conservative politicians, crass laissez-faire commercialism and Goth subculture.

Originally from south Florida, The Klute writes almost exclusively in free verse, making his poetry conversational and relevant to even those who see poetry as something to avoid.

Standing more than 6 feet tall and always bedecked in a black trench coat, the Klute is hard to miss. When poetry escapes his lips at full blast, he’s hard not to hear.

The Klute has released three poetry chapbooks, "Escape Velocity," "Look at What America Has Done to Me" and "My American Journey," which prompted a cease and desist order from the attorneys of former Secretary of State Colin Powell.

“Despite the heat, [The Klute] wears a black trench coat almost everywhere he goes and if the setting permits, he’ll blast through enough slanderous commentary to make Andrew Dice Clay blush,” according to Phoenix 944 Magazine. “Today, his addiction for getting in front of the microphone and spitting out everything from a Dick Cheney haiku to a long-winded prose on race car driving to the late Hunter S. Thompson is as strong as his love for vodka and absinthe. If anyone’s seen ‘The Klute’ in action, they’d know it. If they haven’t, they must.”

Expected to compete are Sedona Red Rock High School alumni Champion Max Boehm-Reifenkugel and Liana O’Boyle, several members of the FlagSlam Poetry Team, Kingman slam poet Mikel Weisser, Mesa Slam Team members Lauren Perry, Bill Campana, Tristan Marshall and Brit Shostak, Sedona poet Randy Warren.
and Tucson poets David "Doc" Luben and Mickey Randleman.

All poets are welcome to compete.

Slammers will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted.

The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam. The top poet at the end of the night wins $100.

Poets who want to compete should purchase a ticket in case the roster is filled before they arrive.

The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on the Flagstaff team at four National Poetry Slams between 2001 and 2006. He has hosted and competed in poetry slams and open mics in Sedona since 2004.

Graham has performed in 38 states, Toronto, Dublin, Ireland, and London, and wrote the now infamous “Peach” poem.

Founded in Chicago by construction worker and poet Marc “So What?” Smith in 1984, poetry slam is a competitive artistic sport. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe. Featuring almost 80 four-poet teams, the 21st annual National Poetry Slam takes place in Minneapolis, Minn., in August.

For more information or to register, call Graham at 928-517-1400 or e-mail to foxthepoet@yahoo.com.

Tickets are $5 online or $10 at the door.

Home of the Sedona Performers Guild nonprofit, Studio Live is located at 215 Coffee Pot Drive, West Sedona. For more information, visit www.studiolivesedona.com.

See video from previous poetry slams at www.YouTube.com/FoxThePoet.

For more information about the 2010 National Poetry Slam, visit www.poetryslam.com.

The Klute wins the March 20 Sedona Poetry Slam

Results from the Sedona Poetry Slam

Saturday, March 20, 2010, Studio Live, Sedona, Arizona, 7:30 p.m.

Calibration poet and host Christopher Fox Graham of Sedona, "Hunting UFOs"

Round 1
Random Draw

Maple Dewleaf, of Flagstaff, 25.8 (2:30)
Randy Warren, "An Introduction," of Sedona, 22.1 (3:00)
Jessica Laurel Reese, of the Village of Oak Creek, 25.2 (2:10)
Dain Michael Down, of Seattle, 27.2 (2:16)
Champion Max Boehm-Reifenkugel, of Sedona, 28.5 (2:29)
The Klute, of Mesa, "Adam and Steve," 29.1, 28.1 after -1.0 time penalty (3:23)
Allan Skinneman (aka Geoff Jackson), of Flagstaff, 27.7 (1:54)
Brit Shostak, of Mesa, 27.2 (2:35)

---intermission---

Feature poet: Bill Campana of Mesa.
A member of five Mesa National Poetry Slam Teams, Bill Campana has been to the semi-finals of the National Poetry Slam twice. He has hosted and featured across the Southwest, and continues to write at a feverish pace, always challenging fellow poets to better their craft on the page and the stage.

Campana knows that the only true way to respect culture is to break it into little tiny pieces. He came onto the poetry scene at full power, and suddenly the dry dusty notebooks of lesser poets got burned up in the shockwave.

Campana is the atom bomb that levels ivory towers. He got people excited enough about poetry to come back for more, and to see what would happen next. Soon, the audience was too big for the coffeehouse, a feat unprecedented since Socrates dared the baristas to make him a hemlock Frappuchino.

Sorbet poet: Mikel Weisser of Kingman, "Drunk Guy's Dick"

Round 2
Reverse Order

Brit Shostak, 28.1 (2:55), 55.3
Allen Skinneman, 27.4, 25.9 after 1.5 time penalty (3:32), 53.6
The Klute, "Cereal Aisle Racist," 29.0 (2:36), 57.1
Champion Max Boehm-Reifenkugel, 28.3 (1:50), 56.8
Dain Michael Down, 28.6 (1:31), 55.8
Jessica Laurel Reese, 28.8 (2:42), 54.0
Randy Warren, "I See You," 27.0 (1:51), 44.6
Maple Dewleaf, 27.5, 26.0 after 1.5 time penalty (3:40), 51.8

Sorbet poet Mikel Weisser, "The New Material"

Round 3
High to Low

The Klute, "2012," 29.3 (2:29), 86.4
Champion Max Boehm-Reifenkugel, 29.2 (2:03), 86.0
Dain Michael Down, 29.3 (2:39), 85.5
Brit Shostak, 28.9 (2:02), 84.2
Jessica Laurel Reese, 29.3 (1:30), 83.3
Allen Skinneman, 28.2 (2:53), 81.8
Maple Dewleaf, 28.2 (1:27), 80.0
Randy Warren, "A Life Spent Dying," 28.4, 24.9 after 3.5 time penalty (4:10), 74.0

Final scores
1st: The Klute of Mesa, 86.4, $100
(this marks The Klute's third consecutive victory at the Sedona Poetry Slam)

2nd: Champion Max Boehm-Reifenkugel, 86.0

3rd: Dain Michael Down, 85.5

Brit Shostak, 84.2
Jessica Laurel Reese, 83.3
Allen Skinneman, 81.8
Maple Dewleaf, 80.0
Randy Warren, 74.0

Slam staff

Scorekeeper and Timekeeper: Azami
Host: Christopher Fox Graham
Organizers:
Susan Schomaker, April Holman Payne, Jenn Reddington, Studio Live
Christopher Fox Graham, Sedona 510 Poetry