This is the official blog of Northern Arizona slam poet Christopher Fox Graham. Begun in 2002, and transferred to blogspot in 2006, FoxTheBlog has recorded more than 670,000 hits since 2009. This blog cover's Graham's poetry, the Arizona poetry slam community and offers tips for slam poets from sources around the Internet. Read CFG's full biography here. Looking for just that one poem? You know the one ... click here to find it.
Showing posts with label Jesse Parent. Show all posts
Showing posts with label Jesse Parent. Show all posts
Wednesday, January 13, 2016
"The Crowd's Choice" by Jesse Parent
Yeshua bar-Abba, (Jesus Barabbas, a Hellenization of the Aramaic בר אבא) is a figure mentioned in the accounts of the Passion of Christ, in which he is an insurrectionist whom Pontius Pilate freed at the Passover feast in Jerusalem, instead of releasing Yeshua of Nazareth, better known as Jesus.
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If you loved this poem, check out Javon Johnson: http://bit.ly/1xkYEPp
Performing during prelims at the 2014 Individual World Poetry Slam.
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Button Poetry is committed to developing a coherent and effective system of production, distribution, promotion and fundraising for spoken word and performance poetry.
We seek to showcase the power and diversity of voices in our community. By encouraging and broadcasting the best and brightest performance poets of today, we hope to broaden poetry's audience, to expand its reach and develop a greater level of cultural appreciation for the art form.
Search Fox's mind
Barabbas,
Button Poetry,
Jesse Parent,
Jesus
Sunday, June 21, 2015
"To the Boys Who May One Day Date My Daughter" by Jesse Parent
"To the Boys Who May One Day Date My Daughter" by Jesse Parent. Remember to wait for the addendum.Thanks to The Huffington Post, this video went viral last year.
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Jesse Parent, performing during the Coaches Slam at the 2014 College Unions Poetry Slam Invitational.
Check out more from Jesse: http://bit.ly/1ij3uIp
Follow Button on Facebook: http://facebook.com/buttonpoetry
About Button:
Button Poetry is committed to developing a coherent and effective system of production, distribution, promotion and fundraising for spoken word and performance poetry.
We seek to showcase the power and diversity of voices in our community. By encouraging and broadcasting the best and brightest performance poets of today, we hope to broaden poetry's audience, to expand its reach and develop a greater level of cultural appreciation for the art form.
Search Fox's mind
Button Poetry,
father,
Father's Day,
fatherhood,
Jesse Parent,
parenthood,
The Huffington Post
Saturday, May 10, 2014
"To the Boys Who May One Day Date My Daughter" by Jesse Parent
Check out Jesse's book at his website Jesster.net
Download the audio of this poem for freeby clicking here.
Performing during the Coaches Slam at the 2014 College Unions Poetry Slam Invitational. Find out more about Jesse at http://www.jesseparent.com
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About Button:
Button Poetry is committed to developing a coherent and effective system of production, distribution, promotion and fundraising for spoken word and performance poetry.
We seek to showcase the power and diversity of voices in our community. By encouraging and broadcasting the best and brightest performance poets of today, we hope to broaden poetry's audience, to expand its reach and develop a greater level of cultural appreciation for the art form.
Search Fox's mind
daughter,
Jesse Parent,
Salt Lake City
Tuesday, June 28, 2011
Utah Arts Festival afterparty cypher
A cypher in poetry slam is the name given to a circle of poets who take turns reciting poems, usually occurring at an afterparty.
The ground rules are usually once one gets started, the audience remains quiet and attentive, although drinking and imbibing are by all means not discouraged.
Sometimes if the cypher is chaotic, there is an MC of sorts who picks the next poet, other times (usually at calmer events or those with seasoned slam poets) the poet performing chooses the next poet. It's usually a profoundly democratic system even when the room is bordering on a collective 0.12 blood alcohol content.
If you get chosen, you perform one poem. It's generally good form to perform a "new" poem the room did not hear earlier in the slam, unless it's specifically requested by the crowd. When complete, it's good etiquette to chose a poet you haven't heard, don't know, or who isn't from your home venue or home city. This serves to emphasize the camaraderie of the Slam Family, or "Slamily," because even though we are cutthroats with strategy when on stage, we are really artists off stage who just want to share our words.
Those poets and non who think slam is too competitive an art form or full of unyielding egos (ex-girlfriends, I'm winking at you) need to stick around and witness the community support and bohemian beauty what happens at a cypher. Deep down, afterparties and cyphers are the root of why we slam poets continually experience profound moments after slams and at regional and national bouts. This one (and the amazing slam) certainly made the nine-hour car trip from Sedona to Salt Lake City worth every mile.
And I passed out around 4 a.m., fully dressed.
The ground rules are usually once one gets started, the audience remains quiet and attentive, although drinking and imbibing are by all means not discouraged.
Sometimes if the cypher is chaotic, there is an MC of sorts who picks the next poet, other times (usually at calmer events or those with seasoned slam poets) the poet performing chooses the next poet. It's usually a profoundly democratic system even when the room is bordering on a collective 0.12 blood alcohol content.
If you get chosen, you perform one poem. It's generally good form to perform a "new" poem the room did not hear earlier in the slam, unless it's specifically requested by the crowd. When complete, it's good etiquette to chose a poet you haven't heard, don't know, or who isn't from your home venue or home city. This serves to emphasize the camaraderie of the Slam Family, or "Slamily," because even though we are cutthroats with strategy when on stage, we are really artists off stage who just want to share our words.
Those poets and non who think slam is too competitive an art form or full of unyielding egos (ex-girlfriends, I'm winking at you) need to stick around and witness the community support and bohemian beauty what happens at a cypher. Deep down, afterparties and cyphers are the root of why we slam poets continually experience profound moments after slams and at regional and national bouts. This one (and the amazing slam) certainly made the nine-hour car trip from Sedona to Salt Lake City worth every mile.
Janelle Wilson from Boise, Idaho, "planking" on Lauren Perry from Phoenix |
Cody Winger from Salt Lake City, left as Janelle Wilson, Tara Brenner and Cheryl Maddalena from Boise, Idaho, chat with The Klute from Phoenix. |
Jesse Parent emotes |
Dominique Christina Ashaheed performs |
Lauren Perry performs |
Aaron Johnson from Phoenix performs |
Ayinde Russell performs |
Ayinde Russell performs while Gray Brian looks off, contemplating the awesomeness of that belt buckle. My foot is bedecked in the Chuck Taylor at right. |
The Klute, with his Cthulu T-shirt, performs |
Tara Brenner performs |
Cheryl Maddalena from Team Boise. Note the aforementioned "beautiful" tattoo in 200pt Times New Roman on her left arm. |
Lauren Perry performs in her zombie tanktop. |
Brian Franden |
Adorable Rebeca Mae, Gray Brian's girlfriend, performs. |
Leah Cronen from Bosie performs. Note to viewers: the city is pronounced "Boy-See," not "Boy-Zee" |
Levi Rogers performs |
The Klute with his "O" face, performing |
Gray Brian performs |
Josh McGillis performs via SmartPhone |
Search Fox's mind
Aaron Johnson,
afterparty,
Christopher Fox Graham,
cypher,
Janelle Wilson,
Jesse Parent,
Lauren Perry,
Salt Lake City,
The Klute,
Utah
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