"2014: What Brought Us Together" A compilation video by Jean-Louis Nguyen

Third Sedona Poetry Slam of the 2014-2015 season takes place Saturday, Jan. 3

Poets are invited to compete at the third Sedona Poetry Slam of the 2014-15, which kicks off at 7:30 p.m. on Saturday, Jan. 3, at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays. All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain and inspire the audience with their creativity.

Poets in the slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

To compete in the slam, poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam. Poets who want to compete should purchase a ticket in case the roster is filled before they arrive.

The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on seven FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010, 2012, 2013 and 2014. Graham has hosted the Sedona Poetry Slam since 2009. Contact Graham at foxthepoet@yahoo.com to sign up to slam.

Tickets are $12. Click here, or call Mary D. Fisher Theatre at 282-1177 or visit SedonaFilmFestival.org.

The slam is the third the 2014-15 season, which will culminate in selection of Sedona's fourth National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. There are seven slams in the regular season, six in Sedona and one in Clarkdale. The final Grand Poetry Slam takes place on June 6, to determine the team.

The local poets will share the stage with 350 of the top poets in the United States, Canada and Europe, pouring out their words in a week-long explosion of expression. Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third to Oakland, Calif., in August.

Women of the World Poetry Slam Qualifier

This slam is also the qualifier for Sedona’s representative to the International Women of the World Poetry Slam, to be held in Albuquerque, N.M., from March 18 to 21. The highest-ranked female or female-identified poet from earns Sedona’s WOWps slot.

Poets who live their lives as women are eligible to participate in the Women of the World Poetry Slam. Competitors are eligible from certified venues or as individuals from areas without certified venues (aka “Storm” poets).

All competitors must be PSI members in good standing and must agree to participate in the event following the rules of Slam as well as the Code of Honor, and must allow for PSI to videotape their performances for PSI owned product.

What is Poetry Slam?

Founded in Chicago in 1984 by construction worker Marc Smith, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

Epic Rap Battles of History: Donald Trump vs Ebeneezer Scrooge

"One Side of an Ongoing Dialogue with Sharon, My Therapist" by Desireé Dallagiacomo

Desireé Dallagiacomo performing with the 2012 Baton Rouge National Poetry Slam Team in Charlotte, North Carolina.

Desireé Dallagiacomo is a Pushcart Prize nominee, a member of Slam New Orleans (2-time NPS Champions), a creative writing major at University of New Orleans, and a teaching artist in Southern Louisiana. Her work can be found in Words Dance lit magazine, Allen Review, Ellipsis, Tandem, and many online reviews.

You can keep up with her work, and purchase her two chapbooks, “The Year of the Institution” and “Dimly Lit” at poemsbydes.tumblr.com.



For bookings, email Desireé Dallagiacomo at d.dallagiacomo@gmail.com.

Sedona Poetry Slam heads to Clarkdale this Sunday, Dec. 7 at 4 p.m.

Poets are invited to compete at the Made in Clarkdale Poetry Slam at 4 p.m. on Sunday, Dec. 7, at Clark Memorial Clubhouse, 19 N. Ninth St, Clarkdale, Arizona.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

1st, 2nd and 3rd Place

Poets of all ages are welcome to compete for the cash prizes for first, second and third place.

Top Teen Poet

 Additionally, the top-scoring poet age 18 and younger will also win a cash prize, whether or not he or she also ranks in the top three overall. Teens will compete alongside adult poets, judged by the same random on the same criteria.

Slam poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

Earn Points Toward the Sedona Grand Slam

The slam is the second the 2014-15 Sedona Poetry Slam season, which will culminate in selection of Sedona's fourth National Poetry Slam Team, the foursome and alternate who will represent the Sedona and the Verde Valley at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

The National Poetry Slam

There will be seven slams in the regular season, six in Sedona and one in Clarkdale. The final Grand Poetry Slam takes place next spring, to determine the team. The local poets will share the stage with 350 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression. Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third to Oakland, Calif., in August.

The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on seven FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010, 2012, 2013 and 2014. Graham has hosted the Sedona Poetry Slam since 2009.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.
The list thus far is:
The Klute
Claire Pearson
Rowie Shebala
Peyton Drake
Stephen Tankesly
Sadie King
Danielle Glick
Dylan Capello
Mariah Jones
Devin Krekelberg
Wes Johnson
Cody Burkett
Klint McKean

What is Made in Clarkdale?

Founded in 1986, the annual Made in Clarkdale is a nine-day arts festival celebrate the vibrant arts scene of those who live, work and create in the town of Clarkdale. For more information, visit www.madeinclarkdale.org.

What is Poetry Slam?

Founded in Chicago in 1984 by construction worker Marc Smith, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

"The Friend Zone" by Justin Lamb and Desireé Dallagiacomo

The "friend zone" is awesome. Here's proof:

"The Friend Zone" by Justin Lamb and Desireé Dallagiacomo performed at the 2014 National Poetry Slam in Oakland, Calif.

Justin Lamb is an educator, writer and a 2013 National Poetry Slam champion. A two-time Slam New Orleans Grand Slam Champion, Justin has represented New Orleans at regional and national competitions for the last four years as member of the nationally acclaimed Team Slam New Orleans (Team SNO).

He is also the author of a live performance poetry album titled "However It Turns Out Is Perfect."

If you would like to enlist Justin to host a workshop or perform at a venue near you, you can contact him at: justin.a.lamb [a] gmail.com.

For more information, visit his website justinpoet.com.

Desireé Dallagiacomo is a Pushcart Prize nominee, a member of Slam New Orleans (2-time NPS Champions), a creative writing major at University of New Orleans, and a teaching artist in Southern Louisiana.

Her work can be found in Words Dance lit magazine, Allen Review, Ellipsis, Tandem, and many online reviews. You can keep up with her work, and purchase her two chapbooks, “The Year of the Institution” and “Dimly Lit at poemsbydes.tumblr.com.

For bookings, email Desireé Dallagiacomo at d.dallagiacomo@gmail.com.




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Performing for New Orleans during the 2014 National Poetry Slam.

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Button Poetry is committed to developing a coherent and effective system of production, distribution, promotion and fundraising for spoken word and performance poetry.

We seek to showcase the power and diversity of voices in our community. By encouraging and broadcasting the best and brightest performance poets of today, we hope to broaden poetry's audience, to expand its reach and develop a greater level of cultural appreciation for the art form.

"Brown Boy. White House" by Amir Safi

Performed for the Austin National Poetry Slam Team during semifinals at the 2013 National Poetry Slam in Boston, Mass.

"Brown Boy. White House"
by Amir Safi

I once asked my father,
If it was okay not go to daycare anymore.
He smiled and asked, "Why?"
and I still have trouble giving him straight answers.
So he watched one day as a group of white children pulled his son from the monkey bars.
Screaming.

I still have calluses on my hands.
I still have a hard time letting things go.
The teachers explained to my father that this is how children play.
Twenty years later and this is still how we play.
So he pulled me from their care and put me in a church,
where I learned that Jesus still has calluses on his hands.
He still has a hard time letting some people go.
Growing up in Texas,
One learns to practice patience,
Practice repetition patience,
Patience makes perfect.

The best birthday present I get every year is a telephone call from my grandmother.
I remember walking with her through department stores as people would stare.
I remember getting very angry because I was taught it was impolite to stare.
I was taught that was not the purpose of a hijab.
I believe this is why people have stopped wearing their faith,
Unless it can be conveniently concealed under their shirt.
Maybe if people don't stare then God won't either.
Growing up in Texas,
One learns to practice patience,
Practice repetition patience,
Patience makes perfect.
I was made fun of for being Mexican, until 9/11. Then it was Arab or terrorist. I'm not Persian that country no longer exists. Iranian- American is an oxymoron Muslim-American a paradox.
A girl asks me, "Where are you from then, Amir?"
I answer, "Well, I was born in Iowa."
She then says, "Oh really, is that in the Middle East?"
A boy approaches me in a high school hallway and says,
"If you were from Afghanistan, I'd beat your ass."
The three words I should've said were "I love you."
Instead I said, "Wish you would!"
It was then I understood how your Patriots' Act. If the French gave us the Statue of Liberty in 2003, we would have given it back because they didn't go to war with us in Ee-rock/Eye-rack.
When the French did give us the Statue of Liberty,
we gave her back.
At first,
she was black.

Save diversity for a skittles package,
but even then we all pick our favorites.

We like our borders like our picket fences. WHITE WASHED.
A red boy is given a white name.
Black slaves paint a white house.
Public schools teach that it is important to assimilate,
so a yellow girl's parents do the same.
But, how will they ever learn how to pronounce our names if we keep changing them?
Do you think people naturally know how to pronounce Cry-stal or Chris-top-her?
English is neither phonetic nor forgiving,
That's why I find comfort when a boy named Cassius molds his last name into Ali in an attempt to salvage his identity. The ring is the only time he faced a fair fight.
If black is the culmination of all colors, then why do we keep trying to stir this melting pot white?
My name is Amir Safi. I still have calluses on my hands. I still have a hard time letting things go.

Amir Safi © 2013

Amir Safi’s poetry is the result of a collision between his Iranian culture and his Texan upbringing. He is a graduate of Texas A&M University where he received a degree in Biology.

“What better subject to study than the science of life?”

While in school, he co-founded 501(c)(3) poetry nonprofit Mic Check and the Texas Grand Slam Poetry Festival.

Upon moving to Houston, Amir founded Write About Now Poetry, a weekly poetry slam and open-mic that meets every Wednesday at 7:30 PM at Avantgarden. Amir is the 2013 Southern Fried Poetry Slam Champion, a 2013 National Poetry Slam semi-finalist, a featured artist on Upworthy, and he has performed at shows and concerts featuring performers ranging from Anis Mojgani to Stalley.

For more information, contact or booking, like Amir on Facebook: https://www.facebook.com/amirsafipoetry

Rick Grimes vs Walter White. Epic Rap Battles of History Season 3

▼ CAST ▼

Walter White: EpicLLOYD
http://www.youtube.com/EpicLLOYD
https://twitter.com/theEpicLloyd |http://instagram.com/theepiclloyd

Rick Grimes: Nice Peter
http://www.youtube.com/NicePeter
http://twitter.com/NicePeter | http://instagram.com/nicepeter

Zombies: Amy Bury, Neil Blan, Ray Timmons and Tom Walsh

▼ CREW ▼

Created by: Peter Shukoff & Lloyd Ahlquist
Directed by: Nice Peter and Mike Betette

Written by: Nice Peter, EpicLLOYD & Zach Sherwin
Staff Writer: Dante Cimadamore - http://youtube.com/givememotion
Staff Writer: Mike Betette

Beat Produced by: Blitz Beats
http://www.blitzbeats.com

Song Produced by: Nice Peter & Jose "Choco" Reynoso
Song Mixed by: Jose "Choco" Reynoso and Nice Peter
http://www.1200warriors.com

Edited by: Andrew Sherman, Daniel Turcan, and Nice Peter

VFX Compositor: Andrew Sherman

Director of Photography: Jon Na
Costume Designer: Sulai Lopez
Make Up: Ashlyn Melancon
Gaffer: Arthur Hong
Grip: Yev Belilovsky
Music Supervisor & Playback: Dante Cimadamore
Production Coordinator: Atul Singh
Assistant Editors: Ryan Moulton & Marc Chester
Office PA: Shaun Lewin
Key Make Up Artist: Brittany White
Make Up Assistant: Tina Cohen
RV Background: Eugenio Garcia

Produced by Michelle Maloney.

Download the free ERB App:
iPhone ► http://erb.fm/cr
iPad ► http://erb.fm/ao
Android ► http://erb.fm/fk

Sedona Poetry Slam 2014-2015 Schedule

Sedona Poetry Slam in Sedona:

• Saturday, Nov. 1
• Saturday, Jan. 3 
• Saturday, Jan. 31
• Saturday, March 7
• Saturdays, April 11
• Saturdays, May 2

All slams start at 7:30 p.m., and are held at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A3. Sedona, AZ 86336 (928) 282-1177

• Made in Clarkdale slam will be held Sunday, Dec. 7, 4 to 6ish p.m., Clark Memorial Clubhouse, 19th N. 9th St., Clarkdale.

• Grand Slam:Saturday, June 6, 7:30 p.m., at the  Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A3. Sedona, AZ 86336 (928) 282-1177

Made in Clarkdale Poetry Slam on Sunday, Dec. 7

Poets are invited to compete at the Made in Clarkdale Poetry Slam at 4 p.m. on Sunday, Dec. 7, at Clark Memorial Clubhouse, 19 N. Ninth St, Clarkdale, Arizona.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam. Poets of all ages are welcome to compete for the cash prizes for first, second and third place. Additionally, the top-scoring poet age 18 and younger will also win a cash prize, whether or not he or she also ranks in the top three overall. Teens will compete alongside adult poets, judged by the same random on the same criteria.

Slam poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

The slam is the second the 2014-15 Sedona Poetry Slam season, which will culminate in selection of Sedona's fourth National Poetry Slam Team, the foursome and alternate who will represent the Sedona and the Verde Valley at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

There will be seven slams in the regular season, six in Sedona and one in Clarkdale. The final Grand Poetry Slam takes place next spring, to determine the team. The local poets will share the stage with 350 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression. Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third to Oakland, Calif., in August.

The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on seven FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010, 2012, 2013 and 2014. Graham has hosted the Sedona Poetry Slam since 2009.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

What is Made in Clarkdale?

Founded in 1986, the annual Made in Clarkdale is a nine-day arts festival celebrate the vibrant arts scene of those who live, work and create in the town of Clarkdale. For more information, visit www.madeinclarkdale.org.

What is Poetry Slam?

Founded in Chicago in 1984 by construction worker Marc Smith, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

Interview questions about Sedona slam poet Claire Pearson

I was recently interviewed about Sedona poet Claire Pearson by a student at Northern Arizona University. These are my answers.

1) How long have you know Claire Pearson?

Photo courtesy of Zack Garcia

A few hours short of 14 months. I met Claire Pearson at 8:35 p.m. on Thursday, Aug. 29, 2013, at 34°51'56.5"N 111°47'42.2"W, beneath the light in a parking lot whereupon we spoke for the better part of two hours about our views of poetry, poetic theory, the ghosts of dead men and the lack of good coffee shops catering to the 18 to 21 crowd in Sedona.

2) How have you seen her grow?

In the time I have known her, she has grown approximately 1/6th of an inch, if measured from heel to crown, ignoring variations in stance, pose and bouffant. Based on these observations, I expect that if her rate of growth is logarithmic, she will grow at most an inch by the time she is of legal drinking age, although I suspect she will still be carded until at least age 30 due to her height and unusually large neotenic eyes, although if her rate of growth is linear, by the time she is 100 years old, she will be 11.57 inches taller.

When I first met Claire Pearson, she was a veteran and the de facto captain of the Sedona youth poetry slam team, Young Voices Be Heard, and had competed at several Brave New Voices regionals.
As a Brave New Voices veteran, she knew as coaches many of the national and regional slam poets that I knew as peers.

Although loosely affiliated, Brave New Voices and Poetry Slam Inc. are two separate nonprofit poetry slam organizations. Many “adult” slam poets who have an affinity to mentoring young people crossover from the PSI scene to coach local youth teams in their home cities, while many others leave the PSI scene altogether to coach BNV teams exclusively. As structured in relation to PSI, BNV sees itself as the minor league of PSI, grooming young talent who “graduate” into the big leagues of PSI.
As a high school graduate but not yet 19 years old when I met her, Pearson was effectively at the peak of her growth in BNV and was about to age out of eligibility. She was looking to continue slamming as an adult and I provided the means to introduce her into Northern Arizona’s PSI scene.
Coming into the adult scene already with years of writing and slamming experience behind her, Pearson was able to skip passed the angst-ridden and derivative poetry that many first-year adult slam poets create before they find their voice.

Pearson had already found her voice as a heavily metaphoric, narrative poet with confessional and quasi-romantic tendencies by the time I was introduced to her work. Through slamming against college students and adults twice and three times her age, she has made her work edgier and more accessible to general audiences while still maintaining her metaphoric imagery.

Pearson has learned how to write from a feminine perspective in a competitive linguistic sport that is all too often dominated by the male gaze. She has also been able to exorcise many of those ghosts of dead men, whom she still holds dear but which no longer dictate what and how she writes exclusively. Most importantly, she has moved from being a confident though sometimes timid poet to being to hold her own in slams against national poets, some of whom have toured professionally or competed on the finals stage at the Individual World Poetry Slam.

3) How can you tell she loves slamming and poetry?

Pearson is open to criticism of her work as well as offering criticism of others, not just in the surface of performance flubs or cliché lines, but in the root and structure of the poems and performances. After a slam, we can discuss the atmosphere of the room or why a poem did or didn’t work given the particulars of the audience and the poems, showing that she is not just waiting to read but is critically listening to the work on the stage and how it is presented.

Pearson makes the trip from Sedona to slam in Flagstaff weekly or at least attend the slams as a spectator. She earned a slot on the FlagSlam National Poetry Slam Team in her first year, an accomplishment very few poets have been able to achieve as it usually takes several years to work up the skill and talent to win a slot.

Pearson attends slams outside her home city, which is also something many young poets, especially those in a relatively isolated city like Flagstaff, do not do. In part, she has a network of friends in the poetry scene which makes traveling less intimidating and more of an adventure, but she also has learned how to adapt her work to audiences of differing demographics rather than repeating poems by rote in hopes that they stick with audiences regardless of location. She doesn’t slam just to win, like many poets do without understanding the “why”, nor does she slam just to vent, but rather uses to the experience in whole and in part to develop herself as an artist. That dedication to grow artistically is why audience members who see her week after week are willing to reward her effort, even if as a Sedona émigré she is outside the clique engendered by the somewhat insular Flagstaff poetry scene.

4) What makes her stand out from other slammers and poets?

 Pearson offers a voice unique to Flagstaff as a veteran poet. Due to the transitory nature of college students at Northern Arizona University, the Flagstaff poetry scene does not grow like a typical non-college art scene does. Poetry scenes in large cities have poets who spend years or decades in their scene, serving as mentors and growing into icons to either cherish, challenge or learn from, but few NAU graduates remain in Flagstaff, thus taking what they’ve learned and developed to other scenes away after only a few years. In essence, it’s hard to develop a slam family legacy in Flagstaff. While some poets bloom early and develop their voice quickly, most poets take several years to become who they are meant to, and by then, just as they’re reaching their first artistic peak, they’re ready to move on to communities that can support their careers.

Many first year rookies write what they think they should, which is why many poems sound familiar or similar, regardless of the poets’ backgrounds or personal histories.

With those growth years already behind her, Pearson is able to hone her craft and show many of the poets her age or older what they can become once they have half a decade of writing under their belt. As such, Pearson is a sort of a poetic oracle, showing the path other poets can walk should they pursue our art form with the same sort of tenacity she does.

Claire Pearson will be one of the poets competing at the Sedona Poetry Slam on Saturday, Nov. 1

Poets and audience members are invited to the first Sedona Poetry Slam of the 2014-15, which kicks off at 7:30 p.m. on Saturday, Nov. 1, at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.


Click here to buy tickets, which are $12.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

The slam is the first the 2014-15 season, which will culminate in selection of Sedona's fourth National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

There will be seven slams in the regular season, six in Sedona and one in Clarkdale. The final Grand Poetry Slam takes place next spring, to determine the team.

Slam poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

Poets who want to compete should purchase a ticket in case the roster is filled before they arrive.

The local poets will share the stage with 350 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression. Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third to Oakland, Calif., in August.

The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on seven FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010, 2012, 2013 and 2014. Graham has hosted the Sedona Poetry Slam since 2009.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

What is Poetry Slam?
Founded in Chicago in 1984 by construction worker Marc Smith, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

"Juno Se Mama (Open Letter to the People of Darfur)" by Ed Mabrey

Ed Mabrey is

• Three-time Individual World Poetry Slam Champion (2007, 2012, tied in 2013)
• National Poetry Slam Team Finalist
• Individual National Poetry Slam Finalist
• 3 Time Lake Eden Arts Festival Champion
• Featured performer on Season 3 of Verses and Flow (brought to you by Lexus on TV One)
• Two-time Feature on HBO All Def Digital
• Emmy Nominee (MOW-Fox/ABC)
• Three-time National Haiku Slam Champion
• Ohio Arts Council Poet of the Year
• National Best Selling Author (Contributor)
• Eight poetry albums recorded
• Performances seen on several continents
• Tour professionally
• One of the most sought-after performers and workshop teachers in the country

Visit www.EdMabrey.com

The Save Darfur Coalition

In September 2004, President George W. Bush declared the crisis in Darfur “genocide” — the first time a sitting American president had made such a declaration regarding a crisis that was still ongoing.

Despite the world’s growing outcry, however, the violence persists in Darfur and the number of dead and displaced continues to increase.

Currently, as many as 3 million people have been displaced within Darfur, with an estimated 263,000 refugees living across the border in Chad.

Overall, the UN estimates that more than 3.2 million people in Darfur (out of a total population of roughly 7.5 million) are still affected by the conflict.

On September 9, 2004, U.S. Secretary of State Colin Powell declared the conflict in Darfur genocide. This was the first time the U.S. had ever declared genocide while the genocide was still occurring.

• The genocide in Darfur has claimed 300,000 lives and displaced over 3 million people.
• 3.2 million people, more than a third of Darfur’s population, remain in need of humanitarian assistance
• More than 300,000 people have been displaced by violence in 2013

"Poem for Evan" by Christopher Fox Graham

"Poem for Evan"

by Christopher Fox Graham

this microphone was crafted for one purpose:

to take sound and amplify it across A ROOM

its brothers exist in a thousand places:

in the bedroom of a high school guitarist

at a candidate’s podium

in an Elks Lodge Bingo Hall

but this microphone

this microphone 
stands at a poetry slam

give    it    purpose

fill this room with your art

this stage

is devoid of props or sets

it needs nothing else but you

this stage merely holds your weight

make it creek and bend 
under the heaviness of words

make these wood beams
wish they were

          a sinner’s coffin,

or a church’s rafters 

or a hangman’s gallows        

something easier to bear

than the soapbox 

of poets

this audience

sits on the edge of its seat

voices silent

waiting for your three minutes to fill their ears

word by word

they did not come to hear pickup lines
and internet jokes

they want to feel something

do    not
waste
their    time

in the shadows of this stage,

there is a man with a gun
aimed at your temple
and when your three minutes end

he will turn your brain 

into art on this wall

you cannot escape his bullet 

so do not try

instead
speak

make your words count

give them weight and substance

make us feel something

turn these eyes into faucets
overflow the kitchen sink of our chests
’til this room fills
and spills out into the street

sink this city like Atlantis

or make us laugh so hard
our bellies and faces ache tomorrow

as we recount each punchline verbatim

but    do    not
waste
our    time

if there’s a boy or girl in the back of the room
you want to kiss
or fuck 

or marry
get off the stage

and say it face-to-face

because when you’re here

YOU
belong to
US

and if your words don’t seduce

every boy and girl in this room

you’re wasting your time

this stage is 

8:12 a.m. Hiroshima
12:27 p.m. Dealey Plaza
8:43 a.m. 99th floor North Tower

you have three minutes
until the world changes forever

this microphone
will not hate you
it will not love you
and it will not judge you

this stage does not careif you are a good person

if you are rich or poor

young or old,

gay, straight, or in between

we only care about your life story

edited to the best three minutes you can speak

how did you live?
what did you learn?
what will you teach?

that man is not moving
the clock is ticking
the laser sight is beginning to burn

what will you say?
why should we care?
why do you matter? 

remind us everyone here
has a gun
pointed at our skulls
and one day that round
will fire

make us believe these moments we spend here with you

are the best three minutes of our lives

your heart is a grenade
pull the pin and explode
leave word shrapnel buried in our skin
so in weeks and years hence
when your name is whispered

we few, 

we happy few 

who witnessed your detonation

will point to the scar

reread the line, 

and say 

“NOW
THAT
IS
POETRY”

when you slam a poem
any poem

leave your blood in this microphone

leave your heart on this stage

don’t care about the scores

don’t care about the time

don’t hold back

never apologize

believe every word 
is an atom bomb

these are your last words

this is your epitaph

this is what will be scrawled 
on your tombstone

long after we 
are all dead and buried

prove you had

at least one

good     reason     to

BANG!

my time is up

                this microphone is yours

                                                now,
                                turn this stage
                                to splinters

Christopher Fox Graham © October 2014

First Sedona Poetry Slam of the 2014-2015 season is Saturday, Nov. 1

Poets are invited to compete at the first Sedona Poetry Slam of the 2014-15, which kicks off at 7:30 p.m. on Saturday, Nov. 1, at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All poets are welcome to compete for the $75 grand prize and $25 second-place prize. The prize is funded in part by a donation from Verde Valley poetry supporters Jeanne and Jim Freeland.

The slam is the first the 2014-15 season, which will culminate in selection of Sedona's fourth National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix, Tucson and Flagstaff, competing against adult poets from Sedona and Cottonwood, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

There will be seven slams in the regular season, six in Sedona and one in Clarkdale. The final Grand Poetry Slam takes place next spring, to determine the team.

Slam poets will need three original poems, each lasting no longer than three minutes. No props, costumes nor musical accompaniment are permitted.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity.

The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

Poets who want to compete should purchase a ticket in case the roster is filled before they arrive.

The local poets will share the stage with 350 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression. Sedona sent its five-poet first team to the 2012 National Poetry Slam in Charlotte, N.C., its second to the 2013 NPS in Boston and Cambridge, Mass., and its third to Oakland, Calif., in August.

The slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on seven FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010, 2012, 2013 and 2014. Graham has hosted the Sedona Poetry Slam since 2009.

Tickets are $12.

Contact Graham at foxthepoet@yahoo.com to sign up to slam.

What is Poetry Slam?

Founded in Chicago in 1984 by construction worker Marc Smith, poetry slam is a competitive artistic sport. Poetry slams are judged by five randomly chosen members of the audience who assign numerical value to individual poets' contents and performances. Poetry slam has become an international artistic sport, with more than 100 major poetry slams in the United States, Canada, Australia and Western Europe.

"Use the Press" Workshop at the Individual World Poetry Slam

Whether you're a seasoned poet or a rookie, you want audiences to attend your shows, especially when you're on tour. Beyond relying on your host or social media network, use the press -- newspapers, radio stations, television stations and other media outlets -- to generate buzz about you before you arrive and cover your shows for their local audiences.

Rock bands have big followings because of their talents but also because they know how to generate news coverage. Slam poets should be no different.

Through the Use the Press Workshop, free and open to the public, poet Christopher Fox Graham will offer slam poets and poetry organizers tips on how to craft press release, deal with the media, and entice reporters, bloggers and others to write about your impending show, cover your slam or feature, and promote your as an artistic celebrity.

Graham is a 10-year journalism veteran and the managing editor of Larson Newspapers, a family-owned newspaper chain based in Sedona, Arizona. Graham has hosted the Sedona Poetry Slam since 2009 and been a member of the National Poetry Slam family since 2001.

He has hosted more than 30 national touring poets at his venue and home in Sedona, generating front page coverage for their featured performances at newspapers and magazines throughout Northern Arizona, both drawing in larger audience and helping touring poets increase sales of their chapbooks, CDs, DVDs and our merchandise, keeping them fed and fueled on the road.
Even if you have no plans to tour, the workshop will show how to work with the media outlets in your home city to attract reporters to regularly promote your poetry slams, interview feature poets who perform at your slam, attend and cover your Grand Slams and help promote your fundraising efforts to send your teams and individual poets to national competitions.

The workshop will include information for reaching audiences for other general events and activities you promote outside of slam as well.

This workshop is free and open to the public.

The workshop takes place at Jobot Coffee and Diner, 918 N. 5th St., Phoenix Arizona at 11 a.m.

GumptionFest IX hosts the sixth annual Haiku Death Match in Sedona

GumptionFest IX's Haiku Death Match, aka GF9HDM

A Haiku Death Match is a competitive poetry duel that is a subgenre of poetry slam. The Haiku Death Match is a prominent feature at the annual National Poetry Slam, replete with full costume for the host.

At GumptionFest IX, we will hold the Sixth Annual Haiku Death Match. It takes place on Saturday, Sept. 20 from 4 to 5 p.m. at Posse Grounds Park.

What is haiku?
Haiku (俳句) is a form of Japanese poetry consisting of 17 syllables in three metrical phrases of 5 syllables, 7 syllables, 5 syllables.

Japanese haiku typically contain a kigo, or seasonal reference, and a kireji or verbal caesura. In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku.

What is slam haiku?
Slam haiku used in a Haiku Death Match is far simpler: Use of three or fewer lines of 17 syllables. Slam haiku can be anything from a single 17-syllable line or simply 17 words. Two of mine:

Traditional 5-7-5 haiku
Serial Killer Haiku
Funny you should ask
my trunk can fit two Boy Scouts
and a grandmother

American 17-syllable haiku
Grammar Haiku:
Why isn't "phonetic" spelled phonetically?
While you think, let's make out

A standard Haiku Death Match is conducted thus:
The host randomly draws the names of two poets, known as haikusters, from the pool of competitors.
The haikusters adorn headbands of two colors: Red and Not-Red (white).
Red Haikuster and Host bow to each other.
Not-Red Haikuster and Host bow to each other.
Red Haikuster and Not-Red Haikuster bow to each other.
Red Haikuster goes first.
The Red Haikuster reads his or her haiku twice. The audience does not clap or make noise (usually, though, they laugh or vocalize, but, of course, we must pretend that this is completely unacceptable).
The Not-Red Haikuster reads his or her haiku twice. Again, the audience does not clap or make noise.
The host waits for the three judges to make their choice for winner, then signals them to hold aloft their Red or Not-Red flag.
Simple majority (3-0 or 2-1) determines the winner.
The host asks the audience to demonstrate “the sound of one hand clapping,” i.e., silence, then “the sound of two hands clapping,” at which point they can finally applaud. The mock ceremony involving the audience is half the fun.
The winning haikuster then goes first.
Depending on the round, the winner will be best 3 of 5, 4 of 7, best 5 of 9, etc., of a number determined beforehand for each round.
After the duel, Red Haikuster and Not-Red Haikuster bow to each other and shake hands. The next duel begins.

Rules for the GumptionFest VII Haiku Death Match:

• Titles: Haikusters can read their haiku titles before they read the haiku. (This gives the haikusters technically more syllables to put the haiku in context, but the haiku itself must still be only 17 syllables. While this is not “pure” Haiku Death Match rules, it’s much more fun for the audience.
  
• Originality: Poets must be the sole authors of the haiku they use in competition. Plagiarized haiku are grounds for disqualification. We all love Matsuo Bashō, but he’s 300 years too dead to compete.
  
• On-page or memorized?: Poets can read from the page, book, journal, notepad, etc.
  
• Preparation: Poets can have haiku written beforehand or write them in their head while at the mic. As long as the haiku are 17 syllables, we don’t care how, when or from where the haiku originates.
  
• Rounds: Will be determined by the number of haikusters who sign up to compete.
  
• Quantity of haiku needed: Depends on the number of rounds. 30 haiku will likely be enough for poets who push rounds to the last haiku needed and go all the rounds, but 50 to 100 gives haikusters enough material to be flexible in competition. Most veteran haikusters have several hundred to compete with.
  
• Censorship: Adult themes and language are acceptable. There may be children present so you may have to deal with their parents afterward, but that’s your call.
  
• Register: E-mail me at foxthepoet@yahoo.com or GumptionFest at GumptionFest@gmail.com.

What’s the Best Strategy to Win?

• A winning haikuster is flexible.
  
• If your opponent reads a serious or deep haiku, read one that is more serious or more profound, or go on the opposite tack and read something funny.
  
• If your opponent reads a funny haiku, read one that is funnier, or go on the opposite tack and read something serious or deep.
  
• If your opponent makes fun of you, make fun of yourself even bigger or make fun of them. A good head-to-head haiku can work wonders and often wins a Haiku duel. For instance, my “Damien Flores Haiku,” “Easy way to win: / Damien is 20, Officer, / and he's drunk."
  
• If you’re on stage and you get an idea for a haiku, feel free to write it down immediately. That might be the next round’s haiku that wins you the duel.
  
• Have a good time. Even if don't get past the first round, it's still a great time for all.

Still Scared of Haiku?
Don't be, they're easy to write. Haiku Death Match haiku are not likely to be remembered centuries from now, so don't stress out. Write short poems that you find entertaining and enjoyable.

The Robert Spiess Memorial 2012 Haiku Awards

nautical chart
I touch the depth
of my mother’s ashes

— Scott Mason, First Prize

slave quarters ...
the shapes of their shadows
in this dust

— Duro Jaiye, Second Prize

shades of blue ...
the deer’s remaining eye
cradled by bone

— Susan Constable, Third Prize

winter dusk
my grief released
from the crow’s throat

— Margaret Chula, Honorable Mention

formation of geese —
a log opens
to the woodsman’s maul

— Michele L. Harvey, Honorable Mention

I seem to be
an intermittent shadow . . .
summer clouds

— Kirsty Karkow, Honorable Mention

Anonymous Haiku:


Haiku are easy
but sometimes they don't make sense ...
refrigerator

she dances lithely
seduction under the moon
I ... hey, a nickel!

My life is Jello
Sitting, waiting in the bowl
Patiently to gel

"Doom" Haiku:
Frag demons for hours
Stare at the screen with red eyes
it's time for class

Cat haiku:
The rule for today
Touch my tail, I shred your hand
New rule tomorrow

Dog haiku:
You must scratch me there!
Yes, above my tail! Behold,
"Elevator butt."

Zombie Haiku:
Brains brains brains brains brains
Brains brains brains brains brain brains brains
Brains brains, shotgun, BAM!