GumptionFest IX hosts the sixth annual Haiku Death Match in Sedona

GumptionFest IX's Haiku Death Match, aka GF9HDM

A Haiku Death Match is a competitive poetry duel that is a subgenre of poetry slam. The Haiku Death Match is a prominent feature at the annual National Poetry Slam, replete with full costume for the host.

At GumptionFest IX, we will hold the Sixth Annual Haiku Death Match. It takes place on Saturday, Sept. 20 from 4 to 5 p.m. at Posse Grounds Park.

What is haiku?
Haiku (俳句) is a form of Japanese poetry consisting of 17 syllables in three metrical phrases of 5 syllables, 7 syllables, 5 syllables.

Japanese haiku typically contain a kigo, or seasonal reference, and a kireji or verbal caesura. In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku.

What is slam haiku?
Slam haiku used in a Haiku Death Match is far simpler: Use of three or fewer lines of 17 syllables. Slam haiku can be anything from a single 17-syllable line or simply 17 words. Two of mine:

Traditional 5-7-5 haiku
Serial Killer Haiku
Funny you should ask
my trunk can fit two Boy Scouts
and a grandmother

American 17-syllable haiku
Grammar Haiku:
Why isn't "phonetic" spelled phonetically?
While you think, let's make out

A standard Haiku Death Match is conducted thus:
The host randomly draws the names of two poets, known as haikusters, from the pool of competitors.
The haikusters adorn headbands of two colors: Red and Not-Red (white).
Red Haikuster and Host bow to each other.
Not-Red Haikuster and Host bow to each other.
Red Haikuster and Not-Red Haikuster bow to each other.
Red Haikuster goes first.
The Red Haikuster reads his or her haiku twice. The audience does not clap or make noise (usually, though, they laugh or vocalize, but, of course, we must pretend that this is completely unacceptable).
The Not-Red Haikuster reads his or her haiku twice. Again, the audience does not clap or make noise.
The host waits for the three judges to make their choice for winner, then signals them to hold aloft their Red or Not-Red flag.
Simple majority (3-0 or 2-1) determines the winner.
The host asks the audience to demonstrate “the sound of one hand clapping,” i.e., silence, then “the sound of two hands clapping,” at which point they can finally applaud. The mock ceremony involving the audience is half the fun.
The winning haikuster then goes first.
Depending on the round, the winner will be best 3 of 5, 4 of 7, best 5 of 9, etc., of a number determined beforehand for each round.
After the duel, Red Haikuster and Not-Red Haikuster bow to each other and shake hands. The next duel begins.

Rules for the GumptionFest VII Haiku Death Match:

• Titles: Haikusters can read their haiku titles before they read the haiku. (This gives the haikusters technically more syllables to put the haiku in context, but the haiku itself must still be only 17 syllables. While this is not “pure” Haiku Death Match rules, it’s much more fun for the audience.
  
• Originality: Poets must be the sole authors of the haiku they use in competition. Plagiarized haiku are grounds for disqualification. We all love Matsuo Bashō, but he’s 300 years too dead to compete.
  
• On-page or memorized?: Poets can read from the page, book, journal, notepad, etc.
  
• Preparation: Poets can have haiku written beforehand or write them in their head while at the mic. As long as the haiku are 17 syllables, we don’t care how, when or from where the haiku originates.
  
• Rounds: Will be determined by the number of haikusters who sign up to compete.
  
• Quantity of haiku needed: Depends on the number of rounds. 30 haiku will likely be enough for poets who push rounds to the last haiku needed and go all the rounds, but 50 to 100 gives haikusters enough material to be flexible in competition. Most veteran haikusters have several hundred to compete with.
  
• Censorship: Adult themes and language are acceptable. There may be children present so you may have to deal with their parents afterward, but that’s your call.
  
• Register: E-mail me at foxthepoet@yahoo.com or GumptionFest at GumptionFest@gmail.com.

What’s the Best Strategy to Win?

• A winning haikuster is flexible.
  
• If your opponent reads a serious or deep haiku, read one that is more serious or more profound, or go on the opposite tack and read something funny.
  
• If your opponent reads a funny haiku, read one that is funnier, or go on the opposite tack and read something serious or deep.
  
• If your opponent makes fun of you, make fun of yourself even bigger or make fun of them. A good head-to-head haiku can work wonders and often wins a Haiku duel. For instance, my “Damien Flores Haiku,” “Easy way to win: / Damien is 20, Officer, / and he's drunk."
  
• If you’re on stage and you get an idea for a haiku, feel free to write it down immediately. That might be the next round’s haiku that wins you the duel.
  
• Have a good time. Even if don't get past the first round, it's still a great time for all.

Still Scared of Haiku?
Don't be, they're easy to write. Haiku Death Match haiku are not likely to be remembered centuries from now, so don't stress out. Write short poems that you find entertaining and enjoyable.

The Robert Spiess Memorial 2012 Haiku Awards

nautical chart
I touch the depth
of my mother’s ashes

— Scott Mason, First Prize

slave quarters ...
the shapes of their shadows
in this dust

— Duro Jaiye, Second Prize

shades of blue ...
the deer’s remaining eye
cradled by bone

— Susan Constable, Third Prize

winter dusk
my grief released
from the crow’s throat

— Margaret Chula, Honorable Mention

formation of geese —
a log opens
to the woodsman’s maul

— Michele L. Harvey, Honorable Mention

I seem to be
an intermittent shadow . . .
summer clouds

— Kirsty Karkow, Honorable Mention

Anonymous Haiku:


Haiku are easy
but sometimes they don't make sense ...
refrigerator

she dances lithely
seduction under the moon
I ... hey, a nickel!

My life is Jello
Sitting, waiting in the bowl
Patiently to gel

"Doom" Haiku:
Frag demons for hours
Stare at the screen with red eyes
it's time for class

Cat haiku:
The rule for today
Touch my tail, I shred your hand
New rule tomorrow

Dog haiku:
You must scratch me there!
Yes, above my tail! Behold,
"Elevator butt."

Zombie Haiku:
Brains brains brains brains brains
Brains brains brains brains brain brains brains
Brains brains, shotgun, BAM!

"Bob Ross History" by Duncan Shields

Duncan Shields poem about Bob Ross teaching the history of North America was my favorite from the 2014 National Poetry Slam in Oakland, Calif. Shields performed the poem at the Legends Showcase. This is an earlier performance from April 5, 2014 at Astorino's, in Vancouver, British Columbia, Canada.

Artists vs Teenage Mutant Ninja Turtles. Epic Rap Battles of History Season 3 Finale

▼ CAST ▼
ARTISTS:
Leonardo da Vinci: Link Neal
http://rhettandlink.com
https://twitter.com/linklamont

Donatello: Rhett McLaughlin
http://rhettandlink.com
https://twitter.com/rhettmc

Michelangelo: Ian Hecox
http://smosh.com
https://twitter.com/SmoshIan

Raphael: Anthony Padilla
http://smosh.com
https://twitter.com/SmoshAnthony

Teenage Mutant Ninja Turtles
Voiced by: Nice Peter & EpicLLOYD
Performed by: EpicLLOYD
http://youtube.com/nicepeter
http://youtube.com/epiclloyd

Ninja Turtles Stunt Double: Xin Wuku

Beat Produced by: Hollywood Legend Productions
http://bit.ly/1ly3tyw

Every human that has ever lived except one

Astronaut Michael Collins, behind the camera, is the only human not in this photo, shot from Apollo 11 on July 20, 1969. Except for Collins, it contains astronauts Neil Armstrong and Buzz Aldrin in the Eagle lander, as well as every man, woman and child alive and the resting place of all our dead ancestors.

On the 45th anniversary of the Apollo 11 moon landing

Photojournalist Tom Hood and I were invited by Lowell Observatory in Flagstaff to cover a speech by astronaut Neil Armstrong related to the unveiling of the first images recorded by the Discovery Channel Telescope on July 20, 2012, on the 43rd anniversary of the Apollo 11 landing on the moon.

The recording of Neil Armstrong's speech has some funny lines and beautiful imagery:
“Almost a half-century ago, some astronomers designed an experiment. The idea was deceptively simple: Compute the distance between the Earth and the moon based on the time it would take for a beam of light to travel up to a mirror located on the surface of the moon and to reflect it back to Earth.”
“I wasn’t one of the scientists on this project — I was sort of technician. My job in the experiment was to install the mirror."
“It may not be obvious why anyone would want to measure the distance to the Sea of Tranquility within 11 inches, but we had to have some way of confirming our mileage for our expense account.”
“The mirrors are expected to be busy for many years to come, which gives me enormous satisfaction as a technician on the project.” 

“From the Sea of Tranquility, the Earth hung above me 23 degrees west of the zenith, a turquoise pendant against a black velvet sky.”
“The home of the human species is not inherently restricted to Earth alone. The universe around us is our challenge and our destiny.”

“Thanks to everyone here for being a part in this civilization.”

Neil Armstrong on the moon

It turned out to be Armstrong's last public speech [and second-to-last interview; his last being with an Italian radio station] gave before his death on Aug. 25, 2012.

The video to which he referred at another speech in Australia in 2011:

Buzz Aldrin and Neil Armstrong also left behind an American Flag, a plaque, an olive branch-shaped gold pin, messages from 73 world leaders, a patch from the Apollo 1 mission that, during a training exercise, combusted and killed three American astronauts, and medals in honor of two of the first Soviet astronauts who had died in flight.

Digitally remastered footage of the 1969 Apollo 11 moonwalk:


The video highlights of the three-hour moonwalk include a clearer picture of Neil Armstrong's descent down the stairs of the lunar module, which was taken from the Parkes Radio Observatory and the Honeysuckle Creek tracking station outside Canberra on 21 July 1969 (Australian time).
The long-forgotten video footage was uncovered during a decade-long search for the original recordings of the moonwalk, and involved lengthy detective work and clandestine meetings, says astronomer and telescope operator John Sarkissian from the CSIRO at Parkes, who headed up the search.
At the time of the Moon landing, three stations - Goldstone in California, Honeysuckle Creek in Canberra, and Parkes in New South Wales - simultaneously recorded the events onto magnetic data tape. The direct recordings were not of broadcast quality, says John, so they had to set up a regular TV camera pointed at a small black-and-white TV screen in the observatory to obtain higher-quality images that could be relayed to television stations around the world.
"Original signals weren't HD quality TV. They weren't even broadcast quality, even by 1969 standards," he says. "They were better than what was broadcast to the world; that's why we went looking for them ...".

Buzz Aldrin on the moon

The Goldstone camera settings to convert Neil's descent down the stairs were not correct and showed an image too dark to see. So the decision was made to switch to the Honeysuckle Creek footage, and after eight minutes, to the Parkes footage, which was used for the rest of the moonwalk.

It was this clearer footage, which had not been seen since 1969, that John and his search team were hoping to recover from the NASA archives, where the tapes had been sent.
Unfortunately, they hit a roadblock. "We discovered, to our horror, that in the 1970s and 80s NASA had taken the tapes in the national archive and erased them all to record other missions."
About 250,000 tapes from the Apollo era, likely including the 45 tapes of the moonwalk, are likely lost forever.

The Apollo 11 Plaque left on the lander on the moon

After some digging, they found that in the 1980s someone made a VHS tape of the Honeysuckle Creek magnetic tape, "a bootleg copy if you like, that was severely degraded," John says. A copy of that copy was given to an Apollo enthusiast who was tracked down to Sydney by the search team. This footage included a brighter and clearer version of Apollo 11 mission commander Neil Armstrong's descent to the lunar surface and was used to replace the darker Goldstone images at the start of the broadcast.
At the awards ceremony, select scenes from the entire restored video will show Neil's first step on the Moon's surface, Buzz Aldrin's decent of the lunar module ladder, the plaque reading and the raising of the U.S. flag.

Had the Apollo 11 mission failed, the White House had planned for President Richard Nixon to give this speech, which remained quietly in government archieves. The speech is heart-wrenching, even if it was never needed:

"Weird Al" Yankovic - Word Crimes

Bob Ross vs Pablo Picasso - Epic Rap Battles of History Season 3

Stephen King vs Edgar Allan Poe. Epic Rap Battles of History Season 3

"The Envy of the Moon" by Christopher Fox Graham

"The Envy of the Moon"

By Christopher Fox Graham

The Arizona desert is so silent

that on a night like this

you can hear the Moon

because of the distance between here and there

it takes time for messages to pass between us

but tonight I ask,

"Moon, do you envy the Earth?"

on most nights,

the Moon remains silent in the night sky

unwilling or unable to reply

but tonight,

tonight on the breath of the wind

deep and slow like it had centuries of time to contemplate an answer

I heard the Moon whisper, "Yes."

when speaking with heavenly bodies

you must slow your mind

understand that they do not enunciate impatiently

every syllable takes time to shake free of its surface

so they only speak when gravity is worth the weight

"Yes, I envy the Earth," the Moon said

"we were lovers

born in the same fire

spinning like dancers drunk on each other

shattered by craters which made us old before our time

but across her

oceans hide her secrets

I pull at them hoping to see her again

I lost sight of her beneath all the green

across her, moving things became too many to count

the noise of it is deafening

your people covered across her plains

cut geometric squares that now change with the seasons

cities spread from sea coast up her rivers to the mountains

and places in between

threads of lines connect them all

you people shake loose so much of my old lover

I barely recognize her

and I wondered what is so important

that you were so busy for so long

and then a few of you came to visit

planted your feet and your flags on my skin

said things close to me

there was no time to wait for the echo like before

it was overwhelming

the Earth feels like this every day

and i'm certain some days it's more than she can take

but I would give anything to feel it again

you had stared at me for so many generations

your desire to reach me was burned into your bones

so happy to be the first

you left your names engraved in stone for those afterward

and then I knew what she felt

why she held you so tightly

why she changed herself after every eruption or impact

it was to give a few of you a chance to survive

it was the only way we could touch again

you came to visit

but none of you stayed

you left me here

and I did not know I was lonely until you were gone

but I will tell you a secret:

deep in your American South

in the bayou of a delta

there is a man who sits nightly on his porch

as the sun dips below the horizon

he plays his guitar for hours

I can narrow my vision to see his face like he was sitting here

he plays and stares at me

like we are old friends

the lunar desert is so silent

that on a night like this

you can hear single note

because of the distance between here and there

it takes time for messages to pass between us

but I strain to listen

and I know I must compensate for the delay

deafen all the other songs and stories

so I can hear what he has to sing

but on a night like tonight

on the breath of the wind

he sings of being alone

I count you daily

there are 7 billion of you around him

some within miles

be he, he is alone

profoundly nakedly alone

as though he, like me, had been alone in the dark for centuries

but remembers what it was like to be loved and touched once

and when stares at me, he knows that only I know what he feels

he sings to me

he sings for me

he sings because I

do not know how

so, yes, I envy the Earth

I want you to be here

I want your cities to spread across these ancient craters

I want to be so deep beneath your feet that I am forgotten

because you are staring out at other worlds to touch

I want you to no longer call me the Moon like I am a stranger

but 'home' because this is where you spent your lives

this is where you want to be buried

this is where you want to leave from

and never look back

I envy the Earth

because she has this," the Moon said

"she has you"

A colonized moon

Christopher Fox Graham © 2014

Button Poetry presents "Waiting" by poet Thadra Sheridan

Thadra Sheridan performs the poem "Waiting." Filmed by Jamie DeWolf.

Button Poetry is committed to developing a coherent and effective system of production, distribution, promotion and fundraising for spoken word and performance poetry.

We seek to showcase the power and diversity of voices in our community. By encouraging and broadcasting the best and brightest performance poets of today, we hope to broaden poetry's audience, to expand its reach and develop a greater level of cultural appreciation for the art form.

TODAY: 12 poets battle in the Sedona Grand Poetry Slam on Saturday, June 7

Today, Saturday, June 7, the best poets in Arizona will compete in the 2014 Sedona Poetry Grand Slam, which kicks off at 7:30 p.m. at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Tickets are $12. To purchase tickets, click here.

The slam is the final the 2014 season, which culminates in selection of Sedona's third National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix and Flagstaff, competing against adult poets from Sedona, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

At Nationals, the Sedona National Poetry Slam Team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its first team to the 2012 National Poetry Slam in Charlotte, N.C., and its second to the 2013 NPS in Boston and Cambridge, Mass.

The 12 top poets who will compete on June 7 include:

Maya Hall

Maya Hall is a triplet and a lover of life.

When she isn't busy working on poetry she's studying for an art education degree as well as gearing up for a masters in counseling.

She's ready for the path that poetry is taking her and is up for anything in this new, exciting chapter of her life and hoping to get her words out to a larger audience.

Spencer Troth

Spencer Troth was born in the humble town of Mesa, after it was no longer a humble town. He has lived across the Phoenix Metro area, but has now learned to call Flagstaff his home. Having just completed his degree in Political Science, Troth is a fresh young adult looking to find his place in the world of politics, though he has always kept a special place in his heart for poetry. As a poet, Troth has competed in slams for about two years, garnering a place on Sedona's national team in 2012 to compete in Charlotte, N.C.

Troth has a writing style which can be saturated with images, and sometimes difficult to interpret, but claims that beneath it all there is a narrative which he wishes to convey in every piece.

"I have always tried to take a more normal experience, falling in love, traveling, experiencing a friend pass; and break it down into more abstract images and concepts. I think this is how my mind operates, and with poetry, my inevitable goal is to bring people into a place where they may experience the things which influence me in a similar fashion to how I am affected by them," Troth said.

Rowie Shebala

Roanna Shebala, a Native American spoken word artist, of the Diné – Navajo – Tribe was born and raised on the Navajo Nation.

Given the gift of storytelling from her father she combines story, poetry, and performance.

Shebala constantly brings the voice of her heritage into her performance, and written work often treading into spaces where hearing native voices is unlikely.

In doing so, she hopes to reframe what it means to be a Native person for the masses, point out the appropriation of her people's culture, and reclaim an identity that has perverted by heavily edited versions of history, the invisibilization of indigenous peoples today, and the use of those people as caricatures for mass amusement.

Lauren Perry

A slam poet for 11 years, Lauren Perry has been a four-time Women of the World competitor, representing Phoenix, Mesa and Sedona.

Something to be said for a Persona Poet – there is no box to think out of as they are not limited to one person but rather bring the voice another to carry the conversation outside any guidelines.

In 2013, Perry joined her fifth National Poetry Slam team, one that would rank seventh in the country and make it to semi-finals.

Her poems use great depth and multiple layers that tap dance back a round-robin to the beginning to tell more than one story but leave a complete image in the audience's head.

A born sarcastic, with a dark sense of humor, she’s not one to not love or perform anything less than hard.

Valence

Tyler "Valence" Sirvinskas is a performance poet and new media artist based in Arizona.

Spoken word, performance art, electronic music, and visual art are all elements of Valence's artistic vision. In 2011, he began competing in poetry slams, and represented Flagstaff at the 2011 National Poetry Slam. In 2012, he won the Sedona Grand Slam, and in 2013 secured a spot on the Sedona National Poetry Slam Team.

Valence has lived in Arizona for the last decade, but was born in and spent his childhood in Chicago. Part of the last generation to know first-hand what life was like before the internet, Valence is grateful for anything that makes people silence their smartphones.

In the future, Valence has plans for touring, various projects, and a new style of performance art that combines spoken word with live video and music. At only 23 years of age, he's still somewhat green but definitely done screwing around.

Lauren Remy

Lauren Remy is 16 years old and a resident of Sedona.

Remy has been a part of youth poetry slams for two years. People have likely seen her spitting some poetry at Java Love Café.

Remy writes metaphors about fire, or flowers, or space. When she’s not spitting some radical poetry she’s being a thespian at Sedona Red Rock High School.

Remy is a cool cat. But isn’t as cool of a cat as James Gould (the glorious leader of North Korea).

Gould is inspiring to Remy because he isn’t narcissistic in the slightest. Also, by the way, Remy is NOT James’s secret admirer.

James Gould

James Gould is kind of a big deal. He is not only Sedona's "Most Successful Rap Battle Host Ever," but also a competing poet for the Sedona National Poetry Slam Team.

He performs poetry to get stuff off his chest, like breast reduction.

He lives and works in Sedona, as "The Best Web Developer You Ever Saw." He writes poems on subjects including, but not limited to, dinosaurs, free speech, his irrationally rational fears of babies and fans, and cute people.

"He is probably the best person ever, and not in the slightest narcissistic." -James's Secret Admirer (Definitely not James).

Gabbi Jue

Gabbi "Truth Bomb" Jue is a spoken word poet, dancer, creator and survivor with an insatiable love for things that turn pain into beauty.

Tribulations and triumphs in her lifetime influence her art, which she uses to bring strength and hope for others and herself. She has been a member of the Northern Arizona poetry community since 2011 and was a member of FlagSlam’s 2013 National Poetry Slam Team that competed at the National Poetry Slam in Boston.

No fear of telling it how it is, her tendency to speak her mind bluntly and honestly has coined her the nickname "Truth Bomb."

Joy Young

Joy Young is a Phoenix-based spoken word performance and teaching artist.

A self-described “circus-poet,” she believes that often, the best response to a world constructed of ridiculous assumptions and expectations is to be equally ridiculous. It is through the juxtaposition of perceived realities and the absurd that she hopes to unveil places of possibility and queer our understanding of the world around us.

Her unique body of work often explores nuanced understandings of gender, sex, and sexuality in ways that frame personal narratives as part of larger social justice topics.

Evan Dissinger

Evan Dissinger is 24 years old and currently living in Flagstaff. He has been involved with slam poetry since 2008 and has been on two national teams; 2008 with FlagSlam and again in 2012 as a member of team Sedona.

Dissinger lives with one cat and is often found hunched over a canvas or cruising on a skateboard when not at his restaurant day job.

Dissinger is an inquisitive Aquarius with a unique interpretation of the world around him. Dissinger caries a timid boldness that can be found reflected in his art.

Verbal Kensington

With a background ranging the spectrum from accounting to pyrotechnics, Meg "Verbal" Kensington is Necessary Publishing’s Creative Director and competed on the 2013 Sedona National Poetry Slam Team in Boston.

She’s also a writer, poet, artist, and mentor. Others know her as a verbal mercenary, with an uncanny knack for organization.

Her most valued achievements include the ability to speak unabashedly in the third person, the precise calculation of road-trip gas mileage in her beloved vintage Subaru, and the unobtrusive creation of an amazing array of late-night snacks.

She aspires to become more like her favorite animal, the platypus – the only earthly creature who is both astonishingly cuddly, and horrendously poisonous.

With her unique combination of extreme intelligence and stunning good looks, she plans to one day take over the world – starting today.

The Klute

Phoenix-area crackpot Jerome du Bois once said of The Klute: "You have one of the blackest hearts I've ever had the misfortune to glimpse," so in 2007, The Klute received an upgrade.

With the implantation of a Freestyle bioprosthesis, The Klute now has "superior flow characteristics." His heart remains blacker than ever.

The Klute, part man, part machine, all of him sarcastic, is a fixture of the Arizona poetry scene, having been on five National Slam Poetry Teams from Mesa (2002-2003, 2005-2006, and 2010) and four from Phoenix (2008-2009, 2012-2013).

In 2014 he will be published in anthologies by Write Bloody and Sergeant Press. He's a one-man psy-ops campaign bringing the system down from inside. He buys low and sells high. He keeps the Grim Reaper on speed dial and his absinthe on ice.

Christopher Fox Graham

The Sedona Poetry Grand Slam will be hosted by Sedona poet Christopher Fox Graham, who represented Northern Arizona on seven FlagSlam National Poetry Slams in 2001, 2004, 2005, 2006, 2010, 2012 and 2013.

He recently earned a slot on the 2014 FlagSlam team which will compete alongside the Sedona team at Nationals. Graham has hosted the Sedona Poetry Slam since 2009.

Tickets are $12. To purchase tickets, click here.

 

FlagSlam National Poetry Slam Team join as Sedona's best slam poets battle June 7

FlagSlam National Poetry Slam Team poets Claire Pearson, Christopher Fox Graham, Josh Floyd, Josh Wiss and Ryan Smalley will join as their sister team gets selected at the Sedona Poetry Grand Slam.

Poets The Klute, Verbal Kensington, Evan Dissinger, Joy Young, Gabbi Jue, James Gould, Lauren Remy, Valence, Lauren Perry, Rowie Shebala, Spencer Troth and Maya Hall will battle for the five slots on the Sedona National Poetry Slam Team.

On Saturday, June 7, the best poets in Arizona will compete in the 2014 Sedona Poetry Grand Slam, which kicks off at 7:30 p.m. at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Tickets are $12. To purchase tickets, click here.

The slam is the final the 2014 season, which culminates in selection of Sedona's third National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix and Flagstaff, competing against adult poets from Sedona, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

At Nationals, the Sedona National Poetry Slam Team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its first team to the 2012 National Poetry Slam in Charlotte, N.C., and its second to the 2013 NPS in Boston and Cambridge, Mass.

Kaylan Rosa calibrates at the Sedona Poetry Grand Slam on June 7 as Arizona's best slam poetscompete

Kaylan Rosa is a 15-year-old resident of Sedona. She was only recently birthed into the swag ass world that is slam poetry.

When Kaylan Rosa is not writing or procrastinating poetry she spends her time listening to mad raps, maintaining her hella rad fashion game, and doing a plethora of thespian-related things.

Kaylan Rosa also just so happens to be a dedicated fan and whole hearted lover of the beverage coconut water, so if anyone ever has a hankering to buy her some coconut water ... please ... do not hesitate to do so.

P.S. she hates it with pulp.

Kaylan Rosa will be one of the calibration poets as poets The Klute, Verbal Kensington, Evan Dissinger, Joy Young, Gabbi Jue, James Gould, Lauren Remy, Valence, Lauren Perry, Rowie Shebala, Spencer Troth and Maya Hall will face off at the Sedona Poetry Grand Slam.

On Saturday, June 7, the best poets in Arizona will compete in the 2014 Sedona Poetry Grand Slam, which kicks off at 7:30 p.m. at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Tickets are $12. To purchase tickets, click here.

The slam is the final the 2014 season, which culminates in selection of Sedona's third National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix and Flagstaff, competing against adult poets from Sedona, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

At Nationals, the Sedona National Poetry Slam Team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its first team to the 2012 National Poetry Slam in Charlotte, N.C., and its second to the 2013 NPS in Boston and Cambridge, Mass.

Christopher Fox Graham hosts the Sedona Poetry Grand Slam on June 7 as Arizona's best slam poets compete

Christopher Fox Graham is a poet and journalist from Sedona.

Beginning his performance poetry career in October 2000, Graham has been a member of six Flagstaff National Poetry Slam teams, representing Flagstaff in 2001, 2004, 2005, 2006, 2010, 2012, 2013 and 2014.

Originally from Montana, Graham was raised in the East Valley of Phoenix. He earned a degree in English from Arizona State University before serving as slammaster of FlagSlam in 2001 to 2002. He toured 36 states on a three-month poetry tour with Keith Brucker and Josh Fleming in summer 2002, then later moved to Sedona in 2004. In 2009, he founded the Sedona Poetry Slam, which has sent teams to the National Poetry Slams in 2012 and 2013.


Graham will be one the host as poets The Klute, Verbal Kensington, Evan Dissinger, Joy Young, Gabbi Jue, James Gould, Lauren Remy, Valence, Lauren Perry, Rowie Shebala, Spencer Troth and Maya Hall face off at the Sedona Poetry Grand Slam.

On Saturday, June 7, the best poets in Arizona will compete in the 2014 Sedona Poetry Grand Slam, which kicks off at 7:30 p.m. at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Tickets are $12. To purchase tickets, click here.

The slam is the final the 2014 season, which culminates in selection of Sedona's third National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix and Flagstaff, competing against adult poets from Sedona, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

At Nationals, the Sedona National Poetry Slam Team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its first team to the 2012 National Poetry Slam in Charlotte, N.C., and its second to the 2013 NPS in Boston and Cambridge, Mass.

The Klute competes at the Sedona Poetry Grand Slam on June 7 against Arizona's best slam poets

Phoenix-area crackpot Jerome du Bois once said of The Klute: "You have one of the blackest hearts I've ever had the misfortune to glimpse," so in 2007, The Klute received an upgrade.

With the implantation of a Freestyle bioprosthesis, The Klute now has "superior flow characteristics." His heart remains blacker than ever.

The Klute, part man, part machine, all of him sarcastic, is a fixture of the Arizona poetry scene, having been on five National Slam Poetry Teams from Mesa (2002-2003, 2005-2006, and 2010) and four from Phoenix (2008-2009, 2012-2013).

In 2014 he will be published in anthologies by Write Bloody and Sergeant Press. He's a one-man psy-ops campaign bringing the system down from inside. He buys low and sells high. He keeps the Grim Reaper on speed dial and his absinthe on ice.

The Klute will face off with poets Verbal Kensington, Evan Dissinger, Joy Young, Gabbi Jue, James Gould, Lauren Remy, Valence, Lauren Perry, Rowie Shebala, Spencer Troth and Maya Hall at the Sedona Poetry Grand Slam.

On Saturday, June 7, the best poets in Arizona will compete in the 2014 Sedona Poetry Grand Slam, which kicks off at 7:30 p.m. at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Tickets are $12. To purchase tickets, click here.

The slam is the final the 2014 season, which culminates in selection of Sedona's third National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix and Flagstaff, competing against adult poets from Sedona, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

At Nationals, the Sedona National Poetry Slam Team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its first team to the 2012 National Poetry Slam in Charlotte, N.C., and its second to the 2013 NPS in Boston and Cambridge, Mass.

Verbal Kensington competes at the Sedona Poetry Grand Slam on June 7 against Arizona's best slam poets

With a background ranging the spectrum from accounting to pyrotechnics, Meg "Verbal" Kensington is Necessary Publishing’s Creative Director and competed on the 2013 Sedona National Poetry Slam Team in Boston.

She’s also a writer, poet, artist, and mentor. Others know her as a verbal mercenary, with an uncanny knack for organization.

Her most valued achievements include the ability to speak unabashedly in the third person, the precise calculation of road-trip gas mileage in her beloved vintage Subaru, and the unobtrusive creation of an amazing array of late-night snacks.

She aspires to become more like her favorite animal, the platypus – the only earthly creature who is both astonishingly cuddly, and horrendously poisonous.

With her unique combination of extreme intelligence and stunning good looks, she plans to one day take over the world – starting today.

Verbal Kensington will face off with poets The Klute, Evan Dissinger, Joy Young, Gabbi Jue, James Gould, Lauren Remy, Valence, Lauren Perry, Rowie Shebala, Spencer Troth and Maya Hall at the Sedona Poetry Grand Slam.

On Saturday, June 7, the best poets in Arizona will compete in the 2014 Sedona Poetry Grand Slam, which kicks off at 7:30 p.m. at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Tickets are $12. To purchase tickets, click here.

The slam is the final the 2014 season, which culminates in selection of Sedona's third National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix and Flagstaff, competing against adult poets from Sedona, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

At Nationals, the Sedona National Poetry Slam Team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its first team to the 2012 National Poetry Slam in Charlotte, N.C., and its second to the 2013 NPS in Boston and Cambridge, Mass.

Evan Dissinger competes at the Sedona Poetry Grand Slam on June 7 against Arizona's best slam poets

Evan Dissinger is 24 years old and currently living in Flagstaff. He has been involved with slam poetry since 2008 and has been on two national teams; 2008 with FlagSlam and again in 2012 as a member of team Sedona.

Dissinger lives with one cat and is often found hunched over a canvas or cruising on a skateboard when not at his restaurant day job.

Dissinger is an inquisitive Aquarius with a unique interpretation of the world around him. Dissinger caries a timid boldness that can be found reflected in his art.

Evan Dissinger will face off with poets The Klute, Verbal Kensington, Joy Young, Gabbi Jue, James Gould, Lauren Remy, Valence, Lauren Perry, Rowie Shebala, Spencer Troth and Maya Hall at the Sedona Poetry Grand Slam.

On Saturday, June 7, the best poets in Arizona will compete in the 2014 Sedona Poetry Grand Slam, which kicks off at 7:30 p.m. at the Mary D. Fisher Theatre, 2030 W. State Route 89A, Suite A-3.

Tickets are $12. To purchase tickets, click here.

The slam is the final the 2014 season, which culminates in selection of Sedona's third National Poetry Slam Team, the foursome and alternate who will represent the city at the National Poetry Slam in Oakland, Calif., in August. Poets in the slam come from as far away as Phoenix and Flagstaff, competing against adult poets from Sedona, college poets from Northern Arizona University, and youth poets from Sedona Red Rock High School's Young Voices Be Heard slam group.

Slam poetry is an art form that allows written page poets to share their work alongside theatrical performers, hip-hop artists and lyricists. While many people may think of poetry as dull and laborious, a poetry slam is like a series of high-energy, three-minute one-person plays.

All types of poetry are welcome on the stage, from street-wise hip-hop and narrative performance poems, to political rants and introspective confessionals. Any poem is a "slam" poem if performed in a competition. All poets get three minutes per round to entertain their audience with their creativity. The poets will be judged Olympics-style by five members of the audience selected at random at the beginning of the slam.

At Nationals, the Sedona National Poetry Slam Team will share the stage with 300 of the top poets in the United States, Canada and Europe, pouring out their words in a weeklong explosion of expression.

Sedona sent its first team to the 2012 National Poetry Slam in Charlotte, N.C., and its second to the 2013 NPS in Boston and Cambridge, Mass.