By April Ranger
Think of the firefly,
beating its bright pulse.
Think of the firefly
smashed against a child’s arm
because someone promised it would make his wrist glow
and he wanted to keep the light forever.
Think of the first love you ever destroyed
because you’d never known anything like it before,
like seeing your own heartbeat outside of yourself,
a flickering, luminescent miracle -
you wanted to crush it to your skin.
Think of the luster inside you,
that spark that blazed the first time
you bared yourself to another human being, said:
"Call me brilliant as the sun,
or ugly as a naked bulb,
I am dangling before you
so you might not stumble."
April Ranger grew up in rural Maine and discovered the Cantab Lounge in Cambrigde, Mass., while pursuing a theater degree at Emerson College. An open mic standout for months, she made a decisive slam debut in 2008, qualifying to try out for the venue’s National Poetry Slam team in one of the last open slams of the season.
After handily making the team’s roster, that same year saw her competing on the Finals Stage of the National Poetry Slam in Madison, Wis., and subsequently returning home to add the 2008 NorthBEAST Regional Individual Championship to her list of slam credits.
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Photo by Michelle Campbell Barry. April Ranger performs on the 2008 National Poetry Slam finals stage. |
She has informally served as the Cantab team’s vocal coach since 2008, and is a valued workshopper and featured performer throughout the region. She has completed multiple short-leg national tours with past Cantab teammate Carrie Rudzinski.
An emerging playwright, April received Emerson’s 2007 Nicole Dusfresne award for her play Street Sweepers, and her ten-minute play Frabjous Day premiered at the 2008 Boston Theatre Marathon at the Boston Center for the Arts.
Her poems have appeared in Muzzle Magazine and Off the Coast, and she is the author of three chapbooks, "We Are Not As Strong", "The Sacred Heartbeat of Consent", and "Blood Oranges," "Top Bunk", and a CD, "Like Canvas."
With her twin sister, Aimee Rose, she is a co-founder of SOOP (Stories of Our People), a storytelling-and-poetry community show run from their home in Roxbury, Mass.
I love the way "The Light Inside Us" sounds like it's going to be a kind of grand, celebratory tract about being proud of our selves and inner beings and bodies but actually it resonates with vulnerability and contrasts that "blaze of light" with the sense of "dangling" etc - that sense of very real, bodily being.
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